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"A HIGHLY ORIGINAL DYSTOPIAN MASTERPIECE" --Geraldine Brooks, Pulitzer Prize winning author of March "FOR ALL THE POETRY AND LYRICISM, THE CHIMES IS A SOLID SUSPENSEFUL ADVENTURE STORY AT HEART" --NPR Books A mind-expanding literary debut composed of memory, music and imagination. A boy stands on the roadside on his way to London, alone in the rain. No memories, beyond what he can hold in his hands at any given moment. No directions, as written words have long since been forbidden. No parents--just a melody that tugs at him, a thread to follow. A song that says if he can just get to the capital, he may find some answers about what happened to them. The world around Simon sings, each movement a pulse of rhythm, each object weaving its own melody, music ringing in every drop of air. Welcome to the world of The Chimes. Here, life is orchestrated by a vast musical instrument that renders people unable to form new memories. The past is a mystery, each new day feels the same as the last, and before is blasphony. But slowly, inexplicably, Simon is beginning to remember. He emerges from sleep each morning with a pricking feeling, and sense there is something he urgently has to do. In the city Simon meets Lucien, who has a gift for hearing, some secrets of his own, and a theory about the danger lurking in Simon's past. A stunning debut composed of memory, music, love and freedom, The Chimes pulls you into a world that will captivate, enthrall and inspire.
A unique gothic romance with an enticing undercurrent of fairytale and darkness. Perfect for teen girls
The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, particularly during the Shang and Zhou dynasties (ca. 1700-221 B.C.). Lothar von Falkenhausen's rich and detailed study reconstructs how the music of these bells—the only Bronze Age instruments that can still be played—may have sounded and how it was conceptualized in theoretical terms. His analysis and discussion of the ritual, political, and technical aspects of this music provide a unique window into ancient Chinese culture. This is the first interdisciplinary perspective on recent archaeological finds that have transformed our understanding of ancient Chinese music. Of great significance to the understanding of Chinese culture in its crucial formative stage, it provides a fresh point of departure for exploring later Asian musical history and offers great possibilities for comparisons with music worldwide.
Originally published in 1968. The author, a well-known contemporary and friend of folklorist Katharine M. Briggs, collected a tremendous store of folk music material over many years and eventually decided to put some of it on permanent record. This book comprises a cross-section of rescued melodies dating back to medieval days and up to the Victorian early ballads. It describes individual folk singers in Somerset in great detail as personal accounts and documents their lyrics and their tunes, which are all together at the end of the volume.
"Can you hear the bell chime?" A girl suffering from paralyzing night terrors finds a missing poster hanging from the door of her apartment building. On that poster is a photograph of a frighteningly familiar face. It's her. Only, she's never seen this photo before and something about its grin scares her. How its eyes seem to follow her no matter where she finds herself in the room. Over a series of strange events to follow--events that will make her question whether her sanity is still there or fleeting--she must discover: What is real and what is the nightmare? The Bell Chime is the disturbing, psychological novella debut from Mona Kabbani. Slated for publication on September 2nd, 2020, the Full Corn Moon. About the Author Mona Kabbani is a horror fan, writer, and reviewer obsessed with psychology and the human condition. She emulates the conflict of the good versus the bad and all of the in between in her work while providing an entertainingly horrifying experience. She is a Lebanese immigrant living the American dream in New York City where much of her writing is inspired. You can follow her on Instagram @moralityinhorror for more and sign up to her mailing list on her website, www.moralityinhorror.com.
When life gets complicated, New York Times bestselling author Sherryl Woods proves family—and love—can make all the difference Facing a personal crisis, ambitious and driven Gabriella Castle retreats to the welcoming arms of her family. Everything she's worked for has been yanked out from under her, and she seeks the serenity of her grandmother's home on the North Carolina coast. With difficult decisions to make about her future, the last thing she wants is an unexpected love. Wade Johnson fell for Gabi the first time he saw her. It's not the only time he's found himself in the role of knight in shining armor, but Gabi isn't looking for a rescuer. To get her to stay, Wade will need a whole lot of patience and gentle persuasion…and maybe the soothing sound of wind chimes on a summer breeze.
Information on making the most familiar wind chimes designs, as well as exotic and unusual types, including metal, bamboo, ceramic and shell, plus chimes in tubular forms, bell forms, and many others. Includes an accompanying CD that allows you to hear and compare the sounds of different types of chimes.
Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.