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Matthew Abraham is a drug dealer being forced out of his empire in Baltimore, Maryland. Rather than submitting to the pressures of the younger dealers, he decides to destroy his empire and leave his neighborhood turf with his baby mother and seven year old daughter Destiny, leaving behind a gang war to take up residence in Negro Mountain, located along the Mason-Dixon line. Destiny, disturbed and frightened by her parents’ gang banging lifestyle, turns to the spirits of her departed grandmother and of Negro Mountain itself who speak to her through the dolls she plays with, and bestow upon her powers to manipulate nature through prayer. The saying is, Negro Mountain is a place where bad things happen to bad people. So when negative energy meets with the energy resting in Negro Mountain the outcome is always the same. The Mountain wins.
ONCE A PERSON LEAVES THE MOUNTAIN, THEY NEVER COME BACK, NOT REALLY. THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.
A cross-genre poetry collection that troubles the idea of poetic voice while considering history, biology, the shamanistic, and the shapes of racial memory. In the final section of Negro Mountain, C. S. Giscombe writes, “Negro Mountain—the summit of which is the highest point in Pennsylvania—is a default, a way among others to think about the Commonwealth.” Named for an “incident” in which a Black man was killed while fighting on the side of white enslavers against Indigenous peoples in the eighteenth century, this mountain has a shadow presence throughout this collection; it appears, often indirectly, in accounts of visions, reimaginings of geography, testimonies about the “natural” world, and speculations and observations about race, sexuality, and monstrosity. These poems address location, but Giscombe—who worked for ten years in central Pennsylvania—understands location to be a practice, the continual “action of situating.” The book weaves through the ranges of thinking that poetic voice itself might trouble. Addressing a gallery of figures, Giscombe probes their impurities and ambivalences as a way of examining what languages “count” or “don’t count” as poetry. Here, he finds that the idea of poetry is visionary, but also investigatory and exploratory.
In this collection, one of Ireland's best-known political figures brings us new and selected stories of politics, of family, of love and of friendship. These are portraits of Ireland, and especially Belfast, old and new, in times of struggle and in times of peace, showing how our past is always part of our present. Sometimes sad, sometimes funny, always moving, these are stories of ordinary people captured with wit, with heart and with understanding. Introduction by Timothy O'Grady.
Ex-Mob enforcer Isaiah Coledrige has hung out a shingle as a private eye in New York's Hudson Valley, and in his newest case, a seemingly simple murder investigation leads him to the most terrifying enemy he has ever faced. When a small-time criminal named Harold Lee turns up in the Ashokan reservoir--sans a heartbeat, head, or hands--the local Mafia capo hires Isaiah Coleridge to look into the matter. The Mob likes crime, but only the crime it controls...and as it turns out, Lee is the second independent contractor to meet a bad end on the business side of a serrated knife. One such death can be overlooked. Two makes a man wonder. A guy in Harold Lee's business would make his fair share of enemies, and it seems a likely case of pure revenge. But as Coledrige turns over more stones, he finds himself dragged into something deeper and more insidious than he could have imagined, in a labyrinthine case spanning decades. At the center are an heiress moonlighting as a cabaret dancer, a powerful corporation with high-placed connections, and a serial killer who may have been honing his skills since the Vietnam War...
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
With the heart of a vampire and the blood of Karne, the black dragon who is pure evil, Razien must grow up fighting the evil within himself. When he reaches the age of eighteen, Razien is called to the black dragon and he must answer, or Karne will punish him. With only the training his father had given him growing up and a few companions to join in his journey, he searches for the black dragon’s lair. As he searches for the lair, Razien learns many things about his past and his destiny that prove to him he is the only one of his kind. With the help of Loveaya, the spirit of the earth, he finds power within himself to help fight the darkness in his blood. The half-vampire, half-dragon being finds many obstacles that he must overcome to hone his senses. With his friends by his side and Loveaya guiding him spiritually, Razien feels he is ready to face the nightmare that has haunted him his whole life.