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Israel Thornell (ca. 1650/1656-1688) married Anna (Hannah?) Hall about 1674/1675, and settled in Woodbridge, Middlesex County, New Jersey. Descendants lived in New Jersey, New York, Pennsylvania, California and elsewhere.
Gathers sketches, notebook entries, letters, articles, patent information, and financial papers from the beginning of Edison's career as an inventor
The fourteen essays in this volume provide an important cross section of new research on the current state of American material culture scholarship. From Tupperware to stuffed owls, modern dolls to colonial portraits, the subjects that the authors study demonstrate that things provoke and sustain human dramas.
A look at eighteenth and early nineteenth century crafts and craftsmen of New Jersey.
"Gabrielle M. Lanier challenges prevailing characterizations of the region as culturally monolithic and reassesses its role in the formation of a distinctly American identity through the history, geography, and architecture of three of the valley's diverse cultural landscapes. Through narratives of individual lives, aggregate data from tax rolls and censuses, archival research, and close analysis of the built vernacular environment, Lanier examines the unique ethnic, class, and religious constitution of each subregion, as well as its racial diversity, political orientation, economic organization, and cultural imprint on the landscape."--Jacket.
The study also examines many other facets of Quakerism - from the literacy rates of Quakers, and the level of persecution suffered by followers to the reasons for the sect's decline - and concludes with a survey of the changes that had overcome the movement since the heady days of birth."--Jacket.
The notion of a uniquely Quaker style in architecture, dress, and domestic interiors is a subject with which scholars have long grappled, since Quakers have traditionally held both an appreciation for high-quality workmanship and a distrust of ostentation. Early Quakers, or members of the Society of Friends, who held "plainness" or "simplicity" as a virtue, were also active consumers of fine material goods. Through an examination of some of the material possessions of Quaker families in America during the eighteenth, nineteenth, and early twentieth centuries, the contributors to Quaker Aesthetics draw on the methods of art, social, religious, and public historians as well as folklorists to explore how Friends during this period reconciled their material lives with their belief in the value of simplicity. In early America, Quakers dominated the political and social landscape of the Delaware Valley, and, because this region held a position of political and economic strength, the Quakers were tightly connected to the transatlantic economy. Given this vantage, they had easy access to the latest trends in fashion and business. Detailing how Quakers have manufactured, bought, and used such goods as clothing, furniture, and buildings, the essays in Quaker Aesthetics reveal a much more complicated picture than that of a simple people with simple tastes. Instead, the authors show how, despite the high quality of their material lives, the Quakers in the past worked toward the spiritual simplicity they still cherish.
This book is a 476-page survey of furniture craftsmen working in Chester County, Pennsylvania from its founding in 1682 to 1850 when there was a recognized decline in the handicraft tradition. The settlers included predominently English Quakers for the first half century, after which numbers of Scotch-Irish Presbyterians, Welsh Baptists, Irish Quakers, and Germans became equally important and, later, had major influence in the county. The hand made furniture from the county has certain distinguishing features which are explained in the well-researched text, and illustrated in 175 photographs. Hundreds of cabinetmakers and other craftsmen are profiled in detail from their contemporary public records. The work is an important reference for furniture and social historians alike.
Paint, Pattern, and People explores the fascinating and diverse furniture of southeastern Pennsylvania through the people who made, owned, inherited, and collected it. Delving into the cultures and creativity of the area's inhabitants, primarily those of British and Germanic heritage, this comprehensive work looks closely at localisms and regionalisms of form, ornament, and construction that were influenced by ethnicity, religious affiliation, settlement patterns, socioeconomic status, and the skills of the craftsmen. William Penn's policy of religious tolerance attracted people of various faiths and ethnic backgrounds, making Pennsylvania the most culturally diverse of the thirteen colonies. Through the study of well-documented furniture, fraktur, needlework, paintings, and architecture produced by this mixed multitude, the region's great diversity comes into focus. Paint, Pattern and People is a significant contribution to the literature in the field, presenting new scholarship as well as never-before-published furniture and related objects.
Essays on the history of the Society of Friends in American colonial days of the 17th centuries, by a Quaker historian teaching at Swarthmore College.