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Seminar paper from the year 2015 in the subject Communications - Movies and Television, grade: 1,3, Bielefeld University (Fakultät für Linguistik und Literaturwissenschaft: Anglistik), course: Analyzing and Interpreting Literary Texts: US American Literatures, language: English, abstract: This essay analyses one episode of the popular US TV series "Homeland", which has been said to be “TV’s most Islamophobic show” (cf. Al-Arian 2012) and decide if it contains islamophobic elements. In a first step, using a variety of different sources, islamophobia will be defined. Afterwards, the paper will link theoretical input about the effects of stereotyping to stereotyping of Muslims as terrorists in post 9/11 series such as "24" or "Sleeper Cell". It will then analyse one episode of Homeland and apply the theoretical input to decide whether or not the series contains islamophobic ellements. Finally, the findings of this paper will be concluded.
The story of religion in America is one of unparalleled diversity and protection of the religious rights of individuals. But that story is a muddied one. This new and expanded edition of a classroom favorite tells a jolting history—illuminated by historical texts, pictures, songs, cartoons, letters, and even t-shirts—of how our society has been and continues to be replete with religious intolerance. It powerfully reveals the narrow gap between intolerance and violence in America. The second edition contains a new chapter on Islamophobia and adds fresh material on the Christian persecution complex, white supremacy and other race-related issues, sexuality, and the role played by social media. John Corrigan and Lynn S. Neal's overarching narrative weaves together a rich, compelling array of textual and visual materials. Arranged thematically, each chapter provides a broad historical background, and each document or cluster of related documents is entwined in context as a discussion of the issues unfolds. The need for this book has only increased in the midst of today's raging conflicts about immigration, terrorism, race, religious freedom, and patriotism.
Islamophobia examines the origins of the ongoing assault on Muslims and Arabs in the U.S., and the "war on terror"
In the aftermath of 9/11, many Arab and Muslim Americans came under intense scrutiny by federal and local authorities, as well as their own neighbors, on the chance that they might know, support, or actually be terrorists. As Louise Cainkar observes, even U.S.-born Arabs and Muslims were portrayed as outsiders, an image that was amplified in the months after the attacks. She argues that 9/11 did not create anti-Arab and anti-Muslim suspicion; rather, their socially constructed images and social and political exclusion long before these attacks created an environment in which misunderstanding and hostility could thrive and the government could defend its use of profiling. Combining analysis and ethnography, Homeland Insecurity provides an intimate view of what it means to be an Arab or a Muslim in a country set on edge by the worst terrorist attack in its history. Focusing on the metropolitan Chicago area, Cainkar conducted more than a hundred research interviews and five in-depth oral histories. In this, the most comprehensive ethnographic study of the post-9/11 period for American Arabs and Muslims, native-born and immigrant Palestinians, Egyptians, Lebanese, Iraqis, Yemenis, Sudanese, Jordanians, and others speak candidly about their lives as well as their experiences with government, public mistrust, discrimination, and harassment after 9/11. The book reveals that Arab Muslims were more likely to be attacked in certain spatial contexts than others and that Muslim women wearing the hijab were more vulnerable to assault than men, as their head scarves were interpreted by some as a rejection of American culture. Even as the 9/11 Commission never found any evidence that members of Arab- or Muslim-American communities were involved in the attacks, respondents discuss their feelings of insecurity—a heightened sense of physical vulnerability and exclusion from the guarantees of citizenship afforded other Americans. Yet the vast majority of those interviewed for Homeland Insecurity report feeling optimistic about the future of Arab and Muslim life in the United States. Most of the respondents talked about their increased interest in the teachings of Islam, whether to counter anti-Muslim slurs or to better educate themselves. Governmental and popular hostility proved to be a springboard for heightened social and civic engagement. Immigrant organizations, religious leaders, civil rights advocates, community organizers, and others defended Arabs and Muslims and built networks with their organizations. Local roundtables between Arab and Muslim leaders, law enforcement, and homeland security agencies developed better understanding of Arab and Muslim communities. These post-9/11 changes have given way to stronger ties and greater inclusion in American social and political life. Will the United States extend its values of freedom and inclusion beyond the politics of "us" and "them" stirred up after 9/11? The answer is still not clear. Homeland Insecurity is keenly observed and adds Arab and Muslim American voices to this still-unfolding period in American history.
After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.
Powerful critique of UK and US surveillance and repression of Muslims and prosecution of homegrown terrorism The new front in the War on Terror is the “homegrown enemy,” domestic terrorists who have become the focus of sprawling counterterrorism structures of policing and surveillance in the United States and across Europe. Domestic surveillance has mushroomed—at least 100,000 Muslims in America have been secretly under scrutiny. British police compiled a secret suspect list of more than 8,000 al-Qaeda “sympathizers,” and in another operation included almost 300 children fifteen and under among the potential extremists investigated. MI5 doubled in size in just five years. Based on several years of research and reportage, in locations as disperate as Texas, New York and Yorkshire, and written in engrossing, precise prose, this is the first comprehensive critique of counterradicalization strategies. The new policy and policing campaigns have been backed by an industry of freshly minted experts and liberal commentators. The Muslims Are Coming! looks at the way these debates have been transformed by the embrace of a narrowly configured and ill-conceived anti-extremism.
Collateral Damage brings together testimony from the largest number of on the record, named, combat veterans who reveal the disturbing, daily reality of war and occupation in Iraq. Through their eyes, we learn how the mechanics of war lead to the abuse and frequent killing of innocents. They describe convoys of vehicles roaring down roads, smashing into cars, and hitting Iraqi civilians. They detail raids that leave families shot dead in the mayhem. And they describe a battlefield in which troops, untrained to distinguish between combatants and civilians, are authorized to shoot whenever they feel threatened.
This book provides detailed and engaging narratives about 25 pivotal events in Asian American history, celebrates Asian Americans' contributions to U.S. history, and examines the ways their experiences have shaped American culture. Asian Americans have made significant contributions to American history, society, and culture. This book presents key events in the Asian American experience through 25 well-developed, accessible essays; detailed timelines; biographies of notable figures; excerpts of primary source documents; and sidebars and images that provide narrative and visual information on high-interest topics. Arranged chronologically, the 25 essays showcase the ways in which Asian Americans have contributed to U.S. history and culture and bear witness to their struggles, activism, and accomplishments. The book offers a unique look at the Asian American experience, from the California Gold Rush in the mid-nineteenth century to the 2017 travel ban. Highlighting events with national and international significance, such as the Central Pacific Railroad Construction, Korean War, and 9/11, it documents the Asian American experience and demonstrates Asian Americans' impact on American life.
The 2003 Iraq invasion provoked an unprecedented phenomenon in the Iraqi literary scene: fiction exceeds poetry in production, critical reception, and market figures. New narrative genres, concerned with stories of wars and trauma, depict corporality and sexuality in their most material sense. Writing Through the Body argues that interest in the physical indicates a new perception of corporeality and, to show this, it traces a genealogy of the Iraqi body to uncover the complexity of its historical and socio-political discourses. Considering religious, social, and political factors, the body is examined in three semiospheres: Iraqi society and culture before 2003, the discourse of the war on terror as a semiotic interference, and contemporary Iraqi fiction as the result of the encounter between the two. This structure shows how corporeality was interrupted by and instrumentalised in war propaganda, and how new representations in fiction respond to the two spheres in conflict.