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The book illustrates over 1,000 items of Islamic and Oriental arms and armour which represent the finest and most interesting examples originating from Islamic and Hindu cultures and beyond, including Russia, China, Tibet, Mongolia, Korea and South East Asia. All the items illustrated have passed through the hands of Robert Hales during the last 45 years. Divided into four sections: daggers, swords, firearms, and armour, with the occasional transgression, the publication also includes a useful glossary of terms. The text is concise and descriptive as well as containing information that is being published for the first time.
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
This book is the result of more than a decade of intensive research in the field of Iranian arms and armor, illustrating for the first time selected arrays from 10 Iranian museums. The topic is introduced with a general overview of Iranian history with particular emphasis on military history. Drawing from more than 500 sources, this study also includes an overview of the development of historical copper, bronze, iron, and steel weapons such as swords, bows, maces, axes, shields, armor, and more. In-depth information regarding the classification of the various artifacts is also presented, and different signatures on swords and other weapons are illustrated within the treatise, exploring each item in its cultural setting. A chapter dedicated to the martial arts and warrior training in ancient Iran, traces of which are still evident in the modern culture, is also featured.
- An introduction and overview to the arms and armor of the Indian region- The book is designed for easy use with pull out details from objects and timelines, maps and explanations of design detailsArms & Armour Of India, Nepal & Sri Lanka is a very visually-driven and broad-based introduction to the unique world of arms and armor of the Indian region, encompassing India, Pakistan, Nepal, and Sri Lanka, areas with strong martial traditions. It provides an overview of types of arms and armor, with extensive geographical and historical context with many illustrated maps, their decoration and methods of adornment, as well as the iconographic and religious symbology. A unique and valuable feature of the book is an illustrated glossary. It is specifically designed to suit the needs of anyone wanting to familiarize themselves with this topic and the region. It can serve as a reference for the novice collector, and as an image resource for experts. This would include anyone interested in arms and armor in general, antique dealers, museums, general art market, educators, and of course, collectors. There has been increased interest in both collecting and scholarship regarding Indic arms and armor. Nearly every major auction on Indian and Islamic material tends to include arms and armor.
"The fabled treasures of China span thousands of years of history. From the exotic Silk Road to the mysterious Great Wall, China's allure is as vast as the country itself. Here, Natasha Bennett introduces the fascinating world of Chinese arms and armour in the Royal Armouries' collection. Offering a colourful insight into one of the world's earliest civilisations, she chronicles the development of personal weapons and armour from the late Bronze Age to the early twentieth century. It is ideal for anyone interested in the military and material culture of this absorbing land." --Publisher's website.
Persian culture and civilization is a fascinating one, and in this comprehensive volume all major types of the Persian language are taken into consideration, namely, the Avestan, the Old Persian, the Middle Persian (Pahlavi), and the New Persian. With over 5,700 entries, this reference provides a sound and solid base of terminology of arms and armor in Persian so that military historians, historians, museum curators, researchers, collectors, and those interested in reading historical accounts and epic stories may understand and use the appropriate terms related to each certain type of weapon.
A detailed and spectacular overview of the arms and armours of the Collection of the Furusiyya Art Foundation. An invaluable contribution to the historical study of Islamic arms and material culture. The furusiyya is a whole of practical and theoretical knowledge related to the horse: horsemanship, hippology, veterinary medicine, art of warfa. It includes/understands also the disciplines of the fauconnery, the archery, the handling of the weapons, the fight, swimming and the set of failures, all considered as art of warfares. The Furusiyya Art Foundation's project of collecting artefacts and arms and armours relating to the arts of the Muslim fata or chevalier, commenced a little over a quarter of a century ago. Starting with a modest collection of white arms, the collection of the arts of the Muslim chevalier now numbers slightly over a thousand pieces spanning the 8th to the 18th centuries, with an accent on the early periods.
The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond. L’ouvrage fournit un panorama du collectionnisme d’art islamique au cours du long XIXe siècle, en mettant l’accent sur la figure d’Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.