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Two of the more important developments in world history over the past two centuries have been the expansion of Western power and the revival of Islam. South Asia has played a central role in both processes, being the main focus of the imperialism of the British and an important site of the Muslim revival. These essays, which were written over the past ten years, confront some of the key issues raised by some modern developments in South Asia: the interactions between British power and Muslim revivalism in giving shape to the modern Muslim world; the role of knowledge in fashioning Muslim societies and the rise of the `ulama, to greater influence than ever before. It also explores the great shift from an other-worldly to a this-worldly piety amongst Muslims, the energy this has given the Muslim revival, and its meaning for relations between Islam and the West. The essays are rounded off by reviews of major contributions to the field over the period. Among the themes which emerge are: the influence both of orientalism and of Hindu revivalism on the world of scholarship, and the fact that the world is a better place when we remember the humanity we share. This book offers profound insights to those wishing to understand the background to the interactions of Islam, South Asia and the West in our time.
Muslims have been present in South Asia for 14 centuries. Nearly 40% of the people of this vast land mass follow the religion of Islam, and Muslim contribution to the cultural heritage of the sub-continent has been extensive. This textbook provides both undergraduate and postgraduate students, as well as the general reader, with a comprehensive account of the history of Islam in India, encompassing political, socio-economic, cultural and intellectual aspects. Using a chronological framework, the book discusses the main events in each period between c. 600 CE and the present day, along with the key social and cultural themes. It discusses a range of topics, including: How power was secured, and how was it exercised The crisis of confidence caused by the arrival of the West in the sub-continent How the Indo-Islamic synthesis in various facets of life and culture came about Excerpts at the end of each chapter allow for further discussion, and detailed maps alongside the text help visualise the changes through each time period. Introducing the reader to the issues concerning the Islamic past of South Asia, the book is a useful text for students and scholars of South Asian History and Religious Studies.
An accessible, transregional exploration of how Islam and Asia have shaped each other's histories, societies and cultures from the seventh century to today.
Over the past two hundred years, two great processes have shaped Muslim societies: Western domination and the industrial capitalism that came with it, and the Islamic revival that preceded the Western presence but came to interact significantly with it. In this book, Francis Robinson considers the challenges Western dominance has offered key aspects of Muslim civilization, particularly in the context of South Asia, which in the nineteenth century moved from being a receiver of influences from the rest of the Muslim world to being a transmitter of influences to it. Robinson also considers aspects of the Muslim revival and how they have come to shape, in various ways, Muslim responses to Western dominance. The role of the transmission of knowledge, both formal and spiritual, in forming Muslim societies is explored, and also the particular role of the transmitters in sustaining the Islamic dimensions of Muslim societies under Western dominance. Attention, too, is paid to the imposition of the modern state and the restriction of cosmopolitan spaces.
This volume of Princeton Readings in Religions brings together the work of more than thirty scholars of Islam and Muslim societies in South Asia to create a rich anthology of primary texts that contributes to a new appreciation of the lived religious and cultural experiences of the world's largest population of Muslims. The thirty-four selections--translated from Arabic, Persian, Urdu, Bengali, Tamil, Gujarati, Hindavi, Dakhani, and other languages--highlight a wide variety of genres, many rarely found in standard accounts of Islamic practice, from oral narratives to elite guidance manuals, from devotional songs to secular judicial decisions arbitrating Islamic law, and from political posters to a discussion among college women affiliated with an "Islamist" organization. Drawn from premodern texts, modern pamphlets, government and organizational archives, new media, and contemporary fieldwork, the selections reflect the rich diversity of Islamic belief and practice in South Asia. Each reading is introduced with a brief contextual note from its scholar-translator, and Barbara Metcalf introduces the whole volume with a substantial historical overview.
Today, more than ever, jihad signifies the political opposition between Islam and the West. As the line drawn between Muslims and non-Muslims becomes more rigid, Jalal seeks to retrieve the ethical meanings of this core Islamic principle in South Asian history. Drawing on historical, legal, and literary sources, Jalal traces the intellectual itinerary of jihad through several centuries and across the territory connecting the Middle East with South Asia.
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Islam in South Asia: Revised, Enlarged and Updated Second Edition traces the roots and development of Muslim presence in South Asia. Trajectories of normative notions of state-building and the management of diversity are elaborated in four clusters, augmented by topical subjects in excursuses and annexes offering an array of Muslim voices. The enormous time span from 650 to 2019 provides for a comprehensive and plural canvas of the religious self-presentation of South Asian Muslims. Making use of the latest academic works and historical materials, including first-hand accounts ranging from official statements to poetry, Malik convincingly argues that these texts provide sufficient evidence to arrive at an interpretation of quite a different character. With major and substantial revisions, changes, abridgements and additions follow the academic literature produced during the last decades.
This book analyses South Asian Islam’s engagement with the West, and Britain in particular. It traces the roots of British multiculturalism to South Asia and the Deobandi school of Islam. The work shows how the pattern of interaction that initially emerged between the Deobandi Muslims and the colonial British state in late-19th century replicated itself in the British society in the second half of 20th century. The monograph reflects upon Islam’s ‘compatibility’ with liberal democracy as well as explores how it contributed to its origins in the Enlightenment ethos. A nuanced, sensitive and topical study, this book will be essential to understanding the world in the light of contemporary world events—Paris 13/11 and Charlie Hebdo attacks, the Danish cartoon controversy, and the Trojan Horse incident in certain British schools as well as the much earlier Rushdie affair. It will be of great interest to researchers and scholars of political science, religion, political Islam, British and South Asian Studies, and history.
Stephens argues that encounters between Islam and British colonial rule in South Asia were fundamental to the evolution of modern secularism.