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Evidence Unseen is the most accessible and careful though through response to most current attacks against the Christian worldview.
In this groundbreaking literary analysis of Isaiah, Avraham Gileadi leads the layman and scholar to discover Isaiah's apocalyptic message and messianic theology. The ancient writings of Isaiah now appear -- through Gileadi's illuminating work -- to bridge the gap between the Old and New Testaments, with an ennobling view of the Messiah acceptable to both Jew and Gentile. Employing sophisticated literary structures, isaiah draws on events out of Israel's past to communicate the future and answers pressing political and religious questions of our day by giving us a preview of what will transpire in the "last days" of the history of humanity. The Literary Message of Isaiah will revolutionize your understanding of Hebrew prophecy and profoundly enrich your love for the Bible.
In this BST volume, Barry Webb showcases the outstanding brilliance of style, poetic power, and foretaste of the gospel that the book of Isaiah offers. With accessible insight, he shows how the threads of the Old Testament come together in Isaiah, training our ears and hearts to resonate with its great biblical-theological themes.
Of Isaiah' prophetic writings, the resurrected Lord taught, "Search these things diligently; for great are the words of Isaiah" (3 Nephi 32:1). Yet no chapters in the Book of Mormon are more difficult to understand than the Isaiah passages quoted by Nephi, Jacob, Abinadi, and Christ himself. The 17 essays in Isaiah in the Book of Mormon take a variety of approaches in seeking to help readers make the most of Isaiah's teachings. The contributing scholars draw on the Book of Mormon prophets as knowledgeable guides, examining how and why those ancient writers used and interpreted Isaiah's prophetic teachings. They explain Nephi's keys for understanding the great prophet, use historical and linguistic information to clarify his meanings, examine recurring themes, and reflect on the influence of these texts on ancient and modern saints.
One in an ongoing series of esteemed and popular Bible commentary volumes based on the New International Version text.
Reading the Book of Isaiah in its original context is the crucial prerequisite for reading its citation and use in later interpretation, including the New Testament writings, argues Ben Witherington III. Here he offers pastors, teachers, and students an accessible commentary to Isaiah, as well as a reasoned consideration of how Isaiah was heard and read in early Christianity. By reading "forward and backward" Witherington advances the scholarly discussion of intertextuality and opens a new avenue for biblical theology.
With Millions watching this live debate on February 4, 2014, "Bill Nye, the Science Guy" squared off with Answers in Genesis founder and president Ken Ham. This event echoed the worldviews at work in our lives today and put two of the most unique and recognizable advocates of their positions on the same stage to face not only each other, but the many who watched. More answers, more perspectives, more truth to answer the world's most critical question: How did we and all we know come to be here, at this place and this time in the history of the universe? Are we accidental products of evolution or the centerpiece of God's marvelous creation? Debate Stats: Over 3.8 Million computers watched the debate live 7.6 Million people watched (Based on an extremely conservative estimate of 2 viewers per stream, or 11.4 Million based on 3 people per stream) 3.5 million views on You Tube Note: The YouTube Page only shows views AFTER the event, not Live views
Joseph Blenkinsopp presents an intertextual reading of Isaiah and the Psalms furthering his previous well-known work on the text of Isaiah. Blenkinsopp argues that, read together, these two biblical books can be shown to form a single religious vision, a way of experiencing and articulating a commitment to the fundamentals of the faith of Israel, with its own distinctive character. Blenkinsopp shows how the emphasis in Isaiah and the Psalms is on affect and emotion, the expression of joy and sorrow articulated in music, singing, and dancing; in praise, thanksgiving and lament. This represents a key difference from other parts of the Hebrew Bible where the focus is more on the Law and on the covenant at Sinai – in Isaiah and the Psalms these terms rarely occur, the focus is instead on Zion and on the Temple. Blenkinsopp shows how the temple singers, with their close connections with the circles which transmitted and eventually committed to writing the Book of Isaiah, demonstrate that the divine word is not incompatible with other forms of religious experience and expression, affective and even mystical, articulated and embodied in the performance of music, song, ritual prayer, and dance. The beauty of the Psalms is echoed strongly in Isaiah, and the Isaian vision of a Creator God, Lord of nature and history beyond the bounds of Israel, is joyfully proclaimed by the psalmists.
Hans Urs von Balthasar places Origen of Alexandria “in rank . . . beside Augustine and Thomas” in “importance for the history of Christian thought,” explaining that his “brilliance” has captivated theologians throughout history (Spirit and Fire, 1984, 1). This brilliance shines forth in his nine extant homilies on Isaiah, in which he employs his theology of the Trinity and Christ to exhort his audience to play their crucial role in salvation history. Origen reads Isaiah’s vision of the Lord and two seraphim in Isaiah 6 allegorically as representing the Trinity, and this theme runs throughout the nine homilies. His representation of the seraphim as the Son and Holy Spirit around the throne of the Father brought early accusations that Origen was a proto-Arian subordinationist, followed by a pointed condemnation by Emperor Justinian in 553. These homilies, originally delivered between 245 and 248, are extant only in a fourth-century Latin translation. Though St. Jerome, likely because of these controversies, does not identify himself as the Latin translator, the evidence overwhelmingly points to his pen, and his reliability in conveying Origen’s authentic meaning is well documented. If one sets aside the questionable charges of subordinationism, these homilies, expounding on passages from Judges 6-10, come alive with Origen’s legacy of presenting Christ as the central figure of the soul’s ascent to God. Reading allegorically the two seraphim to be Jesus and the Holy Spirit around the Father’s throne, Origen draws a picture of the Trinity as a tightly knit whole in which the Son and the Holy Spirit eternally sing the Trisagion (“Holy, holy, holy”) to each other and the Father about the divine truths of God’s nature, allowing the part of their song that conveys the “middle things” of salvation history to be heard by creation. The “second seraph” is the Son, or Jesus, who descends holding a hot coal, or Scripture, from the altar of the throne, with which he cleanses Isaiah’s lips, or the believer’s soul. Origen employs his signature exegetical method of allegory and typology through the lens of the threefold meaning of Scripture to emphasize to his hearers that Christ is the deliverer, the content, and the reward of the healing Word. He repeatedly assures them that those who submit to Scripture will enter into salvation history’s cycle of cleansing from sin, growth in virtue, and ever-deepening knowledge of God. As a result, they will become like Christ and thus will be prepared to join the Trinity for all eternity at the heavenly wedding feast.