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A fascinating trip into colonial history, the result of collaboration between family historians, genealogists and social historians
In just two years, 750 young Irish women sailed from Cork to Sydney on the Duchess of Northumberland in 1834 and again in 1836 and the James Pattison in 1835. For the women who took the courageous decision to emigrate, the pain of leaving Ireland was mixed with the excitement of forging a new life in the colony of New South Wales. This book examines the backgrounds and lives of these young women. Their experiences are representative of countless numbers of single immigrant women who came to Australia during the nineteenth century.
Irish immigrants – although despised as inferior on racial and religious grounds and feared as a threat to national security – were one of modern Australia’s most influential founding peoples. In his landmark 1986 book The Irish in Australia, Patrick O’Farrell argued that the Irish were central to the evolution of Australia’s national character through their refusal to accept a British identity. A New History of the Irish in Australia takes a fresh approach. It draws on source materials not used until now and focuses on topics previously neglected, such as race, stereotypes, gender, popular culture, employment discrimination, immigration restriction, eugenics, crime and mental health. This important book also considers the Irish in Australia within the worldwide Irish diaspora. Elizabeth Malcolm and Dianne Hall reveal what Irish Australians shared with Irish communities elsewhere, while reminding us that the Irish–Australian experience was – and is – unique. ‘A necessary corrective to the false unity of the term “Anglo-Celtic”, this beautifully controlled and clear-sighted intervention is timely and welcome. It gives us not just a history of the Irish in Australia, but a skilful account of how identity is formed relationally, often through sectarian, class, ethnic and racial divisions. A masterful book.’ — Professor Rónán McDonald, University of Melbourne
This analysis of female transports to Australia reveals their significant contribution to the new economy.
An invaluable book for historians and general readers alike, and all those interested in genealogy and Australian connections. --Book Jacket.
The convict women who built a continent..."A moving and fascinating story." --Adam Hochschild, author of King Leopold's Ghost Historian Deborah J. Swiss tells the heartbreaking, horrifying, and ultimately triumphant story of the women exiled from the British Isles and forced into slavery and savagery-who created the most liberated society of their time. The Tin Ticket takes us to the dawn of the nineteenth century and into the lives of Agnes McMillan, whose defiance and resilience carried her to a far more dramatic rebellion; Agnes's best friend Janet Houston, who rescued her from the Glasgow wynds and was also transported to Van Diemen's Land; Ludlow Tedder, forced to choose just one of her four children to accompany her to the other side of the world; Bridget Mulligan, who gave birth to a line of powerful women stretching to the present day. It also tells the tale of Elizabeth Gurney Fry, a Quaker reformer who touched all their lives. Ultimately, it is the story of women discarded by their homeland and forgotten by history-who, by sheer force of will, become the heart and soul of a new nation.
The true story of the Kerry girls who were shipped to Australia from the four Kerry Workhouses of Dingle/Kenmare/Killarney and Listowel in 1849/1850, as part of the Earl Grey Scheme. From scenes of destitution and misery, the girls, some of whom spoke only Irish, set off to the other side of the world without any idea of what lay ahead. This book tells of their 'selection' and shipping to New South Wales and Adelaide, their subsequent apprenticeship, marriage and life in the colony.
Shame and the Anti-Feminist Backlash examines how women opposed to the feminist campaign for the vote in early twentieth-century Britain, Ireland, and Australia used shame as a political tool. It demonstrates just how proficient women were in employing a diverse vocabulary of emotions – drawing on concepts like embarrassment, humiliation, honour, courage, and chivalry – in the attempt to achieve their political goals. It looks at how far nationalist contexts informed each gendered emotional community at a time when British imperial networks were under extreme duress. The book presents a unique history of gender and shame which demonstrates just how versatile and ever-present this social emotion was in the feminist politics of the British Empire in the early decades of the twentieth century. It employs a fascinating new thematic lens to histories of anti-feminist/feminist entanglements by tracing national and transnational uses of emotions by women to police their own political communities. It also challenges the common notion that shame had little place in a modernizing world by revealing how far groups of patriotic womanhood, globally, deployed shame to combat the effects of feminist activism.
My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women’s poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.
Using extraordinary Indigenous Australian art and artifacts preserved in museums across Great Britain and Ireland, the authors present a global history that entwines ancestral pasts with epochs of empire and colony leading to the contemporary moment.