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Lady Wilde, mother of famed author Oscar Wilde, over 100 years ago collected these hundreds of archaic cures, spells, homespun proverbs, visionary omens and prophecies. 128 pages, 16 b/w illus., 5 3/8 x 8 1/4.
Dáithí Ó hÓgáin, one of Ireland's leading folklorists, gives a lively and informative account of the widespread folk beliefs of Ireland in Irish Superstitions, this popular guide to Irish superstitions, old wives' tales and other spooky stuff from the Irish countryside. Irish Superstitions includes a list of good-luck charms, spells, soothsayings and other irrational but charming and creative folk beliefs. There are stories of leprechauns and sprites, ghosts, the evil eye and wise women's curses. There are also charms and spells to make crops grow, to keep cattle healthy, to ensure safe childbirth, and to fulfil many other longed-for desires. Most of the superstitions are of pagan origin; many were overlaid with popular Christian belief. Irish Superstitions: Table of Contents Foreword — The Mind Engaged - Man the Summation of All Things - The World Around Us - Ourselves and the Others - Rules and Practices of Life
Nowhere in the nineteenth century did interest in folklore and mythology have a more thorough revival than in Ireland. There, in 1887, Lady Francesca Speranza Wilde, Oscar Wilde's mother and a well-known author in her own right, compiled this collection of charming, authentic folk tales. Collected from among the peasantry and retaining their original simplicity, the myths and legends reveal delightfully the Irish people's relationship with a spiritual and invisible world populated by fairies, elves, and evil beings. Included in Lady Wilde's collection, among others, are eerie tales of "The Horned Women," "The Holy Well and the Murderer," and "The Bride's Death-Song," as well as beguiling accounts of superstitions concerning the dead, celebrations and rites, animal legends, and ancient charms. The first book to link Irish folklore with nationalism, Legends illustrates the mythic underpinnings of the Irish character and signals the country's cultural reemergence. It remains, said the Evening Mail, "an important contribution to the literature of Ireland and the world's stock of folklore."
Here are 125 magnificent folktales collected from anthologies and journals published from the mid-nineteenth century to the present day. Beginning with tales of the ancient times and continuing through the arrival of the saints in Ireland in the fifth century, the periods of war and family, the Literary Revival championed by William Butler Yeats, and the contemporary era, these robust and funny, sorrowful and heroic stories of kings, ghosts, fairies, treasures, enchanted nature, and witchcraft are set in cities, villages, fields, and forests from the wild western coast to the modern streets of Dublin and Belfast. Edited by Henry Glassie With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library
Are black cats lucky or unlucky? What should you do when you hear the first cuckoo? Since when have people believed that it's unlucky to shoot an albatross? Why does breaking a mirror lead to misfortune? This fascinating collection answers these and many other questions about the world of superstitions and forms an endlessly browsable guide to a subject that continues to obsess and intrigue.
***WINNER of the 2021 RSL Ondaatje Prize*** 'I binged it like a Netflix show ... It's stunning' Luke Kennard, author of The Transition ______________________________ A photograph is hung on a gallery wall for the very first time since it was taken two decades before. It shows a slaughter house in rural Ireland, a painting of the Virgin Mary on the wall, a meat hook suspended from the ceiling - and, from its sharp point, the lifeless body of a man hanging by his feet. The story of who he is and how he got there casts back into Irish folklore, of widows cursing the land and of the men who slaughter its cattle by hand. But modern Ireland is distrustful of ancient traditions, and as the BSE crisis in England presents get-rich opportunities in Ireland, few care about The Butchers, the eight men who roam the country, slaughtering the cows of those who still have faith in the old ways. Few care, that is, except for Fionn, the husband of a dying woman who still believes; their son Davey, who has fallen in love with the youngest of the Butchers; Gra, the lonely wife of one of the eight; and her 12-year-old daughter, Una, a girl who will grow up to carry a knife like her father, and who will be the one finally to avenge the man in the photograph.