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Frank Shovlin examines in detail six Irish literary periodicals that appeared in the first forty years after the partitioning on Ireland. The six titles are The Irish Statesman (1923-30), The Dublin Magazine (1923-58), Ireland To-Day (1936-38), The Bell (1940-54), Envoy (1949-51) and Rann(1948-53). These journals, while not the only examples of the genre in these neglected decades of Irish cultural history, make the finest and most influential contributions towards the development of a native Irish literary tradition in the earliest years of both Irish states, north and south of theborder. The manner in which each of the journals was established and run is considered, with an emphasis on varying editorial personalities and their impact on each periodical. Shovlin emphasizes the common themes of literary realism, the ideological struggle between monolithic nationalism andliberal cosmopolitanism, and the importance of publishing context in the interpretation of literary works. The careers of figures such as Patrick Kavanagh, Sean O Faolain, Liam O Flaherty and John Hewitt are re-examined in the light of their involvement with periodical publication. The authorconcludes with an overview of the progress of the literary periodical in Ireland in the decades after the closure of The Dublin Magazine in 1958. This book is an important contribution to recent growing scholarship on the role of literary magazines specifically and history of the book generally bothin Ireland and elsewhere.
Edmund Burke was an orator, writer, British statesman, and opponent of the revolution in France. This collection of essays focuses on Burke's complex relationship to his native Ireland. It brings together 13 authors, all established experts and young scholars, from a variety of viewpoints and disciplines.
A biography of the revolutionary who became President of the Irish Republic he helped establish.
Terence Brown juxtaposes such key topics as nationalism, industrialization, religion, language revival, and censorship with his assessments of the major literary and artistic advances to give us a lively and perceptive view of the Irish past. In the first two parts, he analyzes the ideas, images, and symbols that provided the Irish people with part of their sense of national identity. He considers in Part Three how these conceptions and aspirations fared in the new social order that evolved following the economic revival of the early 1960s.
Focusing on Ireland's literary and artistic response to World War I, this book explores works from a range of perspectives that intervened in Irish political and cultural discourse. Works such as Patrick MacGill's novel The Amateur Army (1915), John Lavery's Daylight Raid from my Studio (1917) and Margaret Barrington's My Cousin Justin (1939) show how the war was fully examined by Irish authors--but was disregarded with the beginning of World War II. Diverse voices challenged prevailing notions of Irish national identity, from the bourgeois cosmopolitanism of Tom Kettle to the working-class internationalism of Patrick MacGill to Pamela Hinkson's cynicism about imperial patriarchy.
This Guide surveys existing criticism and theory, making clear the key critical debates, themes and issues surrounding a wide variety of Irish poets, playwrights and novelists. It relates Irish literature to debates surrounding issues such as national identity, modernity and the Revival period, armed struggle, gender, sexuality and post colonialism.
Myth and Reality in Irish Literature offers a rich collection of essays covering a wide spectrum of Irish literature from the early medieval saints and scholars to twentieth century writers such as Joyce and Beckett. Lady Gregory, Synge, Yeats, O'Casey and Myles na Gopaleen are among the poets, playwrights, critics, and authors treated in the book. The essays are written from both a personal and a scholarly perspective. Contributors to the volume include the Irish authors Denis Johnston, Thomas Kilroy, Kate O'Brien and Thomas Kinsella, and scholars David Greene, Denis Donoghue, Ann Saddlemyer and Shotaro Oshima. Of interest to students of English Literature as well as observers of the Irish scene, this book is of particular value to students of Irish heritage and literature.