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1972 Foreword by Conor MacDari, Jr. Contents: a Survey; the Creation; the Creation of Adam & Eve & the Garden of Eden; the Children of Adam & Eve; the Genealogy of the Children of Cain; the Genealogy of the Patriarchs from Adam to Noah; the Ancie.
NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.
Is almost losing everything enough to change a man? My husband is about to lose everything he’s worked so hard to keep. His empire. His daughter. Me. I can’t love a man who does the things that Viktor does. I can’t belong to him, not in the way I want to. It doesn’t matter what he’s awakened in me, or how much I crave him. How much my heart wants him. Or at least, that’s what I tell myself. But the danger Viktor poses to my heart isn’t all we’re facing. Alexei is coming. For me, for Sofia, for Ana, to wipe out the men of the three families and take it all for himself. If he takes me, I know that Viktor won’t rest until he saves me. But what I want more than anything is for Viktor to save himself. I want him to become the man that I know he can be—so that I can become everything I long to be for him. His lover. His wife. His beloved bride. Beloved Bride is the final book in The Bridal Trilogy. The series is complete. The reading order is as follows: Captive Bride, Stolen Bride, Beloved Bride. Beloved Bride contains several scenes that readers may find difficult. Readers with sensitivity to some material should proceed with caution.
From Cecil B. DeMille's production of King of Kings in 1927, to Mel Gibson's recent The Passion of the Christ, films that discuss the meaning of Jesus have provoked interest, discussion, and reevaluation on a large scale. Hollywood films that deal with this subject have consistently managed to augment their inherent power by commenting simultaneously on political and cultural matters, and drawing from alternative cultural and mythological sources. The Greatest Story Ever Told, for instance, uses a landscape similar to that of the American West, while The Last Temptation of Christ deals with themes related to modern American notions of sexuality and sin. This timely examination considers the life of Jesus as it has been portrayed in such films as King of Kings, The Greatest Story Ever Told, Jesus of Nazareth, The Last Temptation of Christ, and The Passion of the Christ, as well as the more allusive and implicit use of Christ-related themes in Spartacus, Shane, and The Matrix. It looks at the diverse content and often-surprising impact of these and other films, and reveals how these depictions have helped determine, and been determined by, particularly American notions of who Jesus was, how he lived and died, and what he means for both our religious and secular cultures. Through an objective consideration of these movies, the emergent religious culture of mainstream American film becomes apparent as a central element in Hollywood movies—and in American popular culture at large.
2,000 Years of Christianity. Be inspired through these godly men and women who changed their world for Christ. Stories of supernatural courage, callous disbelief, and the life-changing Gospel.
I’m so truly blessed to have this opportunity to share my love for Jesus. In these past five years at Sonrise Mission, in Fort Lauderdale, Florida God has molded me into the man He created me to be. Yes! His child to Praise and Worship His Holy Name. To give Him all the honor and glory for what He has done and wants to do in my life. This book of poems is accumulation of many teachers, pastors, evangelist and prophets as well as many residence in the Mission who have shared God’s WORD with me. God says in His WORD in PSALMS 46:10 Be still and know that I AM God; I will be exalted among the nations. I will be exalted in the earth. That is my purpose for my existence here on earth. When I’m still and listen, God speaks to the Spirit. In the Mission; God’s sanctuary, The LORD is always present if you seek Him you will find Him in the most peculiar place. Whether a piece of grass, a coffee pot or paint on the wall. God’s presence in nature or words people say. It’s as though a Holy Spirit switch has been turned on and The Light that is now glowing bringing back experiences of the past that others may relate to, and His lesson; how it pertains to God’s Love; His beautiful WORD. Yes! these wonderful people who not only share the WORD five and one half hours a day but share their love with us at the Mission supporting God’s WORK.
When his The Playboy of the Western World debuted on the Irish stage in 1907, author John Millington Synge was accused by the press of being anti-nationalistic. In this study, theater historian Ritschel (humanities, Massachusetts Maritime Academy) critically examines Synge's dramatic canon. He concludes that Synge, rather than being anti-nationalistic, was a misunderstood writer who attempted to provoke the explosive emergence of a modern Ireland. Annotation copyrighted by Book News, Inc., Portland, OR.