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This spellbinding, historically accurate romantic novel takes the reader into the top-secret world of the Manhattan project where Major General Groves is determined at all costs, human or material, to create the first atomic bomb and use it to end the war. Irene Matchuska, a young assistant professor at Columbia University who has overcome gender discrimination in the male world of engineering, handles a blistering interview with the General to work at the secret city of Los Alamos. There she sees the stress and difficulties of women living with censorship and barbed wire isolation. Although Irene has a tenuous fiancé serving in France, Irene finds herself increasingly attracted to her teammate, a battle-scarred veteran, Navy Commander Carlos Sonora, as they begin work on a secret project code named, Jumbo. Their covert assignment: build the world's largest, strongest and most expensive bottle to hold the first atomic weapon. Their hazardous journey takes them to manufacturing plants where friendly "Rosie the Riveter" factory workers and Women's Air Service Pilots (WASPs) are taking the place of men but discrimination still exists. Even if they successfully build Jumbo, they must transport the behemoth to the most desolate desert in New Mexico, the infamous "Jornada del Muerto", (The Journey of Death), where Jumbo will face Gadget, the plutonium device surrounded by 5,000 lbs. of high explosive, that will prove or disprove that an atomic bomb will work and Jumbo will meet its fate. What Irene and Carl can't foresee in their effort to build Jumbo and still find love in wartime is the real danger of enemy agents, insidious sabotage and death from fiery molten steel.
Who ultimately is L.M. Montgomery, and why was there such an obsession with secrecy, hiding, and encoding in her life and fiction? Delving into the hidden life of Canada's most enigmatic writer, The Intimate Life of L.M. Montgomery answers these questions. The eleven essays illuminate Montgomery's personal writings and photographic self-portraits and probe the ways in which she actively shaped her life as a work of art. This is the first book to investigate Montgomery's personal writings, which filled thousands of pages in journals and a memoir, correspondence, scrapbooks, and photography. Using theories of autobiography and life writing, the essays probe the author's flair for the dramatic and her exuberance in costuming, while also exploring the personal facts behind some of her fiction, including the beloved Anne of Green Gables. Focussing on topics such as sexuality, depression, marriage, aging, illness, and writing, the essays strip away the layers of art and artifice that disguised Montgomery's most intensely guarded secrets, including details of her affair with Herman Leard, her marriage with Ewen Macdonald, and her friendships with Nora Lefurgey and Isabel Anderson. The book also includes rare photographs taken by Montgomery and others, many of which have not previously appeared in print. One of the highlights of The Intimate Life of L.M. Montgomery is the inclusion of a secret diary that Montgomery wrote with Lefurgey in 1903. This hilarious document is a rare find, for Montgomery's teasing banter presents us with a new voice that is distinct from the sombre tone of her journals. Published here for the first time, more than 100 years after its composition, this diary is virtually unknown to readers and scholars and is a welcome addition to the literature on this important figure. This volume fills in many of the blanks surrounding Montgomery's personal life. Engaging and erudite, it is a boon for scholars and Montgomery fans alike.
When Irene America discovers that her artist husband, Gil, has been reading her diary, she begins a secret Blue Notebook, stashed securely in a safe-deposit box. There she records the truth about her life and marriage, while turning her Red Diary—hidden where Gil will find it—into a manipulative charade. As Irene and Gil fight to keep up appearances for their three children, their home becomes a place of increasing violence and secrecy. And Irene drifts into alcoholism, moving ever closer to the ultimate destruction of a relationship filled with shadowy need and strange ironies. Alternating between Irene's twin journals and an unflinching third-person narrative, Louise Erdrich's Shadow Tag fearlessly explores the complex nature of love, the fluid boundaries of identity, and the anatomy of one family's struggle for survival and redemption.
"Here is the journal which ultimately proved the motive force for The Magnificent Obsession, the journal as it was set down by Doctor Hudson himself. One feels that he must have been a real person (or that at any rate, in his fictional being he represented the personification of someone’s experience and thought). Here we learn whence came the power—the inner strength through which he built spiritual, physical and worldly success. Here we trace the various experiments which proved his own theory. And here too we follow his opinion on a world facing much of what our world is facing today. This gives the book not only the customary hypodermic that Doctor Douglas so ably administers, but a timeliness that is not to be ignored. There is no one writing today who can put more punch into a sermon—without making one conscious it is a sermon." —Kirkus Review Lloyd C. Douglas was an American minister and author born in Indiana in 1877. He was married and had two children. He did not write his first novel until the age of 50 but was considered to be one of the most popular writers of his time. His works usually had a moral and religious tone. Two of his best known works were The Robe and The Big Fisherman, which were made into major motion pictures. The Robe, written in 1942, sold over two million copies in hardcover alone. It held the number one position on the New York Times Best Seller list for over a year and remained on the list for an additional two years. The film version of The Robe hit the screen in 1953 and starred Richard Burton.
The path of the biographer is fraught with peril, and insanity may not be the least of its dangers. I no longer think if I ever did, that it is merely a matter of recording the truth as it happened. These are the despairing words of Dr John Watson as he attempts to set down the adventures of the famous master detective Sherlock Holmes. Within these pages you will find the answers to many questions surrounding the most famous sleuthing pair in the history of fiction. What were the real circumstances behind the mystery of ?The Blue Carbuncle? What actually happened on Dartmoor as they tracked ?The Hound of the Baskervilles? How many adventures never made it into print? But most intriguing of all, how did Holmes die in his final duel with Moriarty - and then come back to life? Charting the course of the two men's friendship, this ingenious pastiche draws on the entire canon and is a delight from beginning to end. Rich in scholarship, wit and period detail, this remarkable novel will delight fans of Sir Arthur Conan Doyle.
The critically acclaimed if controversial game series Wolfenstein is famous for its inclusion of historical objects and figures from the realm of Nazi Occultism, including the Swastika, the Spear of Destiny, the Thule Medallion, Heinrich Himmler, Helena Blavatsky, and Karl Wiligut. The series was criticized for its alleged Nazi glorification and for completely neglecting primary victims of the Second World War, the Jewish people. But since its reboot with Wolfenstein: New Order in 2014, the series has a new, distinct filo semitic flavor, including a number of explicit Jewish characters, a playable concentration camp level, and several theological discussions on God and the existence of evil. In Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, game theologian Frank G. Bosman critically examines both the Nazi occultist and Judaist inspirations and aspirations of the game series, putting forth the question if the series has not invertedly ventured into implicit antisemitic territory by including the Da’at Yichud, a fictional, ancient, and distinct Jewish organization harboring the great minds of history.
“Look out, Janet Evanovich: Jane Delaney is a worthy rival of Stephanie Plum. Bright, smart, and incredibly funny, Undertaking Irene is a delightful laugh-out-loud roller-coaster ride.” — Lorna Barrett, New York Times best-selling author of Book Clubbed “Witty characters, humorous story line and a plot so fun you won’t want to stop reading this book!... It’s laugh-out-loud funny and will make people wonder what you are reading!” — Shelley’s Book Case “This one is definitely ♥♥♥♥♥!” — Rantin’, Ravin’, & Reading “Undertaking Irene by Pamela Burford is one of the funniest books I’ve read in a long time!... I was laughing out loud right from the start… I can’t wait for book two. If you like humor with your mystery, definitely check this one out!” — Brooke Blogs, 5 Stars! “Quirky characters, an intriguing mystery, and snappy dialogue!” — Escape With Dollycas “I hated to put it down… I will be looking to read other books by Pamela Burford!” — Readalot ◊ Jane Delaney does things her paying customers can’t do, don’t want to do, don’t want to be seen doing, can’t bring themselves to do, and/or don’t want it to be known they’d paid someone to do. To dead people. Life gets complicated for Jane and her Death Diva business when she’s hired to liberate a gaudy mermaid brooch from the corpse during a wake—on behalf of the rightful owner, supposedly. Well, a girl’s got to make a living, and this assignment pays better than scattering ashes, placing flowers on graves, or bawling her eyes out as a hired mourner. Unfortunately for Jane, someone else is just as eager to get his hands on that brooch, and he’s even sneakier than she is, not to mention dangerously sexy. Just when she thinks her biggest problem is grand theft mermaid, things take a murderous turn. But hey, when you’ve teamed up with a neurotic seven-pound poodle named Sexy Beast, how can you go wrong?
Paying attention to the uses that Anishinaabe authors make of visual images and marks made on surfaces such as rock, bark, paper, and canvas, David Stirrup argues that such marks—whether ancient pictographs or contemporary paintings—intervene in artificial divisions like that separating precolonial/oral from postcontact/alphabetically literate societies. Examining the ways that writers including George Copway, Jane Johnston Schoolcraft, Gordon Henry, Louise Erdrich, Gerald Vizenor, and others deploy the visual establishes frameworks for continuity, resistance, and sovereignty in that space where conventional narratives of settlement read rupture. This book is a significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.
Named one of NPR's Books We Love It’s finally time for Charles Ignatius Sancho to tell his story, one that begins on a slave ship in the Atlantic and ends at the very center of London life. . . . A lush and immersive tale of adventure, artistry, romance, and freedom set in eighteenth-century England and based on a true story It’s 1746 and Georgian London is not a safe place for a young Black man. Charles Ignatius Sancho must dodge slave catchers and worse, and his main ally—a kindly duke who taught him to write—is dying. Sancho is desperate and utterly alone. So how does the same Charles Ignatius Sancho meet the king, write and play highly acclaimed music, become the first Black person to vote in Britain, and lead the fight to end slavery? Through every moment of this rich, exuberant tale, Sancho forges ahead to see how much he can achieve in one short life: “I had little right to live, born on a slave ship where my parents both died. But I survived, and indeed, you might say I did more.”