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Ireland in its own words: a dazzling compendium Over the past hundred years, Ireland has undergone profound political, social and cultural changes. But one thing that has not changed is the Irish genius for observation and storytelling, invective and self-scrutiny. Ireland: The Autobiography draws upon this genius to create a portrait of a century of Irish life through the words of the people who lived it. Broadcaster and historian John Bowman has mined archives, diaries and memoirs to create a remarkably varied and delightfully readable mosaic of voices and perspectives. Ireland: The Autobiography is a brilliantly selected, wide-ranging and engrossing take on the last century of Irish life. It gives us a portrait of Ireland unlike anything we've read before. 'Absorbing and illuminating . . . John Bowman has selected a range of accounts of Irish life that do justice to what happened, what it felt like, and the personal and societal experiences alongside the "official" version' Diarmaid Ferriter, Irish Times 'A treasure' Irish Examiner 'A whistle-stop tour of the seismic, seminal and explosive events which shaped the nation as we know it' Irish Independent 'Entertaining and informative' Sunday Business Post 'A remarkably varied and delightfully readable mosaic of voices and perspectives' Women's Way 'A thoughtful and eclectic collection' Irish Mail on Sunday
A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.
"Mother Ireland" includes seven essays seamlessly woven into an autobiographical tapestry. In her lyrical, sensuous voice, O'Brien describes growing up in rural County Clare, from her days in a convent school to her first kiss to her eventual migration to England. Weaving her own personal history with the history of Ireland, she effortlessly melds local customs and ancient lore with the fascinating people and events that shaped he young life. The result is a colorful and timeless narrative that perfectly captures the heart and soul of this harshly beautiful country.
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A reprint of the Syracuse University Press edition of 1974.
This engaging and provocative work consists of 29 chapters and discusses over 50 books that have been instrumental in the development of Irish social and political thought since the early seventeenth century. Steering clear of traditionally canonical Irish literature, Bryan Fanning and Tom Garvin debate the significance of their chosen texts and explore the impact, reception, controversy, debates and arguments that followed publication. Fanning and Garvin present these seminal books in an impelling dialogue with one another, highlighting the manner in which individual writers informed each other s opinions at the same time as they were being amassed within the public consciousness. From Jonathan Swift s savage indignation to Flann O'Brien s disintegrative satire, this book provides a fascinating discussion of how key Irish writers affected the life of their country by upholding or tearing down those matters held close to the heart, identity and habits of the Irish nation.
An authoritative modern portrait of Ireland's patron saint and the letters that revealed intimate information about his belief system and life in Ireland.
In vivid, melodic prose, Gabriel revisits his childhood in Ireland, a world that has long since been renovated by time, and juxtaposes these memories with scenes from later years, in which he develops and occupies that strange identity of movie star. Impressionistic and sensual, Byrne's visions of home, of boyhood and adolescence, are gracefully interspersed with jump-cuts to pointedly unglamorous scenes from his life as he becomes an actor, as he becomes celebrated, as he becomes forever recognizable. Byrne is interested in exploring the pathos in what it means to be famous, in what it means to be praised when everything you’ve learned tells you that are not worthy of praise.
Ireland in its own words: a dazzling compendium Over the past hundred years, Ireland has undergone profound political, social and cultural changes. But one thing that has not changed is the Irish genius for observation and storytelling, invective and self-scrutiny. Ireland: The Autobiography draws upon this genius to create a portrait of a century of Irish life through the words of the people who lived it. Broadcaster and historian John Bowman has mined archives, diaries and memoirs to create a remarkably varied and delightfully readable mosaic of voices and perspectives. Ireland: The Autobiography is a brilliantly selected, wide-ranging and engrossing take on the last century of Irish life. It gives us a portrait of Ireland unlike anything we've read before. 'Absorbing and illuminating ... John Bowman has selected a range of accounts of Irish life that do justice to what happened, what it felt like, and the personal and societal experiences alongside the "official" version.' Diarmaid Ferriter, Irish Times 'A treasure' Irish Examiner 'Very enjoyable' Philip Boucher-Hayes 'Entertaining and informative' Sunday Business Post
John McGahern's astounding memoir of his childhood: 'A glowing masterpiece.' Hilary Mantel 'The one Irish writer everyone should read.' Colm Tóibín As wise and compelling a book as any of his elegiac and graceful novels.' David Mitchell 'I have admired, even loved, McGahern's work since his first novel ... Memoir strips the skin off his fiction as he faces a desperate early life with great force and tenderness.' Melvyn Bragg This is the story of John McGahern's childhood, his mother's death, his father's anger and violence, and how, through his discovery of books, his dream of becoming a writer began. At the heart of Memoir is a son's unembarrassed tribute to his mother. His memory of walks with her through the narrow lanes to the country schools where she taught and his happiness as she named for him the wild flowers on the bank remained conscious and unconscious presences for the rest of his life. A classic family story, told with exceptional restraint and tenderness, Memoir cannot fail to move all those who read it. 'Magnificent ... Stand[s] supreme in the Irish canon.' Irish Times 'Profoundly beautiful.' Daily Telegraph 'Extraordinary, spellbinding, spiritual.' Irish Independent ' 'In a tremendously distinguished career, he has never written more movingly, or with a sharper eye.' Andrew Motion, Guardian