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Offering a fresh new perspective on the history of the end of Empire, with the Irish and Indian independence movements as its focus, this book details how each country’s nationalist agitators engaged with each other and exchanged ideas. Using previously unpublished sources from the Indian Political Intelligence collection, it chronicles the rise and fall of movements such as the Indian-Irish Independence League and the League Against Imperialism, whose histories have, until now, remained deeply hidden in the archives. O’Malley also highlights opaque aspects of the careers of popular figures from both Irish and Indian history including Subhas Chandra Bose, Jawaharlal Nehru, Eamon de Valera and Maud Gonne McBride at points when their paths crossed. This book encompasses aspects of Irish, Indian, British, Imperial and intelligence history and will be of interest to students, teachers and general history enthusiasts alike.
Through a consideration of historical memory, commemoration and the 'imagined communities' of nationalism, Ireland and India examines three aspects of Ireland's imperial history: relationships between Irish and Indian nationalists, the construction of Irishmen as imperial heroes, and the commemoration of an Irish regiment's mutiny in India.
Eight essays examine the experience and role of the Irish in the British empire during the 19th and 20th centuries, based on the understanding that, Ireland being less integrated, it differed from that of the other Celtic nations submerged in the United Kingdom. They discuss film, sport, India, the Irish military tradition, Irish unionists, Empire Day in Ireland from 1896 to 1962, Northern Irish businessmen, and Ulster resistance and loyalist rebellion. Distributed in the US by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
Inglorious Empire' tells the real story of the British in India from the arrival of the East India Company to the end of the Raj, revealing how Britain's rise was built upon its plunder of India. In the eighteenth century, India's share of the world economy was as large as Europe's. By 1947, after two centuries of British rule, it had decreased six-fold. Beyond conquest and deception, the Empire blew rebels from cannon, massacred unarmed protesters, entrenched institutionalised racism, and caused millions to die from starvation. British imperialism justified itself as enlightened despotism for the benefit of the governed, but Shashi Tharoor takes on and demolishes this position, demonstrating how every supposed imperial "gift" - from the railways to the rule of law -was designed in Britain's interests alone. He goes on to show how Britain's Industrial Revolution was founded on India's deindustrialisation, and the destruction of its textile industry.
This is an innovative study of the role of Ireland and the Irish in the British Empire which examines the intellectual, cultural and political interconnections between nineteenth-century British imperial, Irish and Indian history. Barry Crosbie argues that Ireland was a crucial sub-imperial centre for the British Empire in South Asia that provided a significant amount of the manpower, intellectual and financial capital that fuelled Britain's drive into Asia from the 1750s onwards. He shows the important role that Ireland played as a centre for recruitment for the armed forces, the medical and civil services and the many missionary and scientific bodies established in South Asia during the colonial period. In doing so, the book also reveals the important part that the Empire played in shaping Ireland's domestic institutions, family life and identity in equally significant ways.
How did the Irish stay Irish? Why are Irish and Catholic still so often synonymous in the English-speaking world? Ireland's Empire is the first book to examine the complex relationship between Irish migrants and Roman Catholicism in the nineteenth century on a truly global basis. Drawing on more than 100 archives on five continents, Colin Barr traces the spread of Irish Roman Catholicism across the English-speaking world and explains how the Catholic Church became the vehicle for Irish diasporic identity in the United States, Australia, Canada, South Africa, New Zealand, Newfoundland, and India between 1829 and 1914. The world these Irish Catholic bishops, priests, nuns, and laity created endured long into the twentieth century, and its legacy is still present today.
Ireland in an Imperial World interrogates the myriad ways through which Irish men and women experienced, participated in, and challenged empires in the nineteenth and twentieth centuries. Most importantly, they were integral players simultaneously managing and undermining the British Empire, and through their diasporic communities, they built sophisticated arguments that aided challenges to other imperial projects. In emphasizing the interconnections between Ireland and the wider British and Irish worlds, this book argues that a greater appreciation of empire is essential for enriching our understanding of the development of Irish society at home. Moreover, these thirteen essays argue plainly that Ireland was on the cutting edge of broader global developments, both in configuring and dismantling Europe’s overseas empires.
India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.
Drawing upon the experiences of Scottish and Irish Catholics in Nova Scotia, Cape Breton Island, Newfoundland, and Trinidad, Empire and Emancipation sheds important new light on the complex relationship between Catholicism and the British Empire.
"Empire of anlaogies examines Kipling's representation of the Irish in his Indian stories, while tracing his changing views of the Empire as the hegemony of British imperialism faltered towards the end of the nineteenth century. It raises an important question regarding the place of Ireland in the Empire, namely, why do his Irish characters, especially the eponymous hero of Kim, have to be represented in India? Empire of analogies seeks to answer this colonial riddle by placing it within the context of the imperial connections between British colonies. It argues that Indo-Irish analogies and comparisons became especially important in representing imperial integrity in the late nineteenth century, and, as such, became the very site where the image of the British Empire was contested." --book jacket.