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This captivating book delves into the secretive world of the Irish Republican Brotherhood (IRB) and its profound impact on Ireland’s political landscape between 1914 and 1924. With the aid of new documentation, Ranelagh unravels the true influence of the oath-bound society without which the 1916 Rising might never have taken shape. For Michael Collins, the IRB was the true custodian of the Irish Republic, and the only body he pledged his loyalty to, but its legacy remains obscured by its intense secrecy. This book re-introduces the IRB as the organisation that created and furnished the IRA, influenced the result of the critical 1918 election, and changed the face of Irish history. From Éamon de Valera’s recollections of how he first learned of the Treaty to narratives from Nora Connolly O’Brien, Emmett Dalton et al, testimonies from key figures paint a vivid picture of the IRB’s inner workings and external influence. A fascinating exploration of secret societies, political manoeuvres, and personal sacrifices, The Irish Republican Brotherhood 1914–1924 casts new light on a pivotal chapter in Ireland’s quest for independence.
The story of the British political system's reaction to the Irish unrest is told, and an important episode in Mr Gladstone's career fully revealed. The agrarian reform of 1870 was not only `the beginning of the undoing of the conquest', it was also a point of departure for British legislation generally. A great deal of evidence is marshalled in the book to support its argument that the Act undermined the conception of property-rights which was central to the self-confidence of the rulers of mid-Victorian Britain. Dr Steele draws on the relatively neglected mass of evidence about the Irish peasantry, their customs and aspirations, collected and printed by British Parliamentary and official investigations during the nineteenth century. He has been able to exploit a wealth of material in the private pipers of Mr Gladstone, his cabinet colleagues and other leading political figures. Selective use has been made of the British and Irish press, to illustrate and emphasize all that was at stake.
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast?s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast?s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast?s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
The book introduces a theoretical framework to understand the role of religious leaders in conflict transformation and peacebuilding.
Among the issues examined are the extent of the human destruction, the degree of collaboration, Jewish reactions, and efforts to save the Jews.
Charles Stewart Parnell (1846-1891) wrote remarkably little about himself, but he has attracted the attention of many writers, politicians, and scholars, both during his lifetime and ever since. His controversial and provocative role in Irish and British affairs had him vilified as a murderer in The Times, and afterwards dramatically vindicated by the Westminster Parliament. It cast him as a romantic hero to the young James Joyce, and a self-serving opportunist to the journalists of the Nation. Parnell has been the subject of court cases, parliamentary enquiries and debates, journalism, plays, poems, literary analysis and historical studies. For the first time all these have been collected, catalogued and cross-referenced in one volume, an invaluable resource for scholars of late nineteenth century Ireland and Britain. Divided into fifteen chapters, including a biographical sketch, the volume contains information on manuscript and archival collections, printed primary sources, Parnell's writing, Parnell's speeches in the House of Commons and outside Parliament, contemporary journalism, contemporary writing, and contemporary illustrations on Irish affairs, and a substantial list of scholarly work, including biographies, books, articles, chapters, and theses. This volume offers readers a clear record of the substantial material already available on Parnell, and in doing so offers resources to future research in this area.
The history of Britain and Ireland is traditionally presented as a succession of dramatic changes, but in this reference work the 60 contributors under the editorship of Christopher Haigh have emphasized patterns of continuity instead, including cultural, social, political and economic themes. 300 illustrations.
Here Ireland's premier economic historian and one of the leading authorities on the Great Irish Famine examines the most lethal natural disaster to strike Europe in the nineteenth century. Between the mid-eighteenth and early-nineteenth centuries, the food source that we still call the Irish potato had allowed the fastest population growth in the whole of Western Europe. As vividly described in Ó Gráda's new work, the advent of the blight phytophthora infestans transformed the potato from an emblem of utility to a symbol of death by starvation. The Irish famine peaked in Black '47, but it brought misery and increased mortality to Ireland for several years. Central to Irish and British history, European demography, the world history of famines, and the story of American immigration, the Great Irish Famine is presented here from a variety of new perspectives. Moving away from the traditional narrative historical approach to the catastrophe, Ó Gráda concentrates instead on fresh insights available through interdisciplinary and comparative methods. He highlights several economic and sociological features of the famine previously neglected in the literature, such as the part played by traders and markets, by medical science, and by migration. Other topics include how the Irish climate, usually hospitable to the potato, exacerbated the failure of the crops in 1845-1847, and the controversial issue of Britain's failure to provide adequate relief to the dying Irish. Ó Gráda also examines the impact on urban Dublin of what was mainly a rural disaster and offers a critical analysis of the famine as represented in folk memory and tradition. The broad scope of this book is matched by its remarkable range of sources, published and archival. The book will be the starting point for all future research into the Irish famine.