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In distinctive ways, Iran is one of the most photogenic countries in the world -- a place where dazzling architecture is set amid desolate expanses of desert or steppe; where snow-capped mountains plunge dramatically to a seacoast of steamy lushness; where nomads guide their flocks to seasonal pasturelands; where tombs, temples, castles, and mosques bespeak the richness of the Persian past. High and dry for the most part, the land is sectioned by great mountain ranges, dotted with venerable villages of mud and stone as well as modern cities, and has a cultural fabric woven of many different threads -- Persian, Turkic, Kurdish, Baluchi and even Mongol. For a photographer to capture such a mix of spectacular terrain and cultural complexity is a formidable challenge, one that Daniel Nadler, an American born in Egypt, has met brilliantly in Iran the Beautiful. This book, comprising more than 170 photographs, takes as its symbolic centre the magnificent landmark of Mount Damavand, the highest peak in the Middle East, and ranges outward from there north to the Caspian Sea, east as far as Gonbad-e Kavus, west toward Zanjan, and south to Isfahan. All lie no more than a day's drive from the great volcano, yet within those bounds can be found a spectrum of landscapes, lifestyles, and architectural treasures that show why Iran, once seen, can never be forgotten.
When Roger Housden decided to travel to Iran and finally see the subject of his youthful fascination, he was in his sixties. By then, he thought he had seen the world. He was wrong. It was a quest that changed him forever. In Iran, Housden met with artists, writers, film makers and religious scholars who embody the long Iranian tradition of humanism, and shared with him their belief in scholarship and artistry. From the bustle of modern Tehran to the paradise gardens of Shiraz to the spectacular mosques and ancient palaces of Isfahan, Housden met Iranians who were warm, welcoming, generous, intellectually curious, and altogether alive with their love for one another, and for the faith and tradition that holds them together. Saved by Beauty weaves a richly textured story of many threads. It is a deeply poetic and perceptive appreciation of a culture that has endured for over three thousand years, while it also portrays the creative and spiritual cultures within contemporary Iran. While there, Roger Housden was brought face to face with the reality that beauty and truth, deceit and violence, are inextricably mingled in the affairs of human life, and was forever altered by it.
'Iran Modern' offers a timely exploration of the cultural diversity and production of avant-garde art in Iran after World War II and up to the revolution, from 1950 through to 1979.
Darius doesn't think he'll ever be enough, in America or in Iran. Hilarious and heartbreaking, this unforgettable debut introduces a brilliant new voice in contemporary YA. Winner of the William C. Morris Debut Award “Heartfelt, tender, and so utterly real. I’d live in this book forever if I could.” —Becky Albertalli, award-winning author of Simon vs. the Homo Sapiens Agenda Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian—half, his mom’s side—and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he’s sure things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they’re spending their days together, playing soccer, eating faludeh, and talking for hours on a secret rooftop overlooking the city’s skyline. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab. Adib Khorram’s brilliant debut is for anyone who’s ever felt not good enough—then met a friend who makes them feel so much better than okay.
Persian hospitality and contemporary lifestyle in some of the finest Iranian hotels The first ever guide to the country's hostels and hoteliers, featuring extraordinary photos and immersive texts. With special travel entries on wind towers, concept stores, mud houses, and espresso culture. etc.
U.S. relations with Iran have been fraught for decades, but under the Trump Administration tensions are rising to startling levels. Medea Benjamin, one of the best-known 21st century activists, offers the incredible history of how a probable alliance became a bitter antagonism in this accessible and fascinating story. In 1979, the Iranian Revolution brought a full-scale theocracy to the 80 million inhabitants of the Middle East's second largest country, with. The rule of the ayatollahs opened the door to Islamic fundamentalism. In the decades since, bitter relations have persisted between the U.S. and Iran. Yet how is it that Iran has become the primary target of American antagonism over nations like Saudi Arabia, whose appalling human rights violations fail to depose it as one of America's closest allies in the Middle East? In the first general-audience book on the subject, Medea Benjamin elucidates the mystery behind this complex relationship, recounting the country's history from the pre-colonial period to its emergence as the one nation Democrats and Republicans alike can unite in denouncing. Benjamin has traveled several times to Iran, and uses her firsthand experiences with politicians, activists, and everyday citizens to provide a deeper understanding of the complexities of Iranian society. Tackling common misconceptions about Iran's system of government, its religiosity, and its citizens' way of life, Benjamin makes short work of the inflammatory rhetoric surrounding U.S.-Iranian relations, and presents a realistic and hopeful case for the two nations' future.
A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE "A modern masterpiece." —The New York Times Book Review "Supple, sparkling and original." —The Wall Street Journal "Mesmerizing." —TODAY.com "This book could change the world." —BookPage "Like nothing else you've read or ever will read." —Linda Sue Park "It hooks you right from the opening line." —NPR SEVEN STARRED REVIEWS ★ "A modern epic." —Kirkus Reviews, starred review ★ "A rare treasure of a book." —Publishers Weekly, starred review ★ "A story that soars." —The Bulletin, starred review ★ "At once beautiful and painful." —School Library Journal, starred review ★ "Raises the literary bar in children's lit." —Booklist, starred review ★ "Poignant and powerful." —Foreword Reviews, starred review ★ "One of the most extraordinary books of the year." —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.
The Epic of Kings, Hero Tales of Ancient Persia Firdausi - The Epic of Kings, Hero Tales of Ancient Persia (The Shahnameh) is an epic poem by the Persian poet Firdausi, written between 966 and 1010 AD. Telling the past of the Persian empire, using a mix of the mythical and historical, it is regarded as a literary masterpiece. Not only important to the Persian culture, it is also important to modern day followers of the Zoroastrianism religion. It is said that the poem was Firdausi's efforts to preserve the memory of Persia's golden days, following the fall of the Sassanid empire. The poem contains, among others, mentions of the romance of Zal and Rudba, Alexander the Great, the wars with Afrsyb, and the romance of Bijan and Manijeh.
“A glorious treat awaits you at the literary table of Donia Bijan.” —Adriana Trigiani Set against the backdrop of Iran’s rich, turbulent history, this exquisite debut novel is a powerful story of food, family, and a bittersweet homecoming. When we first meet Noor, she is living in San Francisco, missing her beloved father, Zod, in Iran. Now, dragging her stubborn teenage daughter, Lily, with her, she returns to Tehran and to Café Leila, the restaurant her family has been running for three generations. Iran may have changed, but Café Leila, still run by Zod, has stayed blessedly the same—it is a refuge of laughter and solace for its makeshift family of staff and regulars. As Noor revisits her Persian childhood, she must rethink who she is—a mother, a daughter, a woman estranged from her marriage and from her life in California. And together, she and Lily get swept up in the beauty and brutality of Tehran. Bijan’s vivid, layered story, at once tender and elegant, funny and sad, weaves together the complexities of history, domesticity, and loyalty and, best of all, transports readers to another culture, another time, and another emotional landscape.
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-