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When the legal system has disappointed, humbled, and humiliated you, there is still one arrow in your quiver. Call the Shortcut Man. Dick Henry, the Shortcut Man, is a purveyor of unlicensed, unofficial, and unauthorized justice. In IPSO FATSO, Dick follows the breadcrumbs leading into the lofty halls of power and influence in Los Angeles. Once there, Dick achieves the unexpected, but along the way settles a variety of scores and puts a number of bad guys in touch with their Inner Child.
In their growing involvement with one another, each becomes a pawn in the other's game. As we weave among these characters, learning about their lives and motivations, and uncovering the conflicts and contradictions between their stories, we realize that the storyteller is not the only one with secrets to conceal that all three are fugitives of one kind or another. All the Sorrentino touches that have thrilled admirers are here: sparkling dialogue, satirical wit, attention to the details of everyday life, dizzyingly inventive prose but it is the deeply imagined interior lives of its all too human main characters that set this novel apart. Moving, funny, tense, and mysterious, The Fugitives is a love story, a ghost story, and a crime thriller.
"This is a forensic numerological criminal profile of Martin John Bryant, who was imprisoned, never to be released for his slaughter of innocents at Port Arthur Tasmania."--Publisher's website.
From a writer described as “a worthy successor to Raymond Chandler” (Michael Connelly), the follow-up to Shortcut Man, featuring Dick Henry in a rousing tale of sin and salvation in the City of Angels. Dick Henry is the Shortcut Man, assisting people with their sticky situations in the belief that the shortest answer to many problems may not always be legal. In Tribulations of the Shortcut Man, he reluctantly provides assistance to an old girlfriend, pole dancer Pussy Grace. After Pussy’s boyfriend, rich and famous developer and septuagenarian Art Lewis, has inexplicably cut off communication with her, Dick and Puss enter Lewis’s mansion disguised as gas company employees to investigate. Everything quickly goes downhill. Dick and Puss flee, leaving the very dead Art Lewis behind. Dick anticipates arrest until news breaks the next morning: Art Lewis has just gotten married and is now enjoying his honeymoon. Realizing a conspiracy is afoot, Dick must navigate his way through the underbelly of Los Angeles and a motley crew of miscreants in pursuit of justice. “Filled with enough dark humor and shady characters to satisfy the most rabid noir fan” (Associated Press), p.g. sturges’s Shortcut Man series is hard-boiled crime at its best.
"In a world of rising tensions between Russia and the United States, the Middle East and Europe, Sunnis and Shiites, Islamism and liberalism, Turkey is at the epicentre. And at the heart of Turkey is its right-wing populist president, Recep Tayyip Erdo?an. Since 2002, Erdo?an has consolidated his hold on domestic politics while using military and diplomatic means to solidify Turkey as a regional power. His crackdown has been brutal and consistent - scores of journalists arrested, academics officially banned from leaving the country, university deans fired and many of the highest-ranking military officers arrested. In some senses, the nefarious and failed 2016 coup has given Erdo?an the licence to make good on his repeated promise to bring order and stability under a 'strongman'. Here, leading Turkish expert Soner Cagaptay will look at Erdo?an's roots in Turkish history, what he believes in and how he has cemented his rule, as well as what this means for the world. The book will also unpick the 'threats' Erdogan has worked to combat - from the liberal Turks to the Gulen movement, from coup plotters to Kurdish nationalists - all of which have culminated in the crisis of modern Turkey."--Bloomsbury Publishing.
From award-winning comedian, director, writer, and producer David Steinberg comes the totally original, utterly blasphemous, and hysterically funny memoir of a young man who emerged from a traditional Jewish childhood to become an international star—all because, it seems, he kept God in stitches. David Steinberg was raised in Winnipeg, Canada, by parents who expected little from him. And no wonder. Instead of studying Talmud in order to become a rabbi, he chose to major in Martin and Lewis with a minor in basketball. As David imagines the story of his life (since his success otherwise makes no sense), God one day spotted him on the playground and decided that this young man with no ambition could go far with His help. Sure enough, God soon had David on network TV and Broadway, and selling out nightclubs across the country—as well as being pursued by hot starlets. The Book of David is David Steinberg's hilarious trip down memory lane, assuming that the lane has a biblical address. This wild riff on the Old Testament is guaranteed laughter.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This book is part history, part political analysis and part memoir. It is an intensely personal book about what has changed in California over the last quarter century.
This book answers the need of crossword puzzlers for one single-purpose reference work. In addition to general vocabulary and synonyms, there are entries covering history; the natural and physical sciences; literature; music, painting, and other arts; religion; mythology; sports; popular culture; and current affairs, among others. - Preface.
Originally published in German in 1935, this monograph anticipated solutions to problems of scientific progress, the truth of scientific fact and the role of error in science now associated with the work of Thomas Kuhn and others. Arguing that every scientific concept and theory—including his own—is culturally conditioned, Fleck was appreciably ahead of his time. And as Kuhn observes in his foreword, "Though much has occurred since its publication, it remains a brilliant and largely unexploited resource." "To many scientists just as to many historians and philosophers of science facts are things that simply are the case: they are discovered through properly passive observation of natural reality. To such views Fleck replies that facts are invented, not discovered. Moreover, the appearance of scientific facts as discovered things is itself a social construction, a made thing. A work of transparent brilliance, one of the most significant contributions toward a thoroughly sociological account of scientific knowledge."—Steven Shapin, Science