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Who were Iowa's historic architects? In this extensively researched dictionary. Wesley Shank answers that question by providing biographies of more than two hundred architects who practiced in Iowa before 1950 and who maintained an office in the state for at least part of their careers. For each architect Shank has gathered as much personal and professional information as possible; dates and places of birth and death; parents, spouses, and children; education and professional training; personality and competency; when and where they practiced, with whom, and when their partnerships began and ended; what roles they played in their communities and their profession; and the representative buildings they designed. As a reflection of both national and state history Iowa's Historic Architects will be valuable to professionals in the fields of architecture. American history, and historic preservation as well as to general readers.
In Buildings of Iowa, David Gebhard and Gerald Mansheim trace Iowa's architectural history from the earliest Native American influences to the present. Divided into five regional areas--Mississippi River East, Mississippi River West, and the Central, South, and North regions--the book's entries within each area are presented on a town-by-town basis to include the full array of Iowa's architectural offerings in various styles. Whether discussing farm houses, barns, and silos or churches, schools, courthouses, and libraries, the volume shows how a unity of rural and urban is effectively mirrored in Iowa's buildings.
In June 1950, Frank Lloyd Wright paid a surprise visit to the Grant house, under construction near Cedar Rapids, Iowa. This was Wright's first visit to the site, and he was worried about the house because, unlike most of Wright's clients, Doug Grant was building it himself, serving as his own general contractor and doing his own electrical work and carpentry. He and his wife, Jackie, quarried all of the stone for the house from their own quarry on the property, and both took an active part in the construction. Upon his return to Taliesin, Wright told the assembled group of architects and apprentices that he was extremely pleased by what he had seen. He delivered a long tribute to Grant, calling the act of building one's own house "an American proceeding." The book's foreword, contributed by the Wright Foundation's Director of Archives, Bruce Brooks Pfeiffer, calls the Grant house, "among some of the finest and most inspired that Frank Lloyd Wright ever designed."
George L. Horner, University Architect and Planner, 1906-1981 -- Buildings -- Architects -- Chronology of Building Completion/Occupancy Dates -- Sculptures -- Glossary -- Bibliography -- Index
Long before designing his signature Usonian houses, Frank Lloyd Wright envisioned an earlier series of affordable models for the middle class: The American System-Built Homes. He developed seven floorplans of varying size and layout, standardized so that materials could be precut at the factory to reduce costs. Only a few years after the project began, the United States entered World War I, and all home construction was stalled due to lumber shortages. Wright then turned his attention to other projects, and with fewer than twenty built, the American System-Built Homes were all but forgotten.In 2011, Jason Loper and Michael Schreiber purchased the only American System-Built Home constructed in Iowa, the Meier House, which set them on a course of refurbishing and researching their new residence. In This American House, Loper and Schreiber trace the history of the Meier House through its previous owners, and shed light on this underexplored period of Wright's oeuvre. With a preface by John H. Waters, the Preservation Programs Manager of the Frank Lloyd Wright Building Conservancy, This American House addresses what it means to be the stewards of a piece of history.
Des Moines boasts a remarkable architectural portfolio rich in depth and quality. The town drew wide attention in the nineteenth century with structures like the Iowa State Capitol and the Terrace Hill mansion. Des Moines embraced the City Beautiful movement in the twentieth century and became home to well-known work by Eliel and Eero Saarinen, notably the city's innovative Art Center. A contemporary architectural renaissance produced lauded landmarks like the Meredith Headquarters, the Des Moines Public Library and the John and Mary Pappajohn Sculpture Park. Author Jay Pridmore crafts an illustrated survey of the architecture and design of Iowa's largest city.
There's something about vintage garden photos: preserved moments of beauty from gardens long gone. Iowa Gardens of the Past features 300+ color and grayscale images of beautiful Iowa gardens, together with lovely seed catalog art, from the mid-nineteenth century through 1980. From impressive mansion grounds to humble flower-filled farmsteads, they include: Victorian-style flower bedding; formal rose gardens; exotic Japanese-style gardens; midcentury modern landscaping. Discover how Iowans coped with severe weather events, economic depressions, world wars, grasshopper plagues and Dutch Elm Disease. Despite these challenges, Iowans have made countless gardens of great beauty. Now these gardens can be admired and enjoyed once again, in these hauntingly beautiful images of Iowa Gardens of the Past.
Newly expanded with over twenty new houses and twenty-five new photographs—plus a map that allows readers to explore Iowa City's historic neighborhoods! This silver anniversary edition of Margaret Keyes' 1967 classic will be required reading for all those fascinated by local history and by the development of architectural styles in the Midwest and for all those devoted to restoring and preserving historic houses.
Buried renaissance of Root, Sullivan, Roebling, W. Homer, Eakins, Ryder, others. 12 illustrations.