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Ionia: Land of Wise Men and Fair Women (1898) is a utopian novel by Alexander Craig. Published with illustrations by renowned German American artist J. C. Leyendecker, Ionia: Land of Wise Men and Fair Women is Craig’s only known novel. Noted for its blend of science fiction and political theory, Craig’s work is among the many novels of the late-nineteenth century to predict the future of air travel. Unlike other utopian tales of the time, however, the author’s vision of a perfect society is built on conservative values. It is also notable for its depiction of severe punishment and overall anti-Semitism. When London banker David Musgrave dies, he leaves his wife and young son a sizable fortune. While raising Alexander, Musgrave’s widow devoted herself to philanthropy in their village. Now a young man forging his own path in London, he learns of a newly discovered country in the Himalayas. Alongside his friend Jason Delphion, he travels by aircraft across the world to see Ionia for himself. There, he learns that the people of the valley descended from Greek mercenaries who fled to the Himalayas during the conquest of Persia by Alexander the Great. Isolated, they lived for centuries as farmers and soldiers until, returning from Europe, a prince brought knowledge of modern technology back to Ionia. From then on, their society flourished, surpassing by far any other in human history. With a beautifully designed cover and professionally typeset manuscript, this edition of Alexander Craig’s Ionia: Land of Wise Men and Fair Women is a classic work of utopian literature reimagined for modern readers.
Excerpt from Ionia: Land of Wise Men and Fair Women My father, David Musgrave, was the younger son'of a neighboring squire, and having but a younger son's por tion, he had been placed by his father in a London bank ing house, of which he became the head before he was thirty-five years old. Retiring at fifty with a large for tune, he had purchased the Grange and married the rec tor's daughter, expecting to spend many years amongst the scenes of his youth, enjoying the wealth which the best part of his life had been spent in accumulating. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Utopian thinking embraces fictional descriptions of how to create a better (but not a perfect) alternative way of life as well as intentional communities (that is, groups of people leading lives in small communities for their own betterment and the betterment of others). The first edition almost exclusively dealt with the intentional-community side of utopianism; this second edition offers a much more inclusive definition of the key term utopia by offering a great many entries devoted to describing fictional or literary utopian works. It is also heavily illustrated with plates from utopian works, especially those from the heyday of utopianism in the late nineteenth century. This second edition of Historical Dictionary of Utopianism contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on broad conceptual entries; narrower entries about specific works; and narrower entries about specific intentional communities or movements. This book is an excellent resource for students, researchers, and anyone wanting to know more about Utopianism.
Patriarchy’s Creative Resilience explores the disturbing sustainability of White male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870 and 1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non- patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth- century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and rejustify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp’s project reveals how patriarchy itself is creative, resilient, and resourceful.