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Invisibility Is the Art of Survival marks the first appearance in this country, in book form, of the work of Edwin Brock. Born in London in 1927, Brock says he has spent the subsequent years waiting for something to happen, occupying his time as a sailor, journalist, policeman, and adman, in that order. Yet none of this, he feels, has touched him, "except with a fine patina of invisibility." Poetry, however, is for him an act of self-definition "which sometimes goes so deep that you become what you have defined. And this," he adds, "is the nearest thing to an activity I have yet found." Thus in addition to being poetry editor of Ambit, Brock has published several volumes of his own. His first, An Attempt at Exorcism, was brought out in 1959, and was followed over the next decade by A Family Affair, With Love from Judas, a large selection in Penguin Modern Poets 8, and A Cold Day at the Zoo. For Invisibility Is the Art of Survival, Brock has gleaned a representative selection from all his previous books, adding to it a number of recent, uncollected poems. Confronted with his work, American readers will agree with the critic Alan Pryce-Jones that Brock has written "some of the most observant and compassionate poems of our time--poems, moreover, in which the poet keeps his feet on the ground as skillfully as his head in the air."
The publication in 1972 of Invisibility Is the Art of Survival, the author's own selection of poems from earlier books brought out in England, introduced Edwin Brock to American readers. This new collection, The Portraits & The Poses, will further the acquaintance with a fresh and forceful voice, one which David Ignatow has called "the best in English contemporary poetry." These are highly personal poems: the "poses," the postures and bafflements of everyday life as Brock sees it; the "portraits," pithy vignettes of everyday people and their relationships as he knows them. Yet what is personal to the poet is made highly accessible by his art, and by his particular qualities of profound earthiness, honesty, humor, and concern.
DIVFred Wagner thought his newfound ability would bring big opportunities, but some special powers aren’t as useful as they appear to be/divDIV/divDIV/divDIV Advertising copywriter Fred Wagner lives a mundane existence, dreaming of being a novelist but making scant progress on his first literary effort. His career has stalled and his personal life is falling to pieces, but everything seems poised to change when, one day, Fred realizes he can will himself in and out of visibility. A world of possibilities seems finally within reach—that is, until Fred learns that invisibility isn’t the panacea he hoped it would be./divDIV /divDIVFilled with humor and pathos, Being Invisible perceptively examines the life of a struggling writer and the power each of us has to change our own lives./divDIV /divDIVThis ebook features an illustrated biography of Thomas Berger including rare images and never-before-seen documents from the author’s personal collection./divDIV /divDIV/div
Real-world advice on how to be invisible online from "the FBI's most-wanted hacker" (Wired) Your every step online is being tracked and stored, and your identity easily stolen. Big companies and big governments want to know and exploit what you do, and privacy is a luxury few can afford or understand. In this explosive yet practical book, computer-security expert Kevin Mitnick uses true-life stories to show exactly what is happening without your knowledge, and teaches you "the art of invisibility": online and everyday tactics to protect you and your family, using easy step-by-step instructions. Reading this book, you will learn everything from password protection and smart Wi-Fi usage to advanced techniques designed to maximize your anonymity. Invisibility isn't just for superheroes--privacy is a power you deserve and need in the age of Big Brother and Big Data.
It is time to reevaluate the merits of the inconspicuous life, to search out some antidote to continuous exposure, and to reconsider the value of going unseen, undetected, or overlooked in this new world. Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, autonomy, and voice. In our networked and image-saturated lives, the notion of disappearing has never been more alluring. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and promote ourselves. The pressure to be public comes not just from our peers, but from vast and pervasive technology companies that want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized way of life—for invisibility. Writing in rich painterly detail about her own life, her family, and some of the world’s most exotic and remote places, she savors the pleasures of being unseen. Discovering and dramatizing a wonderful range of ways of disappearing, from virtual reality goggles that trick the wearer into believing her body has disappeared to the way Virginia Woolf’s Mrs. Dalloway finds a sense of affiliation with the world around her as she ages, Busch deliberates on subjects new and old with equal sensitivity and incisiveness. How to Disappear is a unique and exhilarating accomplishment, overturning the dangerous modern assumption that somehow fame and visibility equate to success and happiness. Busch presents a field guide to invisibility, reacquainting us with the merits of remaining inconspicuous, and finding genuine alternatives to a life of perpetual exposure. Accessing timeless truths in order to speak to our most urgent contemporary problems, she inspires us to develop a deeper appreciation for personal privacy in a vast and intrusive world.
The Blocked Heart is the fourth collection by the British poet Edwin Brock to be published in the United States. Reading his most recent verse, one becomes increasingly aware that the author's pervasive wry melancholy is not so much a passive response to the stress of urban life as a compassionate, virile outburst against it. Here we find, in many ways, a maturing synthesis of his earlier work: the candid, often bitter introspection of Invisibility Is the Art of Survival (1972 ), the more meditative, though no less incisive subtlety of The Portraits The Poses (1973), and the acerbic satire of Paroxisms (1974), a volume which includes illustrations by the poet's wife, Elizabeth. "[His is] the freshest voice from Britain in years," writes Hayden Carruth. ''Brock's sense of the formal tradition is indubitably English, but otherwise unpredictable, because he uses it very personally, amiably, and with great natural tact. His poems look to me like a breakthrough."
PULITZER PRIZE WINNER • A “vivid and devastating” (The New York Times) portrait of an indomitable girl—from acclaimed journalist Andrea Elliott “From its first indelible pages to its rich and startling conclusion, Invisible Child had me, by turns, stricken, inspired, outraged, illuminated, in tears, and hungering for reimmersion in its Dickensian depths.”—Ayad Akhtar, author of Homeland Elegies ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times • ONE OF THE BEST BOOKS OF THE YEAR: The Atlantic, The New York Times Book Review, Time, NPR, Library Journal In Invisible Child, Pulitzer Prize winner Andrea Elliott follows eight dramatic years in the life of Dasani, a girl whose imagination is as soaring as the skyscrapers near her Brooklyn shelter. In this sweeping narrative, Elliott weaves the story of Dasani’s childhood with the history of her ancestors, tracing their passage from slavery to the Great Migration north. As Dasani comes of age, New York City’s homeless crisis has exploded, deepening the chasm between rich and poor. She must guide her siblings through a world riddled by hunger, violence, racism, drug addiction, and the threat of foster care. Out on the street, Dasani becomes a fierce fighter “to protect those who I love.” When she finally escapes city life to enroll in a boarding school, she faces an impossible question: What if leaving poverty means abandoning your family, and yourself? A work of luminous and riveting prose, Elliott’s Invisible Child reads like a page-turning novel. It is an astonishing story about the power of resilience, the importance of family and the cost of inequality—told through the crucible of one remarkable girl. Winner of the J. Anthony Lukas Book Prize • Finalist for the Bernstein Award and the PEN/John Kenneth Galbraith Award
Science is said to be on the verge of achieving the ancient dream of making objects invisible. Invisible is a biography of an idea, tied to the history of science over the "longue duree." Taking in Plato to today s science, Ball shows us that the stories we have told about invisibility are not in fact about technical capability but about power, sex, concealment, morality, and corruption. Precisely because they refer to matters that lie beyond our senses, unseen beings and worlds have long been a repository for hopes, fears, and suppressed desires. Ideas of invisibility are, like all ideas rooted in legend, ultimately parables about our own potential and weaknesses. Invisible presents the first comprehensive survey of the roles that the idea of invisibility has played throughout time and culture. This territory takes us from medieval grimoires to cutting-edge nanotechnology, from fairy tales to telecommunications, from camouflage to early cinematography, and from beliefs about ghosts to the dawn of nuclear physics and the discovery of dark energy. Invisible reveals what our age-old fantasies about what lurks unseen, and whether we can enter that realm ourselves, truly say about us. "
With The River and the Train, Edwin Brock's sixth collection to be published by New Directions, this British author shifts his focus from the brutality and desperate compromise of urban existence to the more pastoral though no less complex irony of life in a converted East Anglian granary. The bitter anger of such earlier books as The Blocked Heart (1976) and the prose and verse "Fragments of a Childhood" Here. Now. Always. (1977) has not disappeared but has been dispersed and mellowed by the poet's life with his second wife, artist Elizabeth Brock, and their daughter "Fred." Wistful, sardonic, Brock now fantasizes "not reincarnation/so much as sometime-loop/which returns me to/where I started to go wrong."