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Collects issues #1-4! Mark Grayson is just like most everyone else his age. He's a senior at a normal American high School. He has a crappy part time job after school and on weekends. He likes girls quite a bit... but doesn't quite understand them. He enjoys hanging out with his friends, and sleeping late on Saturdays... at least until the good cartoons come on. The only difference between Mark and everyone else is that his father is the most powerful superhero on the planet, and as of late, he seems to be inheriting his father's powers. Which sounds okay at first, but how do you follow in your father's footsteps when you know you will never live up to his standards? THIS ISSUE: Get in on the ground floor, because it all starts here! Strange things begin to happen to Mark Grayson as he begins to develop superpowers. Luckily, his dad is around to show him the ropes, at least he WOULD be if he weren't so busy saving the world all the time. Mark is forced to go out on his own, and try and figure out how all this superheroing business works. The results are a monumental disaster, at least until he gets the hang of it. Watch Mark thwart thieving super-villains, alien invasions and all sorts of craziness.
Exploding out of the pages of SECRET WARS, one of the most popular super heroes in the world gets a gigantic new collection. From the creators that brought you ULTIMATE SPIDER-MAN comes new armor, new supporting cast, new villains and a new purpose that is going to tear itself across the entire Marvel Universe and beyond. With a shocker of a twist that will have everyone talking and the return of one of Tony's biggest nemeses, you will not want to miss this!! Also, who are Tony's biological parents? The quest begins here!ÿCollecting: Invincible Iron Man (2015) #1-5.
As he learns to use his hidden powers, fourteen-year-old Nick must defend himself againt demons, shapeshfters, and an evil football coach.
Noah’s happier than I’ve seen him in months. So I’d be an awful brother to get in the way of that. It’s not like I have some relationship with Melinda. It was just a kiss. Am I going to ruin Noah’s happiness because of a kiss? Across four sun-kissed, drama-drenched summers at his family’s beach house, Chase is falling in love, falling in lust, and trying to keep his life from falling apart. But some girls are addictive....
Unsuspecting boy. Big-hearted girl. Small-minded town. Invincible summer. Summer, 1955. Calls for equality are sweeping America, but sixteen-year-old Ethan Harper is about to discover just how deep the roots of racism run. When mixed-race Ethan is sent to stay with his white uncle and aunt in Ellison, Alabama, he soon discovers that the only thing smaller than the town itself are the minds of its inhabitants. Except for Juniper Jones - resident artist, oddball and self-proclaimed free spirit. Ignoring the tide of prejudice and disapproval that follows Ethan, Juniper enlists him as her sidekick in her quest for an unforgettable summer. Armed with two bikes and an unlimited supply of root beer floats, the pair set out to find their place in a town that's set on rejecting them. Along the way, they will find hope, friendship - and maybe something more . . .
Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art museums. What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art.