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After arriving at Seattle’s prestigious Clinton Academy, fourteen-year-old Henry Walker realizes he won’t fit in. If he’s going to run with the rich and powerful, he’ll have to hide his modest background, his lack of interest in girls, and most importantly, his fascination with his handsome but troubled classmate Julius Drake. When Julius draws Henry into the investigation of a classmate’s suicide attempt, Henry can’t resist the case—or Julius. Soon, Henry’s not only facing the truth about his feelings for Julius, but also risking his life to unmask a social media imposter. “The Other Woman” is manipulating his classmates, searching out their vulnerabilities, and driving them to desperate actions. Julius himself is at risk, what with his callous parents threatening to send him away, and his mental health taking a beating both at school and at home. If Henry’s going to save the day and get the boy of his dreams, he’ll have to stop worrying what everyone thinks and stop pretending to be someone he’s not. Most of all, Henry will have to be honest about who he loves. *** "An ideal read for those interested in both suspenseful mysteries and in literature that navigates difficult issues, from coming out to peer pressure." –Foreword **See this title's page on RiptidePublishing.com for content warnings.**
Some truths don’t set you free. The pandemic may be winding down, but for Chief Inspector Robin Bright, life never really goes back to normal. One second, he’s having breakfast with his adorable husband—and their equally adorable Newfoundland, Hamish—and the next, he gets the dreaded call: a body’s been found. What initially appears to be a mugging gone wrong turns out to be murder, and Robin is on the case. Adam Matthews is happy to act as a sounding board—much as he tries not to get involved—but when Robin’s case intersects with a mystery from within their own family, he’s embroiled whether he likes it or not. Loquacious genealogists, secret pregnancies, and a potentially dubious inheritance all ensure that Adam won’t be doing his hundred-and-one headteacher tasks in peace anytime soon. Lies pile onto lies, and the more the story changes, the more the killer is revealed. Without proof, however, Robin and his team are powerless, and the murderer isn’t the only one with something to hide. But Robin won’t stop until he’s found the whole truth, and nothing but.
Being perfect isn't all it's cracked up to be. Sixteen-year-old Declan is the perfect son . . . except for one tiny issue. When his sister Delia comes home to find him trying on her clothes, he fears her judgment, but she only fears his fashion choices. One quick makeover later, Declan is transformed into Delia's mysterious cousin Layla and dragged to the party of the year, hosted by Carter, the most popular boy in school. When Carter meets Layla, he fumbles to charm her. He adores her sense of humor and her poise. But when she vanishes in the middle of the night, he's left confused and determined to solve the mystery of who she is. As their school year begins, their high school embraces a policy of intolerance, and both Declan and Carter know they must stand up. Carter is tired of being a coward and wants to prove he can be a knight in shining armor. Declan is sick of being bullied and wants desperately to be himself. If they team up, it could be a fairy-tale ending, or a very unhappy ever after.
This book explores the ways in which four visual artists make sense of referentialism and emotion in music. By listening to five art songs by Schubert, Strauss, Fauré and Berlioz they were inspired to create new artworks as a result of their understanding of the meaning of the art songs. This was done without an understanding of the text, and the artists had to rely on referential meaning in music as well as the perceived or evoked emotions elicited by listening to the art songs. The artworks created as a result of this project were exhibited at the Aardklop National Arts Festival, entitled Nagmusiek. This was a multi-modal exhibition featuring music, art and text. This book employs Artistic Research and Phenomenology in order to understand this phenomenon, as I explored the artists’ creative processes, experiences and the tacit knowledge embedded in their artefacts. This book would provide readers access to 20 new artworks, each created as a result of the artists’ interpretation of the meaning they ascribed to art song. Their creative process is also examined and synthesised with existing literature on emotion and referentialism in music.
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --