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The creation and production of the splendid art of the ancient Near East - metalwork, sculpture, jewellery - have never been systematically explored. In the absence of direct or detailed accounts of the organization and mechanics of artistic production, scholars have turned to a variety of sources to investigate issues such as the role of the artisan in the creation of works of art, his relation to patrons or clients of different social levels, and the training and organization of artisans in workshops or other associations. The eleven papers in this volume, contributed by specialists in history, literature, art and archaeology, explore the environments in which works of art in various media were produced in Mesopotamia, Syria and Iran from the beginnings of writing around 3500 B.C. through the end of the Achaemenid Persian Empire in 331 B.C.
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole. This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.
This book is about all aspects of man’s contact with the animal world; sacrifice, sacred animals, diet, domestication, in short, from the sublime to the mundane. Chapters on art, literature, religion and animal husbandry provide the reader with a complete picture of the complex relationships between the peoples of the Ancient Near East and (their) animals. A reference guide and key to the menagerie of the Ancient Near East, with ample original illustrations.
This volume, consisting of two parts, gathers papers in honour of Pierre Amiet. Part 1 analyses the body as a biological entity as well as a social, sexual and cultural identity (persona). Part 2 includes articles closely related to the specialisms of Amiet: glyptics, state formation, and the organisation of craftsmen and statuary.
Archaeologies of the Middle East provides an innovative introduction to the archaeology of this fascinating region and a window on both its past and present. Written by some of the top archaeologists of the Middle East: scholars from diverse backgrounds with a wide range of interests and intellectual approaches Coverage spans 100,000 years: from the Paleolithic to Hellenistic times Explores the connections between modern-day politics and the social context of archaeological practice and various underutilized approaches to archaeological interpretation Designed for student use
A single-authored two-volume work which makes no claims to comprehensiveness, but selectively treats periods and areas usually studied in universities (treatment of Egypt is brief because of the availability of studies of Egyptian history at all levels). It is intended as an introduction to ancient Near Eastern history, to the main sources used for reconstructing societies and political systems, and to some historical problems and scholarly debates. The area discussed extends from Turkey (Anatolia) and Egypt in the west through the Levant (which includes Israel, Lebanon, Jordan, and Syria west of the Euphrates) to Mesopotamia into Iran. Volume I covers c.3000 BC to c.1200 BC; volume II, 1200 BC to 330 BC. The author is a Reader in Ancient History at University College London. Annotation copyright by Book News, Inc., Portland, OR.
This in-depth exploration of emotions in the ancient Near East illuminates the rich and complex worlds of feelings encompassed within the literary and material remains of this remarkable region, home to many of the world’s earliest cities and empires, and lays critical foundations for future study. Thirty-four chapters by leading international scholars, including philologists, art historians, and archaeologists, examine the ways in which emotions were conceived, experienced, and expressed by the peoples of the ancient Near East, with particular attention to Mesopotamia, Anatolia, and the kingdom of Ugarit, from the Late Uruk through to the Neo-Babylonian Period (ca. 3300–539 BCE). The volume is divided into two parts: the first addressing theoretical and methodological issues through thematic analyses and the second encompassing corpus-based approaches to specific emotions. Part I addresses emotions and history, defining the terms, materialization and material remains, kings and the state, and engaging the gods. Part II explores happiness and joy; fear, terror, and awe; sadness, grief, and depression; contempt, disgust, and shame; anger and hate; envy and jealousy; love, affection, and admiration; and pity, empathy, and compassion. Numerous sub-themes threading through the volume explore such topics as emotional expression and suppression in relation to social status, gender, the body, and particular social and spatial conditions or material contexts. The Routledge Handbook of Emotions in the Ancient Near East is an invaluable and accessible resource for Near Eastern studies and adjacent fields, including Classical, Biblical, and medieval studies, and a must-read for scholars, students, and others interested in the history and cross-cultural study of emotions.
This volume explores glass composition and production from the mid-second to mid-first millennia BC, the first thousand years of glass-making. Multi-element analyses of 132 glasses from Pella in Jordan, and Nuzi and Nimrud in Iraq (ancient Mesopotamia) produce new and important data that provide insights into the earliest glass production.