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The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
Uses short biographies of women inventors around the world to demonstrate how inventions come about.
Inventing Women explores important and controversial debates about the gendering of science and technology and their relationship to women. This book discusses how such gendering occurs, the scientific basis for claims of sex difference, the medicalization of women's bodies and the political issues raised by reproductive technology. The book also examines women as producers of science and technology, both as professional scientists and as unskilled workers. It concludes by looking at women as consumers of technology and science - domestic technology and computers - and at their relationship with Nature. Inventing Women raises the question of whether feminism can produce not only a critique of science and technology, but a new feminist science and technology, and the systems and artefacts that go with it. This volume includes contributions which represent some of the best feminist scholarship in their fields. It can be used as a textbook and it will appeal to a wide audience in feminism and women's studies, sociology, education, science and technology, and medicine and health.
Hypatia was a Greek mathematician, astronomer, and philosopher who invented the hydrometer in about 400 AD. Described as a charismatic teacher, she was seen as an evil symbol of the pagan science of learning and she was eventually murdered by Christian zealots. For many women in years gone by, the invention process was fraught with danger and difficulty. Not only did they face the hardship and obstacles of inventing, they also had to contend with the sexism and gender discrimination of a male world that believed women had nothing to contribute. Scientific women came to the fore with momentous innovations which were impossible for men to ignore. During World War Two, Austrian actress Hedy Lamarr became a pioneer in wireless communications, developing a “Secret Communications System.” More recently, 20-year-old Ann Makosinski has invented the ingenious Hollow Flashlight which converts radiant body heat into electricity. Meanwhile other women continued inventing in the domestic sphere with Miracle Mops, long-lasting lipsticks, and magic knickers. In every walk of twenty-first century life women have been challenging themselves (and men) to shape the way we live. Some of the incredible innovators featured include Myra Juliet Farrell, Sally Fox, Rosalind Franklin, Helen Murray, Anna Pavlova, Mária Telkes, Giuliana Tesoro, Halldis Aalvik Thune, Ann Tsukamoto, Margaret A. Wilcox, Ada Lovelace, and many more. The 150 remarkable women in this book show all too clearly that not only can invention no longer be described as a male dominated domain but that a woman’s inspiration and ingenuity will probably be driving the life-changing ideas of tomorrow’s world.
Exploring privileged Confederate women's wartime experiences, this book chronicles the clash of the old and the new within a group that was at once the beneficiary and the victim of the social order of the Old South.
Considers how our ideas about mathematics shape our individual and cultural relationship to the field. Where and how do we, as a culture, get our ideas about mathematics and about who can engage with mathematical knowledge? Sara N. Hottinger uses a cultural studies approach to address how our ideas about mathematics shape our individual and cultural relationship to the field. She considers four locations in which representations of mathematics contribute to our cultural understanding of mathematics: mathematics textbooks, the history of mathematics, portraits of mathematicians, and the field of ethnomathematics. Hottinger examines how these discourses shape mathematical subjectivity by limiting the way some groups—including women and people of color—are able to see themselves as practitioners of math. Inventing the Mathematician provides a blueprint for how to engage in a deconstructive project, revealing the limited and problematic nature of the normative construction of mathematical subjectivity.
Examines twenty young female inventors and their creations, from Jennifer Donabar and her electric lock to Jeanie Low and her kiddie stool.
Sure to take its place alongside the literary landmarks of modern feminism, Elaine Showalter's brilliant, provocative work chronicles the roles of feminist intellectuals from the eighteenth century to the present. With sources as diverse as A Vindication of the Rights of Woman and Scream 2, Inventing Herself is an expansive and timely exploration of women who possess a boundless determination to alter the world by boldly experiencing love, achievement, and fame on a grand scale. These women tried to work, travel, think, love, and even die in ways that were ahead of their time. In doing so, they forged an epic history that each generation of adventurous women has rediscovered. Focusing on paradigmatic figures ranging from Mary Wollstonecraft and Margaret Fuller to Germaine Greer and Susan Sontag, preeminent scholar Elaine Showalter uncovers common themes and patterns of these women's lives across the centuries and discovers the feminist intellectual tradition they embodied. The author brilliantly illuminates the contributions of Eleanor Marx, Zora Neale Hurston, Simone de Beauvoir, Margaret Mead, and many more. Showalter, a highly regarded critic known for her provocative and strongly held opinions, has here established a compelling new Who's Who of women's thought. Certain to spark controversy, the omission of such feminist perennials as Susan B. Anthony, Eleanor Roosevelt, and Virginia Woolf will surprise and shock the conventional wisdom. This is not a history of perfect women, but rather of real women, whose mistakes and even tragedies are instructive and inspiring for women today who are still trying to invent themselves.
"Inventing black women fills important gaps in our understanding of how African American women poets have resisted those conventional notions of gender and race that limit the visibility of Black female subjects. The first historical and thematic survey of African American women's poetry, this book examines the key developments that have shaped the growing body of poems by and about Black women since the end of slavery and Reconstruction, as it offers incisive readings of individual works by important poets such as Alice B. Neal, Maggie Pogue Johnson, Alice Dunbar Nelson, Sonia Sanchez, Lucille Clifton, and Audre Lorde, as well as many others."--BOOK JACKET.
In Inventing Womanhood, Tara Williamsinvestigates new ideas about womanhood that arose in fourteenth-century Britain and evolved throughout the fifteenth century. In the aftermath of the plague and the substantial cultural shifts of the late 1300s, female roles expanded temporarily. As a result, the dominant models of maiden, wife, and widow could no longer adequately describe women's roles and lives. Middle English writers responded by experimenting with new ways of representing women across a variety of genres, from courtly poetry to devotional texts and from royal correspondence to cycle plays. In particular, writers coined new terms, including "womanhood" and "femininity," and refashioned others, such as "motherhood." These experiments allowed writers to develop and define a larger idea of womanhood underlying more specific identities like wife or mother and to re-imagine women's relationships to different kinds of authority--generally masculine and frequently religious. By exploring the medieval origins of some of our most important gender vocabulary, Inventing Womanhood defamiliarizes our modern usage, which often treats those terms as etymologically transparent and almost limitlessly capacious. It also restores a necessary historical and linguistic dimension to gender studies, providing the groundwork for reconsidering how that language and the categories it creates have determined the ways in which gender has been imagined since the Middle Ages.