Download Free Inventing The New American House Book in PDF and EPUB Free Download. You can read online Inventing The New American House and write the review.

Howard Van Doren Shaw designed stately country houses in and around Chicago—from affluent Lake Forest, Illinois, and Lake Geneva, Wisconsin, to Iowa, Minnesota, Ohio, and Indiana—from 1894 to 1926, a period in American architecture that spanned the Gilded Age, the adoption of Beaux-Arts classicism as the ideal for civic architecture, the invention of the skyscraper, and the beginning of modernism. Born in 1869, he worked for the leading industrialists of that period, including Reuben H. Donnelley of printing fame, newspaper giant Joseph Medill Patterson, Edward Forster Swift, the meatpacking king, and Edward L. Ryerson of Ryerson Steel. A contemporary of Frank Lloyd Wright, Shaw explored many of the same ideas as the Prairie School Architects within the forms of traditional architecture. Though he was recognized as one of the leading country house architects of the early twentieth century, his name was largely forgotten after his death. Like many traditional architects practicing today, Shaw was skilled at adapting historic precedents to suit contemporary living, in particular the easy flow of interior space that became a design hallmark of the period for traditionalists and modernists alike. For the new and fashionable suburb of Lake Forest, Shaw created Market Square, the town center, which was lauded for its design as both a unique town green and the first American shopping center designed to accommodate automobiles. This timely reappraisal of Howard Van Doren Shaw’s work features many previously unpublished images from the Shaw Archive in the Burnham and Ryerson Library at the Art Institute of Chicago and the Chicago History Museum, rare construction drawings, and new color photography as well as a catalogue of Shaw’s residential work. His legacy includes substantial houses in prosperous communities, many of which are still standing—including Ragdale, once Shaw’s own summer house in Lake Forest, now home to the prestigious artists’ community; the Becker Estate on Chicago’s North Shore; and The Hermann House overlooking Lake Michigan.
Through hundreds of inspiring photos and engaging text, the author describes what gives traditional homes their enduring appeal, and illustrates the creative work of builders who are forging the movement toward building new homes that capture old-home sensibility.
In the wake of World War II, Americans developed an unusually deep and all-encompassing national unity, as postwar affluence and the Cold War combined to naturally produce a remarkable level of agreement about the nation's core values. Or so the story has long been told. Inventing the "American Way" challenges this vision of inevitable consensus. Americans, as Wendy Wall argues in this innovative book, were united, not so much by identical beliefs, as by a shared conviction that a distinctive "American Way" existed and that the affirmation of such common ground was essential to the future of the nation. Moreover, the roots of consensus politics lie not in the Cold War era, but in the turbulent decade that preceded U.S. entry into World War II. The social and economic chaos of the Depression years alarmed a diverse array of groups, as did the rise of two "alien" ideologies: fascism and communism. In this context, Americans of divergent backgrounds and beliefs seized on the notion of a unifying "American Way" and sought to convince their fellow citizens of its merits. Wall traces the competing efforts of business groups, politicians, leftist intellectuals, interfaith proponents, civil rights activists, and many others over nearly three decades to shape public understandings of the "American Way." Along the way, she explores the politics behind cultural productions ranging from The Adventures of Superman to the Freedom Train that circled the nation in the late 1940s. She highlights the intense debate that erupted over the term "democracy" after World War II, and identifies the origins of phrases such as "free enterprise" and the "Judeo-Christian tradition" that remain central to American political life. By uncovering the culture wars of the mid-twentieth century, this book sheds new light on a period that proved pivotal for American national identity and that remains the unspoken backdrop for debates over multiculturalism, national unity, and public values today.
Die USA durchliefen im 20. Jahrhundert einen enormen sozialen Wandel, im Zuge dessen auch Familienwerte und Geschlechternormen neu ausgehandelt wurden. Die Autorinnen und Autoren analysieren die damit einhergehende Veränderung von Weiblichkeits- und Männlichkeitskonzepten sowie von Mutter- und Vaterrollen. Am Beispiel von Immigration, Jugendkriminalität, Wohlfahrtspolitik, Reproduktion und Medien liefern die Beiträge ein anschauliches Bild von der Bedeutung der Familie als nationaler Kerneinheit.
A photographic tour through designers’ own spaces, from a Greenwich Village town home to a Park Slope brownstone and beyond. Designers’ homes often serve as laboratories where they are free to experiment. These spaces are filled with the designer’s most personal and cherished objects, furnishings, and artwork that are concentrated expressions of their style and interests. New York Design at Home profiles 27 homes and looks at how these creative professionals—among them David Gresham, Ellen Hanson, Benjamin Pardo, Ariel Ashe, and many more—approach design in their personal space. Like most New York City residents, they are decorating with much smaller budgets than they have on their work projects, but they find creative ways to deal with tiny bathrooms, awkward and unusable kitchens, and shared living spaces. Photographed by Noe DeWitt, New York Design at Home highlights the carefully considered details within each interior—the Pablo Picasso painting reproduced as wallpaper, the kitchen utensils on display, textiles that provide pops of color in an otherwise monochromatic space—and captures the creative essence of these homes with new, never-before-published images.
A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
Modern is a word much used, but hard to pin down. In Inventing Modern, John H. Lienhard uses that word to capture the furious rush of newness in the first half of 20th-century America. An unexpected world emerges from under the more familiar Modern. Beyond the airplanes, radios, art deco, skyscrapers, Fritz Lang's Metropolis, Buck Rogers, the culture of the open road--Burma Shave, Kerouac, and White Castles--lie driving forces that set this account of Modern apart. One force, says Lienhard, was a new concept of boyhood--the risk-taking, hands-on savage inventor. Driven by an admiration of recklessness, America developed its technological empire with stunning speed. Bringing the airplane to fruition in so short a time, for example, were people such as Katherine Stinson, Lincoln Beachey, Amelia Earhart, and Charles Lindbergh. The rediscovery of mystery powerfully drove Modern as well. X-Rays, quantum mechanics, and relativity theory had followed electricity and radium. Here we read how, with reality seemingly altered, hope seemed limitless. Lienhard blends these forces with his childhood in the brave new world. The result is perceptive, engaging, and filled with surprise. Whether he talks about Alexander Calder (an engineer whose sculptures were exercises in materials science) or that wacky paean to flight, Flying Down to Rio, unexpected detail emerges from every tile of this large mosaic. Inventing Modern is a personal book that displays, rather than defines, an age that ended before most of us were born. It is an engineer's homage to a time before the bomb and our terrible loss of confidence--a time that might yet rise again out of its own postmodern ashes.
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.
Florida is a story of astonishing growth, a state swelling from 500,000 residents at the outset of the 20th century to some 16 million at the end. As recently as mid-century, on the eve of Pearl Harbor, Florida was the smallest state in the South. At the dawn of the millennium, it is the fourth largest in the country, a megastate that was among those introducing new words into the American vernacular: space coast, climate control, growth management, retirement community, theme park, edge cities, shopping mall, boomburbs, beach renourishment, Interstate, and Internet. Land of Sunshine, State of Dreams attempts to understand the firestorm of change that erupted into modern Florida by examining the great social, cultural, and economic forces driving its transformation. Gary Mormino ranges far and wide across the landscape and boundaries of a place that is at once America's southernmost state and the northernmost outpost of the Caribbean. From the capital, Tallahassee--a day's walk from the Georgia border--to Miami--a city distant but tantalizingly close to Cuba and Haiti--Mormino traces the themes of Florida's transformation: the echoes of old Dixie and a vanishing Florida; land booms and tourist empires; revolutions in agriculture, technology, and demographics; the seductions of the beach and the dynamics of a graying population; and the enduring but changing meanings of a dreamstate. Beneath the iconography of popular culture is revealed a complex and complicated social framework that reflects a dizzying passage from New Spain to Old South, New South to Sunbelt.
Current expectations and standards of comfort are almost certainly unsustainable and new methods and ideas will be required if there is to be any prospect of a significantly lower carbon society. This collection reassesses relationships between people and the multitude of environments they inhabit in the context of increasing carbon intensities of everyday life. In this bold and unconventional volume historians, sociologists, environmentalists, geographers, and cultural theorists provoke and stimulate debate about the future of comfort in a lower carbon society. These contributions are then subject to critical commentary from a range of academic and policy perspectives. The result is a book that promotes academic and policy discussion of the environmental consequences of indoor climate change around the world, and that offers new perspectives and strategies for moving towards a lower carbon future. This book was published as a special issue of Building Research & Information.