Download Free Inventing Paradise Book in PDF and EPUB Free Download. You can read online Inventing Paradise and write the review.

Inventing Paradise: The Power Brokers Who Created the Dream of Los Angeles traces the improbable rise of Los Angeles through the prism of six visionaries who had outsize influence on the city’s growth: Phineas Banning, Harrison Gray Otis, Henry Huntington, Harry Chandler, William Mulholland, and Moses Sherman. In the late 1870s, Los Angeles was a violent, dusty, 29-square-mile pueblo with a few thousand souls, largely unchanged since its founding in 1781. By 1930, its size had swelled to within 96% of its current 468 square miles, housing a staggering 1.2 million people. In just 50 years, L.A. had joined the ranks of other world-class cities. In the tradition of Mike Davis’s classic work City of Quartz, Paul Haddad (Freewaytopia and 10,000 Steps a Day in L.A.) debunks many myths about the City of Angels with a wildly entertaining narrative that sheds new light on the fascinating birth of modern Los Angeles. Power came from a select few, whose triumphs, scandals, and correspondence are well documented in Inventing Paradise, along with other little-known facts about L.A. history, including: How Los Angeles Times chief Harry Chandler pushed eugenics and endorsed “white spots” Henry Huntington’s and Moses Sherman’s trolley systems and the extortion-type practices that led to their expansion When Los Angeles was so desperate for water, it hired a miracle worker who promised rain How L.A.’s power elite peddled the lie that the Owens River used to flow into Los Angeles and rightfully belonged to the city When Los Angeles annexed a city in which monkeys cast votes How Venice, California, was not the first Venice, California William Mulholland’s game-changing construction of the Los Angeles Aqueduct, which raised the city’s population ceiling from 250,000 to 2.5 million Haddad also covers the heavy costs that came with creating paradise in such a short period of time, including car dependency, environmental problems, and deep-seated inequities between wealthy white Angelenos and people of color due to racist policies. All have left an imprint on present-day Los Angeles. Los Angeles is known as a city that should not exist—and yet it does. Through Inventing Paradise, Haddad shows readers that Los Angeles is not a paradise found, but a paradise that was willed into existence, owing to the collective vision of these six Gilded Era-born tycoons.
Previous scholars have noted the Puritans' edenic descriptions of New World landscapes, but Inventing Eden is the first study to fully uncover the integral relationship between the New England interest in paradise and the numerous iconic intellectual artifacts and social movements of colonial North America. Harvard Yard, the Bay Psalm Book, and the Quaker use of antiquated pronouns like thee and thou: these are products of a seventeenth-century desire for Eden. So, too, are the evangelical emphasis of the Great Awakening, the doctrine of natural law popularized by the Declaration of Independence, and the first United States judicial decision abolishing slavery. Be it public nudity or Freemasonry, Zachary Hutchins convincingly shows how a shared wish to bring paradise into the pragmatic details of colonial living had a profound effect on early New England life and its substantial culture of letters. Spanning two centuries and surveying the works of major British and American thinkers from James Harrington and John Milton to Anne Hutchinson and Benjamin Franklin, Inventing Eden is the history of an idea that irrevocably altered the theology, literature, and culture of colonial New England -- and, eventually, the new republic.
In the looming shadow of an oppressive dictatorship and imminent world war, George Seferis and George Katsimbalis, along with other poets and writers from Greece's fabled Generation of the 1930s, welcomed Henry Miller and Lawrence Durrell to their homeland. Together, as they spent evenings in Athenian tavernas, explored the Peloponnese, swam off island beaches, and considered the meaning of Greek life and freedom and art, they seemed to be inventing paradise. In a lyrical blend of personal memoir, literary criticism, and interpretative storytelling, Edmund Keeley takes readers on a journey into the poetry, friendships, and politics of this extraordinary time. A remarkable work of cultural history and imaginative criticism, his book recreates a lost paradise of immediate charm, literary greatness, and mythic reach.
An A-Z of the things that Fuentes loves and passionately believes in: it is a kind of manifesto, but one that also draws on key moments in his life
In Inventing America, José Rabasa presents the view that Columbus's historic act was not a discovery, and still less an encounter. Rather, he considers it the beginning of a process of inventing a New World in the sixteenth century European consciousness. The notion of America as a European invention challenges the popular conception of the New World as a natural entity to be discovered or understood, however imperfectly. This book aims to debunk complacency with the historic, geographic, and cartographic rudiments underlying our present picture of the world.
Inventing Socrates is a book about the consequences of knowledge and the coming of age. It is written in knowledge's Western setting, making allegorical as well as literal use of the event known as the 'birth of philosophy' – an event that began in ancient Greece in the 6th-century B.C., when a handful of thinkers first looked at the natural world through the critical eyes of fledgling science. Very little of concrete fact is known about this first philosophy and its protagonists. Only scant fragments of their writings have survived; and these are nearly always poetical and esoteric, some no more than a single line. They are freighted with meanings that might take one in two different directions at once; and this ambidexterity between ancient and modern has always been their beguiling feature. Altogether these thinkers are known as the Presocratics, because they pioneered the rational methods that Socrates would take to the question of the good life. If Socrates stands today as an icon of Western self-esteem, these pioneers are said to show the emergence of that poise from the fug of myth and religion. Apparently they prove the evolution of Western intelligence and the value of living today – in the secular maturity of its latest, greatest hour. But what if their continuing readability and tactility were actually to become the demonstration against that? This is not just, then, a book about the foundations of Western thought. It is a book about all that we invest in the ideas of ancient and modern. Left to right is the Western way of learning and growing, but, as Miles Hollingworth shows, the truths of the human condition are subterranean corridors running psychologically and eternally.
From the dawn of writing in Sumer to the sunset of the Islamic empire, Founding Gods, Inventing Nations traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, William McCants looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. McCants argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest--they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.
Easter Island, or Rapa Nui as it is known to its inhabitants, is located in the Pacific Ocean, 3600 kilometres west of South America. Annexed by Chile in 1888, the island has been a source of fascination for the world beyond the island since the first visit by Europeans in 1722 due to its intriguing statues and complex history. Inventing 'Easter Island' examines narrative strategies and visual conventions in the discursive construction of 'Easter Island' as distinct from the native conception of 'Rapa Nui.' It looks at the geographic imaginary that pervaded the eighteenth century, a period of overwhelming imperial expansion. Beverley Haun begins with a discussion of forces that shaped the European version of island culture and goes on to consider the representation of that culture in the form of explorer texts and illustrations, as well as more recent texts and images in comic books and kitsch from off the island. Throughout, 'Easter Island' is used as a case study of the impact of imperialism on the view of a culture from outside. The study hinges on three key points - an inquiry into the formation of 'Easter Island' as a subject; an examination of how the constructed space and culture have been shaped, reshaped, and represented in discursive spaces; and a discussion of cultural memory and how the constraints of foreign texts and images have shaped thought and action about 'Easter Island.' Richly illustrated and unique in its findings, Inventing 'Easter Island' will appeal to cultural theorists, anthropologists, educators, and anyone interested in the history of the South Pacific.
An award-winning writer and international journalist leads the general reader through ancient Egypt, exploring the maze of facts and fantasies, and examines Egypt's place in the history of religion and monotheism in particular. Volume 1 examines the conte.
Borderlines is a memoir of Greece, its life, culture, writers and people.