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When a construction project brings an army of strangers onto his mountain, twelve-year-old Johnny wonders if one of them may be responsible for the flurry of thefts in the area.
A New York Times Editors' Choice A Military Times Best Book of the Year A powerfully written firsthand account of the human costs of conflict. J. Kael Weston spent seven years on the ground in Iraq and Afghanistan working for the U.S. State Department in some of the most dangerous frontline locations. Upon his return home, while traveling the country to pay respect to the dead and wounded, he asked himself: When will these wars end? How will they be remembered and memorialized? What lessons can we learn from them? These are questions with no quick answers, but perhaps ones that might lead to a shared reckoning worthy of the sacrifices of those—troops and civilians alike—whose lives have been changed by more than a decade and a half of war. Weston takes us from Twentynine Palms in California to Fallujah in Iraq, Khost and Helmand in Afghanistan, Maryland, Colorado, Wyoming, and New York City, as well as to out-of-the-way places in Iowa and Texas. We meet generals, corporals and captains, senators and ambassadors, NATO allies, Iraqi truck drivers, city councils, imams and mullahs, Afghan schoolteachers, madrassa and college students, former Taliban fighters and ex-Guantánamo prison detainees, a torture victim, SEAL and Delta Force teams, and many Marines. The overall frame for the book, from which the title is taken, centers on soldiers who have received a grievous wound to the face. There is a moment during their recovery when they must look upon their reconstructed appearance for the first time. This is known as “the mirror test.” From an intricate tapestry of voices and stories—Iraqi, Afghan, and American—Weston delivers a larger mirror test for our nation in its global role. An unflinching and deep examination of the interplay between warfare and diplomacy, this is an essential book—a crucial look at America now, how it is viewed in the world and how the nation views itself.
Contains biographical information and critical essays concerning the works of over 100 authors and illustrators of children's works.
Walter Dean Myers brilliantly renders the realities of World War II. Josiah Wedgewood and Marcus Perry are on their way to an uncertain future. Their whole lives are ahead of them, yet at the same time, death's whisper is everywhere. One white, one black, these young men have nothing in common and everything in common as they approach an experience that will change them forever. It's May 1944. World War II is ramping up, and so are these young recruits, ready and eager. In small towns and big cities all over the globe, people are filled with fear. When Josiah and Marcus come together in what will be the greatest test of their lives, they learn hard lessons about race, friendship, and what it really means to fight. Set on the front lines of the Normandy invasion, this novel, rendered with heart-in-the-throat precision, is a cinematic masterpiece. Here we see the bold terror of war, and also the nuanced havoc that affects a young person's psyche while living in a barrack, not knowing if today he will end up dead or alive.
After a train enters a tunnel and emerges in the Wild West of the 1880's, the reader makes decisions determining the course of the story.
Crossing the Mirror Line explores doubleness, the unsettling symmetries of mirrored reflections, the magician's disorientating art that 'makes nothing appear'. Artists' mannequins and watchful children stand at an angle to the familiar-seeming world; an estuary blurs distinctions between land and sea. Like the eighteenth-century artists' landscape mirror that reconfigured the relationship between the viewer and what is viewed, the poems in Judith Willson's first collection are concerned with the very act of looking, how it selects and transforms what is seen. Their landscapes are borders and boundaries, places shaped by the persistence of a past which still presses close to the surface, its meanings as unstable as the play of light. Objects disclose stories of their travel through 'peopled time': poems 'reach through thick folds into pockets / for a letter or a glove'.
Twenty years past, the governors plotted murder. Ruled by avarice, they imprisoned the winged dragons of Taran Leigh in the black cells of a stone lair. Tormented by spine and spur the once peaceful creatures howl, immense webbed wings beating beneath iron bars. Those who raised their voices in protest were banished--skyriders, the men who rode the dragons--vanished to the distant mountains of the Mirror.Now, Treasa, the daughter of exiles, seeker of secrets, dreams with the lair's dragons, her heart torn by her love for the winged creatures and a man who masters them. She must choose her path with care. The lair's black -garbed riders sense the dragon's growing savagery. Yet one, Conall, longs to grasp their power, subdue them and soar, unaware that winged flight, merged in harmony, is his for the asking. Then, a curved talon rends Conall's flesh and dragon scale, rattling against white ribs and the world shifts. As hearts once parted bind, Terasa and Conall join forces to fight for the dragon's freedom. Alliances form, old myths are revealed and new myths are born.
Containing original essays; historical narratives, biographical memoirs, sketches of society, topographical descriptions, novels and tales, anecdotes, select extracts from new and expensive works, the spirit of the public journals, discoveries in the arts and sciences, useful domestic hints, etc. etc. etc.