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The notorious troublemaker Charlotte Charke worked as a novelist, autobiographer, and strolling actress. But it was as a cross-dresser -- both on stage and off -- that she scandalized eighteenth-century England. Known as Mr. Charles Brown, she lived openly with another woman for nearly a decade.Charke, daughter of Colley Cibber, the English playwright and poet laureate (1740), lived a life of masquerade. Her autobiography is a fascinating document of low- and middle-class life in the 1700s and is explored in some detail by Philip E. Baruth. Other contributors to this collection look at Charke, her famous family, and her place within stage and cross-dressing traditions. Felicity A. Nussbaum provides a thought-provoking afterword on the current state of Charke criticism.
In this picaresque novel, Charlotte Clarke recalls her life as an actress, and in particular, the difficulties facing a woman trying to make her way in a man's world. The issues of women's writing, education, motherhood, sexuality, and cross-dressing all come under scrutiny.
Publisher Description
Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.
Ruth Perry describes the eighteenth-century transformation of the English family as a function of major social changes. She uses social history, literary analysis and anthropological kinship theory to examine texts by Austen, Richardson, Burney, and many others. This important study will be of interest to social and literary historians.
Recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity. This study places parody firmly (if paradoxically) where it belongs: at the centre of the literary-creative process in the literature of the Seventeenth and Eighteenth centuries.
Developments in the Histories of Sexualities: In Search of the Normal,1600-1800 explores the oppositionscreated by the official exclusion ofbanned sexual practices and theresistance to that exclusion throughwidespread acceptance of thoseoutlawed practices at an interpersonallevel. At different times and in differentplaces, state legislation sets up—ortries to set up—a “normal” by rejectinga particular practice or group ofpractices. Yet this “normal” is derogatedby popular practice, since the bannedacts themselves are thought at thegrassroots level to be “normal.” Amongthe events discussed in these essaysare the Woods-Pirie trial, the “Ladies ofLlangollen,” the popular acceptance offops and mollies, and the press reactionto the discovery that James Allen wasa woman who had lived successfullyas a man and Lavinia Edwards wasa man who had made her living as afemale prostitute. Developments in the History of Sexualities analyzesboth the state language of bansand fiats about sexuality, and thegrassroots language which marks theacceptance of multiplicity in sexualpractice. Contributors benefit fromthe accumulation of new evidenceof attitudes towards sexual practice,and they engage with a wide range oftexts, including Ned Ward’s History of the Clubs, Tobias Smollett’s Roderick Random, Shakespeare’s Taming of the Shrew and The Tempest, Dryden’s All for Love, Anne Batten Cristall’s Poetical Sketches, Isaac de Benserade’s Iphis et Iante, and Alessandro Verri’s Le Avventure di Saffo.
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Forming a critical introduction to the history of women's autobiography from the mid 18th-century to the present, this book analyses the most important changes in women's autobiography, exploring their motivation, context, style, and the role of life experiences. Caine effortlessly segues across three centuries of history: from the emergence of the 'modern autobiography' in the 18th-century which laid bare the scandalous lives of 'fallen women', to the literary and suffragist autobiographies of the 19th-century to the establishment of feminist publishers in the 20th century and the taboo-shattering autobiographies they produced. The result is a much-needed history, one which provides a different way of thinking about the trajectory of genre information. Caine's compelling study fills an important gap in the genre of autobiography, by embracing a wide range of women and offering an extensive discussion of the autobiographies of women across the 19th and 20th centuries, making it ideal for classroom use.