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"This book is a companion volume to Biographical books, 1950-1980, completing a comprehensive one hundred and five year bibliography of biographical and autobiographical works published or distributed in the United States"--Preface.
Examines the ways in which religion was constructed as a category and region of experience in nineteenth-century literature and culture.
Excerpt from The Family of the Barrett: A Colonial Romance Habitats have been reconstructed. The exact number of leaves or the precise number of blades of grass may not be correct. But the species of tree and the kind of grass are. The painting in of a habitat need not mean verisimilitude. If at times in the restoration of the Barrett and Browning backgrounds, the picture becomes somewhat composite, that fact does not invalidate the accuracy of the picture as a whole. No doubt the mistake of placing some human beings in too close association has been made, for their temperaments or the circumstances of their hour may have kept them apart. But, whatever their separation, the essential fact remains: they shared the same habitat. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Together, their work signals a new direction in the field and offers refreshingly original insights into a broad spectrum of texts.
'A wicked and detestable place, though wonderfully attractive': Charles Dickens's conflicted feelings about Paris typify the fascination and repulsion with which a host of mid-nineteenth-century British writers viewed their nearest foreign capital. Variously perceived as the showcase for sophisticated, cosmopolitan talent, the home of revolution, a stronghold of Roman Catholicism, and a shrine to irreligious hedonism, Paris was also a city where writers were respected and journalism flourished. This historically-grounded account of the ways in which Paris touched the careers and work of both major and minor Victorian writers considers both their actual experiences of an urban environment, distinctively different from anything Britain offered, and the extent to which this became absorbed and expressed within the Victorian imaginary. Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Paris for mid-nineteenth-century Anglophone journalists., paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. The final part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.