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Alan Leftridge, the executive editor of The Interpreter magazine, will sharpen your skills for connecting with your audiences. The book introduces you to the strategies promoted by the National Association for Interpretation and the National Park Service for written interpretation, with a focus on developing tangibles, intangibles, universals, and interpretive themes in your writing, while avoiding trite expressions. These strategies and skills apply to your brochures, web sites, exhibits, public service announcements, books, magazine articles and other interpretive projects.
Beverly Serrell and Katherine Whitney cover the essentials of the processes of exhibit label planning, writing, design, and production. In this third edition, Serrell’s classic guide to writing interpretive exhibit labels is updated to include new voices, current scholarship and the unique issues the museum field is grappling with in the 21st century. With high quality photographs and new sections, this edition is more accessible and easier to use for all museum professionals, from label writers to museum directors to exhibit designers.
Bestselling author Max van Manen’s Writing in the Dark brings together a wide range of studies of relevance to qualitative researchers and professional practitioners. Each of the sixteen original chapters by accomplished scholars serves as an example of how a different kind of human experience may be explored, and of how the methods used for investigating phenomena may contribute to the process of human understanding. Van Manen provides the opening and closing chapters for the book, and also an introduction to each selection. This book is a valuable and rich resource for people who would like to learn more about phenomenological reflection and writing.Van Manen and his contributing authors:-Show how the challenge of doing qualitative research can be pursued through the process of inquiry, reflection and writing-Are from a variety of fields such as education, health sciences, psychology, arts and design, communication technology, and religious studies-Include numerous recognizable human experiences including common ones, forgotten ones, and ritualized ones
This second edition of Interpretive Planning: The 5-M Model for Successful Planning Projects draws from the author's more than three decades of experience in creating interpretive plans, and explains the process she has taught to hundreds of interpreters. This book can be a valuable tool for those wishing to develop an interpretive plan as well as those aspiring to work as a consultant or planner.
This text explains cultural and natural environments and how to process information for the public in museums, parks, forests, and many other private and public interpretive agencies worldwide. Based in research and theory, this book defines, affirms, and unifies this diverse field for both professionals and students by presenting the challenges and possibilities of the field including the presentation of interpretation to diverse audiences; effective programming strategies; state-of-the-art management and marketing techniques; training and using volunteers; and the trends facing interpretation today and in the future.
The interpretive theme is the most important sentence an interpreter inks on paper. Despite its centrality to thematic interpretation, no single work has dedicated itself entirely to the art and craft of strong theme writing until now. The Interpretive Theme Writer's Field Guide builds on Sam Ham's 30-year thematic interpretation research legacy. While leaving theory to his books, this pocket companion offers writers strong theme examples, worksheets, exercises, inspirational quotes, and technique highlights. With contributions from Sam Ham, Ted Cable, Shelton Johnson, and Clark Hancock, this Field Guide is useful at the desk, in the exhibit hall, or on the trail. It recognizes that teams, even communities, create heritage themes, and introduces the Interpretive Framework methodology to facilitate community-based theme writing.
Norman K Denzin ponders the prospects, problems and forms of ethnographic interpretive writing in the twenty-first century. He argues that postmodern ethnography is the moral discourse of the contemporary world, and that ethnographers can and should explore new types of experimental texts to form a new ethics of inquiry.
Natural history, work, queerness, and family collide in Interpretive Work. When they do, a deep stubborn will emerges, a belief in the unexpected beauty of the world "flaws and all. The poems of this collection foreground the role of the viewer" the interpreter "smudging self across what's seen." From neighborhood kids cussing in the cul-de-sac to marbled murrelets calling in Southeast Alaska, the poems of this book reach toward a moment where one finds "this unsettlement, / this beauty applauded at last." Bradfield delivers her bruised truths through a quiet honesty that stands in ardent defense of mainstream normative expectations. A male singer has a woman's high, sweet voice, redefining beauty. A female deer grows antlers. A woman chooses to be child-free without regret. As a whole, these poems furtively suggest that the tourist on the sunset cruise ship misinterprets the cravings of humpback whales in the same way Bradfield's family, neighbors and bureaucratic officials misunderstand love, sexuality and gender.
'Interpretive Biography' combines one of the oldest techniques in the social sciences and humanities with one of the newest. Bringing in elements of postmodernism and interpretive social science, it re-examines the biographical and autobiographical genres.
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