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(Music Minus One). Performed by Stanley Drucker, clarinet Accompaniment: Judith Olson, piano This first volume of intermediate-level clarinet solos features Stanley Drucker of the New York Philharmonic, who guides you through an advancing repertoire of ever more challenging pieces for the clarinetist, complete with performance suggestions. Also includes a slow-tempo practice version of Stamitz's Rondo to help you as you learn the piece. Includes a high-quality printed music score annotated with performance suggestions and a digitally remastered stereo compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist.
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Titles: * Abendlied (Evening Song) Op. 85, No. 12 (Schumann) * Allegretto Grazioso op. 13, No. 3 (Schubert) * Bouree (Babell) * Honor and Arms from Samson (Handel) * Lullaby Op. 124, No. 16 (Schumann) * Nocturne (Tyndall) * Rondo (Stamitz)
This book is the second of a 3-volume series which presents solos for clarinet and piano, with each volume scored at a specific grade level. This volume is intended to be used by the intermediate clarinet player after the first year to eighteen months of study. the music has been composed by master composers who lived in the 18th and 19th centuries, and the music has been adapted here for clarinet performance. the music used represents a variety of musical styles, thus giving the player a wide performance experience. Metronome markings have been suggested for each work to give the player a guideline for tempo.
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Contains: Allegro (Fiocco) * Baroque Suite (Intrada/Allemande/Sarabande/Gavotte/Gigue) (Corelli) * Nickelodeon Rag (Snell) * Siciliano (Vanhal) * Three Legends of Monument Valley (Dawn on Sentinial Mesa/Brigham's Tomb/The Devil's Winds at Window Rock) (Snell).
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Titles: * Abendlied (Kolher) * Andante (Zollner) * Aria from the Oratorio Belshazzar (Handel) * Fandango (Terego) * Gavotte (Handel) * Gavotte (Purcell) * Little Suite for Alto Saxophone (Fanfare/Adagio/Dance/Allegro) (Snell) * Rigaudon (Fischer) * Three Renaissance Pieces (Fanfare/The Nightingale/The King's Dance) (Snell) * Two German Dances (Quadrille/Deutscher Tanz) (Anonymous) * Winter Dreams (Soderstromm)
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Titles: * Air Pour Les Trompettes (Bach) * Ballad (Snell) * The Carnival of Venice (Theme and Variations) (Benedict) * Concerto in the Italian Style (Bach) * Fanfare from the Water Music (Handel) * Four Baroque Dances (Intrada/Gigue/Sarabande/Ballad) (Pezel)
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Titles: * Abendlied (Schumann) * Gigue (Handel) * Habanera (Bizet) * Nocturne (Tyndall) * Three Minatures (Snell) * Two Royal Fanfares (Prelude To "Te Deum"/La Rejouissance) (Charpentier)
This book is the first of a 3-volume series which presents solos for clarinet and piano, with each volume scored at a specific grade level. This volume is intended to be used by the elementary clarinet player in the first year to eighteen months of study. Some of the solos are scored primarily in the chalumeau register, with only brief extensions in the clarion register. Other solos will be more challenging by having more phrases centered in the clarion register. A few works have changes of register within the phrase which will require some extra attention. Alternate fingerings have been suggested in certain passages using the usual symbols. the music has been composed by master composers who lived in the 18th and 19th centuries, and the music has been adapted here for clarinet performance. the music used represents a variety of musical styles, thus giving the player a wide performance experience. Metronome markings have been suggested for each work to give the player a guideline for tempo.
The most important clarinet literature in one volume: Best of Clarinet Classics contains numerous original works for clarinet in arrangements for clarinet in Bb and piano. With pieces from the early days of the instrument (C. Stamitz, X. Lefèvre, W.A. Mozart) via the era of virtuosos (C. Baermann, I. Müller, B.H. Crusell), the Romantic era and the age of Impressionism (N. Gade, C. Debussy) to the 20th-century composers (C. Nielsen, M. Reger).
(Advanced Band Method). An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a complete pedagogy: * Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course * Melodic Interpretation Including 20+ contest level duets in each book * Solo Preparation Six contest level solos included * Articulation Studies Specialized for each instrument * Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) * Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods join the tradition!