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Practically all books written on interior landscape address the needs of home gardeners or the more detailed needs of business owners and researchers. Technicians, trainees, and advanced personnel alike--those who must maintain large interior installations on a commercial level--have not had ready access to information often critical to performing their job successfully. Finally, here is a dictionary specifically compiled for the interior landscape professional. It fills the gap in the literature by covering all terms that apply to interior landscaping. Definitions of more than 1,000 interior landscape terms are listed in alphabetical order for easy access. Each definition is brief but thorough to provide the right depth needed by the working professional. Although terms are described at a level that requires no background in the science of horticulture, the Interior Landscape Dictionary also provides technical terminology for those who require it. Nearly 130 illustrations--including 70 photographs--make it easy to identify specific plants and treatment for various plant diseases and pests. Detailed appendices cover both Latin and common plant nomenclature, pronunciation of Latin names, and lists of additional reading materials for reference. Unlike other botanical dictionaries that have too few illustrations and too many complex definitions, the Interior Landscape Dictionary has the right blend of information and format for the daily needs of interior landscapers. It is a valuable reference source for professionals and trainees in the fields of landscape architecture and management, interior design, horticulture, architecture, and plant science.
The senses in interior design examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors. The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic décors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.
There are always at least two 'histories' of encounter or contact, as each party would tell the story differently, but where and when is it really the 'first contact' and for whom? This book deploys an analytical framework developed from Semiotics to have both sides of the story address each other. It is ethnography of dialogue, emerging from textual representation by outsiders and its relationship to visual response and presentations by the Andaman Islanders that this book aims to present as the critical 'ethnography of history.' The section on Visuality looks at how the 'Other' is incorporated into an organized knowledge-system, including Ongee myths and songs about outsiders and the early photographs of tribal people by British settlers and ethnographers. The section on Materiality concerns the investment in things made, to influence natural processes or to distinguish the human body, and discusses how they are transacted between cultures that come into contact. The concluding section on history addresses encounters and developments in which the experiences of both tribal and settler are implicated more thoroughly than in the transaction of objects. Thus juxtaposing alternative perspectives on change indicates areas of experience unaccounted for in the dominant discourse and shows the provisionality of images.
Containing over 5000 entries from Aalto to ziggurat, this is the most comprehensive and up-to-date dictionary of architecture. Written in a clear and concise style, it is an invaluable work of reference for both students of architecutre and the general reader, as well as professional architects.
First published in 1995, this invaluable guide to the trees, shrubs, ground covers, and smaller plants that thrive in New Mexico's many life zones and growing areas is now available in a long-awaited new edition. Landscape architect Baker H. Morrow considers the significant factors that impact planting in New Mexico--including soil conditions, altitude, drought, urban expansion, climate change, and ultraviolet radiation--to provide the tools for successful gardens and landscapes in the state. Added photographs and sketches identify the forms and uses of plants, including many new species that have become widely available in the region since the 1990s. The latest recommendations for specific cities and towns include more photos for ease of reference, and botanical names have also been updated. With ingenuity and efficient water management, Morrow demonstrates how to create landscapes that provide shade, color, oxygen, soil protection, windscreening, and outdoor enjoyment.