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Written together with friend and journalist Boyd Hilton, this is a look at a year in the lives of Matt Lucas and David Walliamsthe good, the bad, the mundane, and the monumental. The year covered includes a mammoth nine-month Spinal Tap-esque tour where "Little Britain" goes in search of Great Britain. This milestone book offers an unrivaled close-up of a classic British comedy act, as it happens, at the height of its powers. But it is also a journey into their pasts, reflecting on how they achieved their success. It covers their childhoods, family life, and early comedy performances as they found their feet; their complex friendship and working relationship; and the increasingly insane world they now inhabit. Mixing memoir and travelogue to paint an engrossing portrait of fame and comic genius, "Inside Little Britain" is a candid look inside the celebrity bubble in all its glamour and awfulness."
Britain's Got Talent is BACK . . . so it's time to get serious with Britain's favourite funny man. Famous comedian and actor, funniest judge on Britain's Got Talent, high-achieving sportsman and BESTSELLING AUTHOR of The World's Worst Children series, David Walliams is a man of many talents . . . Launched to fame with the record-breaking Little Britain, his characters - Lou, Florence, Emily, amongst others - became embedded in our shared popular culture. You couldn't enter a playground for a long while without hearing "eh, eh, eh" or "computer says no". And Walliams is a mystery. Often described as a bundle of contradictions, he is disarming and enigmatic, playing up his campness one minute and hinting about his depression the next. To read Camp David is to be truly shocked, as well as tickled pink: David Walliams bares his soul like never before and reveals a fascinating and complex mind. This searingly honest autobiography is a true roller-coaster ride of emotions, as this nation's sweetheart unlocks closely guarded secrets that until now have remained hidden in his past. 'Will surprise, entertain, and allow fans and newcomers to enter the comic's uniquely brilliant world' GQ Magazine 'Raucously funny and superbly written' Heat 'Hilarious' Telegraph 'A great read. My only criticism is it ended too soon' The Sun 'A fascinating read' Star Magazine 'Brilliantly written' Express 'Fascinating stuff' Closer 'Uproariously great' Guardian
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
This lift-the-flap book for older children covers life in Britain from Anglo-Saxon invasions to the 21st century.
Magic, danger, and adventure abound for messenger Karigan G'ladheon in author Kristen Britain's New York Times-bestselling Green Rider fantasy series • "First-rate fantasy." —Library Journal Karigan G’ladheon is a Green Rider—a seasoned member of the elite messenger corps of King Zachary of Sacoridia. King Zachary sends Karigan and a contingent of Sacoridians beyond the edges of his nation, into the mysterious Blackveil Forest, which has been tainted with dark magic by a twisted immortal spirit named Mornhavon the Black. In a magical confrontation against Mornhavon, Karigan is jolted out of Blackveil Forest and wakes in darkness. She’s lying on smooth, cold stone, but as she reaches out, she realizes that the stone is not just beneath her, but above and around her as well. She’s landed in a sealed stone sarcophagus, some unknown tomb, and the air is becoming thin. Is this to be her end? If she escapes, where will she find herself? Is she still in the world she remembers, or has the magical explosion transported her somewhere completely different? To find out, she must first win free of her prison— before it becomes her grave. And should she succeed, will she be walking straight into a trap created by Mornhavon himself?
This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.
A study of science and technology practices that shows how even emergent aspects of research and development remain entangled with established hierarchies. In the last four decades, during which magnetic resonance imaging (MRI) has emerged as a cutting-edge medical technology and a cultural icon, technoscientific imaginaries and practices have undergone a profound change across the globe. Shifting transnational geography of tecchnoscientific innovations is making commonly deployed Euro/West-centric divides such as west versus non-west or “innovating north” versus “non-innovating south” increasingly untenable—the world is indeed becoming flatter. Nevertheless, such dualist divides, which are intimately tied to other dualist categories that have been used to describe scientific knowledge and practice, continue to undergird analyses and imaginaries of transnational technoscience. Imperial Technoscience puts into broad relief the ambivalent and contradictory folding of Euro/west-centrism with emergent features of technoscience. It argues, Euro/West-centric historicism, and resulting over-determinations, not only hide the vibrant, albeit hierarchical, transnational histories of technoscience, but also tell us little about shifting geography of technoscientific innovations. The book utilizes a deconstructive-empirical approach to explore “entangled” histories of MRI across disciplines (physics, chemistry, medicine, etc.), institutions (university, hospitals, industry, etc.), and nations (United States, Britain, and India). Entangled histories of MRI, it shows, better explain emergence and consolidation of particular technoscientific trajectories and shifts in transnational geography of science and technology (e.g. centers and peripheries).
Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey.
Revealing the workings and dangers of freight shipping, the author sails from Rotterdam to Suez to Singapore to present an eye-opening glimpse into an overlooked world filled with suspect practices, dubious operators, and pirates.