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The award-winning news publication presents their groundbreaking 9/11 reporting: “A deeply disturbing and comprehensive overview” (John le Carré). Some of the finest writing and reporting on the events of September 11th was done by Der Spiegel, Germany’s magazine of record. With its main office in Hamburg, base of operations for terrorist ringleader Mohamed Atta and many of the others, Der Spiegel’s journalists were on the front lines of the earliest investigation into the identities of those who brought holy war to America. Spiegel was also at Ground Zero, gathering stories, interviewing survivors, and documenting the interconnections of horror and heroism. Inside 9-11 gives us some of these first-person accounts, taking us as close as we can get to what happened. The “why” of September 11th may remain beyond understanding. But here we learn who the terrorists were, and how they were able to take so many innocent lives by sacrificing their own. The profiles in this book render a chilling, alien mindset that has become part of our daily reality. Combining first-class investigative journalism and writing of great clarity, Inside 9-11 is a heartbreaking and gripping reconstruction of the events that changed us all.
NEW YORK TIMES BESTSELLER “This is history at its most immediate and moving…A marvelous and memorable book.” —Jon Meacham ​“Remarkable…A priceless civic gift…On page after page, a reader will encounter words that startle, or make him angry, or heartbroken.” —The Wall Street Journal “Had me turning each page with my heart in my throat…There’s been a lot written about 9/11, but nothing like this. I urge you to read it.” —Katie Couric The first comprehensive oral history of September 11, 2001—a panoramic narrative woven from voices on the front lines of an unprecedented national trauma. Over the past eighteen years, monumental literature has been published about 9/11, from Lawrence Wright’s The Looming Tower to The 9/11 Commission Report. But one perspective has been missing up to this point—a 360-degree account of the day told through firsthand. Now, in The Only Plane in the Sky, Garrett Graff tells the story of the day as it was lived—in the words of those who lived it. Drawing on never-before-published transcripts, declassified documents, original interviews, and oral histories from nearly five hundred government officials, first responders, witnesses, survivors, friends, and family members, he paints the most vivid and human portrait of the September 11 attacks yet. Beginning in the predawn hours of airports in the Northeast, we meet the ticket agents who unknowingly usher terrorists onto their flights, and the flight attendants inside the hijacked planes. In New York, first responders confront a scene of unimaginable horror at the Twin Towers. From a secret bunker under the White House, officials watch for incoming planes on radar. Aboard unarmed fighter jets in the air, pilots make a pact to fly into a hijacked airliner if necessary to bring it down. In the skies above Pennsylvania, civilians aboard United 93 make the ultimate sacrifice in their place. Then, as the day moves forward and flights are grounded nationwide, Air Force One circles the country alone, its passengers isolated and afraid. More than simply a collection of eyewitness testimonies, The Only Plane in the Sky is the historic narrative of how ordinary people grappled with extraordinary events in real time: the father and son caught on different ends of the impact zone; the firefighter searching for his wife who works at the World Trade Center; the operator of in-flight telephone calls who promises to share a passenger’s last words with his family; the beloved FDNY chaplain who bravely performs last rites for the dying, losing his own life when the Towers collapse; and the generals at the Pentagon who break down and weep when they are barred from trying to rescue their colleagues. At once a powerful tribute to the courage of everyday Americans and an essential addition to the literature of 9/11, The Only Plane in the Sky weaves together the unforgettable personal experiences of the men and women who found themselves caught at the center of an unprecedented human drama. The result is a unique, profound, and searing exploration of humanity on a day that changed the course of history, and all of our lives.
Readers interested in Arab studies, Detroit culture and history, transnational politics, and the changing dynamics of race and ethnicity in America will enjoy the personal reflection and analytical insight of Arab Detroit 9/11.
The official story about 9/11 is discredited. That is the sobering conclusion reached by millions of Americans, all across the political spectrum, who have sifted through the evidence uncovered by hundreds of independent researchers. Many honest citizens are now forced, with sadness and reluctance, to make an almost unthinkable inference: Powerful US officials must have had foreknowledge of the planned attacks, and then acted from the inside to: thwart efforts to prevent 9/11, remove or cover up criminal evidence, and hamper inquiries into what happened. Were the horrific events of September 11, 2001 truly an inside job? This book will help you decide for yourself. In this work, world-renowned conspiracy theorist Jim Marrs makes a compelling case that 9/11 marks the intersection of several conspiracies at once, each based on overlapping political agendas. Support for his thesis comes from this sampling of the many disturbing anomalies, cited by Marrs: Standard air defence mechanisms systematically failed, simultaneously; Interceptor jets were scrambled too late, too slowly, and from the wrong locations; President Bush proceeded with a 'photo op' long after he knew we were under attack; Fires could not have caused the free-fall collapse of the World Trade Center towers; The collapse of Building 7 in the complex was later admitted to be a demolition; Vital physical evidence was either removed or has never been released to investigators; Key officials claimed warnings never came, despite massive evidence to the contrary. This is the definitive journalistic account of the hidden role of the Bush administration in failing to prevent the 9/11 attacks. The author provides heavy documentation of his findings, plus extensive appendices that include perspectives from families of 9/11 victims, and excerpts from the RICO Act lawsuit filed by 9/11 widow Ellen Mariani.
One of the inspirations for the smash hit Broadway musical Come From Away, Channel of Peace is an unforgettable memoir of the extraordinary kindness afforded to passengers whose flights were re-routed to Gander, Newfoundland, on September 11, 2001. When Kevin Tuerff and his partner boarded their flight from France to New York City on September 11, 2001, they had no idea that a few hours later the world — and their lives — would change forever. After U.S. airspace closed following the terrorist attacks, Kevin, who had been experiencing doubts about organized religion, found himself in the small town of Gander, Newfoundland, with thousands of other refugees or “come from aways.” Channel of Peace is a beautiful account of how the people of Gander rallied with boundless acts of generosity and compassion for the “plane people,” renewing Kevin’s spirituality and inspiring him to organize an annual and growing “giving back” day. His unforgettable and uplifting story, along with others, has reached thousands of people when it was incorporated into the Broadway musical Come From Away.
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
On the tenth anniversary of the Septemer 11, 2001 terrorist attacks, David Ray Griffin reviews the troubling questions that remain unanswered 9/11 Ten Years Later is David Ray Griffin's tenth book about the tragic events of September 11, 2001. Asking in the first chapter whether 9/11 justified the war in Afghanistan, he explains why it did not. In the following three chapters, devoted to the destruction of the World Trade Center, Griffin asks why otherwise rational journalists have endorsed miracles (understood as events that contradict laws of science). Also, introducing the book's theme, Griffin points out that 9/11 has been categorized by some social scientists as a state crime against democracy. Turning next to debates within the 9/11 Truth Movement, Griffin reinforces his claim that the reported phone calls from the airliners were faked, and argues that the intensely debated issue about the Pentagon—whether it was struck by a Boeing 757—is quite unimportant. Finally, Griffin suggests that the basic faith of Americans is not Christianity but "nationalist faith"—which most fundamentally prevents Americans from examining evidence that 9/11 was orchestrated by U.S. leaders—and argues that the success thus far of the 9/11 state crime against democracy need not be permanent.
From the senior counsel to the 9/11 Commission, a mesmerizing real-time portrayal of that day, why we weren?t told the truth, and why our nation is still at risk. As one of the primary authors of the 9/11 Commission Report, John Farmer is proud of his and his colleagues? work. Yet he came away from the experience convinced that there was a further story to be told, one he was uniquely qualified to write. Now that story can be told. Tape recordings, transcripts, and contemporaneous records that had been classified have since been declassified, and the inspector general?s investigations of government conduct have been completed. Drawing on his knowledge of those sources, as well as his years as an attorney in public and private practice, Farmer reconstructs the truth of what happened on that fateful day and the disastrous circumstances that allowed it: the institutionalized disconnect between what those on the ground knew and what those in power did. He details ?terrifyingly and illuminatingly?the key moments in the years, months, weeks, and days that preceded the attacks, then descends almost in real time through the attacks themselves, portraying them as they have never before been seen. Ultimately, Farmer builds the inescapably convincing case that the official version not only is almost entirely untrue but serves to create a false impression of order and security. The ground truth that Farmer captures suggests a very different scenario?one that is doomed to be repeated unless the systemic failures he reveals are confronted and remedied.
Examines the development of Michael Moore's ideas and the evolution of his filmmaking, then dissects "Fahrenheit 9/11", and explores the many claims and disagreements about the movie's truthfulness. This study shows that Michael Moore's film did more than shake up a nation.
Hendrie proves beyond a reasonable doubt that the U.S. government's conspiracy theory of the attacks on September 11, 2001, is a preposterous cover story. The evidence proves that powerful Zionists ordered the 9/11 attacks, which were perpetrated by Israel's Mossad, aided and abetted by treacherous high officials in the U.S. government.