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The graveyards of old New England hold an incredible range of poetic messages in the epitaphs etched into the gravestones, each a profound expression of emotion, culture, religion, and literature. These epitaphs are old, but their themes are timeless: mourning and faith, grief and hope, loss, and memory. This book tells the story of a years-long walk among gravestones and shares insights gained along the way. It identifies the source texts and authors chosen for these stones; interprets something of the tastes and beliefs of the people who did the choosing; offers some hypotheses on the various ways these texts were accessible to readers in remote towns and villages; gives a brief summary of the religious context of the times; and reflects on how the language and literature chosen for these epitaphs express these peoples' conflicted and evolving attitudes towards life, death, and eternity.
Christ Church Philadelphia and its Burial Ground is the final resting place of seven signers of the Declaration of Independence and five signers of the U.S. Constitution, the most famous burial being Benjamin Franklin. Also buried on church grounds are early American leaders, prominent lawyers, medical pioneers, and military heroes. In 1864, Church Warden Edward Clark compiled this book of all visible inscriptions in and around the church and at the 5th Street Burial Ground.
Allen Foster lives in on a farm in Enfield, Co Meath. When not tending to his cattle or walking his beloved dogs he finds the time to be a freelance journalist and researcher. He is the author of eight other books, including Foster’s Irish Oddities, Foster’s Even Odder Irish Oddities and Around the World with Citizen Train: The Sensational Adventures of the Real Phileas Fogg.
Reproductions of gravestone rubbings from grave sites in New England.
"Intriguing and captivating."—Celia Rees, author of Witch Child WRONGED. HANGED. ALIVE? (AND TRUE!) Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory—of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events—and the man—that led her to the gallows. Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive? Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon. Newes from the Dead is a 2009 Bank Street - Best Children's Book of the Year.
[A]n amazing tale that introduces you to the innocence and curiosity of youth, the dangers around them, and leaves you thinking. Monsters DO exist. This story offers several 'monsters' - you decide who the real monsters are! --Horror-Web No one denies that 18-year-old Katherine Cross was murdered in 1917. Her gravestone in Konawa, Oklahoma, bears the epitaph "Murdered by human wolves." This is her story, pieced together from the bits of fact left behind and held together with imagination and the information gleaned from a paranormal investigator. This based-on-a-true-story account of the murder of Katherine Cross introduces readers to the world of author Steven E. Wedel’s Werewolf Saga and includes his essay "On the Trail of Werewolves: An Interview with Mary Franklin, Paranormal Researcher," which details the findings of her research in the Konawa cemetery where Katherine is buried. [S]pooky and intriguing … Wedel lets his imagination run loose on [the] darker side, populating it with a clan of werewolf who are pagan, wild, bestial, and dare I say, pretty darn sexy. --The Horror Fiction Review
In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.