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What is a popular kind of music that originated in the United States? The answer is Jazz. Mixing folk and blues influences, talented artists from Scott Joplin to Wynton Marsalis have kept jazz at the forefront of the American music scene. The musicians portrayed in this book played different instruments and had different styles, but all helped keep jazz fresh and new. Readers follow ten prominent jazz musicians (Scott Joplin, Daniel Louis Armstrong, Edward Kennedy Ellington, Mary Lou Williams, Benjamin David Goodman, John Birks Gillespie, Charles Christopher Parker, Jr., Miles Dewey Davis, III, John Coltrane, and Wynton Marsalis) through their many successes and varied hardships.
Keeping in mind the long history of music and its powerful effect on the human social and cultural psyche, this brand-new volume in the Innovators series profiles the most innovative and important individuals in music history. Each of these extended biographies offers concise and informative top matter that includes an introductory summary of the person's significance; birth and death dates and places; and specialty fields. Biographies represent a strong, global, cross-gender focus, and each biography offers a sidebar focusing on the group(s)/achievement(s) for which the subject is best known. Innovators in Music spans three large volumes, examining over 350 individuals and personalities who had an influential impact on the music industry, including: Louis Armstrong, Dave Brubeck, Johnny Cash, Ray Charles, Ani DiFranco, Peter Gabriel, Arlo Guthrie, Janis Joplin, Patti LaBelle, John Lennon, Annie Lennox, Little Richard, Nicki Minaj, Willie Nelson, Itzhak Perlman, Lou Reed, Nina Simone, Patti Smith, Michael Stipe, Kanye West, Hank Williams, "Weird Al" Yankovic, and many more. -- salempress.com
Prominent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' and Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvořák.
Music and the Creative Spirit is a book of interviews with today's innovators in Jazz, Improvisation, and the Avant Garde, including Pat Metheny, Regina Carter, Fred Anderson, John Zorn, Joshua Redman, and others.
Essays consider the work of Sarah Vaughan, Teddy Wilson, Tony Bennett, Roy Eldridge, Lester Young, Joe Turner, Art Pepper, Sonny Stitt, Woody Herman, Wynton Marsalis, and Frank Sinatra
AN INTERACTIVE, SWING-ALONG PICTURE BOOK—WITH 12 SOUND CHIPS! Are you ready to swing? Discover the wonders of jazz: How to get in the groove, what it means to play a solo, and the joy of singing along in a call-and-response. In this interactive swing-along picture book with 12 sound chips, you’ll hear the instruments of jazz—the rhythm section with its banjo, drums, and tuba, and the leads, like the clarinet, trumpet, and trombone. And you’ll hear singers scat, improvising melodies with nonsense syllables like be-bop and doo-we-ah! Along the way, you’ll learn how this unique African American art form started in New Orleans, and how jazz changed over time as innovative musicians like King Oliver, Louis Armstrong, Duke Ellington, and Billie Holiday added their own ideas to it. Press the buttons to hear the band, the rhythms, and the singer calling out: “OH WHEN THE SAINTS—oh when the saints…”
Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century
“Arguably the finest biography yet written about a jazz musician . . . [It] will fascinate readers who have never heard a note of Strayhorn’s music.” —Joel E. Seigel, Washington City Paper A finalist for the National Book Critics Circle Award Billy Strayhorn (1915–67) was one of the greatest composers in the history of American music, the creator of a body of work that includes such standards as “Take the ‘A’ Train.” Yet all his life Strayhorn was overshadowed by his friend and collaborator Duke Ellington, with whom he worked for three decades as the Ellington Orchestra’s ace songwriter and arranger. A “definitive” corrective (USA Today) to decades of patchwork scholarship and journalism about this giant of jazz, David Hajdu’s Lush Life is a vibrant and absorbing account of the “lush life” that Strayhorn and other jazz musicians led in Harlem and Paris. While composing some of the most gorgeous American music of the twentieth century, Strayhorn labored under a complex agreement whereby Ellington took the bows for his work. Until his life was tragically cut short by cancer and alcohol abuse, the small, shy composer carried himself with singular style and grace as one of the few jazzmen to be openly homosexual. Lush Life has sparked an enthusiastic revival of interest in Strayhorn’s work and is already acknowledged as a jazz classic. “A book as beautiful and intelligent as its subject. David Hajdu has brought all my dear memories of Billy Strayhorn to life.” —Lena Horne “It is a mark of excellence of this biography that it leaves one wanting nothing so much as to listen to the music.” —Jonathan Yardley, The Washington Post Book World
Adrian Cho leads a jazz orchestra in Canada when he isn't developing IBM software. Now he wants to tell you how Miles Davis can change your business life. Cho touts jazz units such as Davis' immortal, innovative bands as models for high-performance teamwork. He derives 14 best practices from observing that standout performers in good jazz groups work together in an environment of alert listening and mutual respect to make great music off the cuff. He doesn't limit his examples to jazz, finding combo cognates in basketball, auto racing and the military. The upshot is a concept of leadership and teamwork that's well suited for the Google-age workplace. Alas, the text is dense and the graphics aren't very helpful. Trying to parse the earnest but process-heavy prose may make you play the blues. Still, getAbstract recommends this innovative book to human resources professionals, executives and managers needing new harmonies, and employees who know they could make a better contribution if only someone would let them play a solo.