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Examining the influence of gender constructs on the international regime protecting war-affected civilians, R. Charli Carpenter examines how in practice belligerents, advocates and humanitarian players interpret civilian immunity so as to leave adult civilian men and older boys at grave risk in conflict zones. Providing a wealth of ground-breaking case studies, the author argues that in order to understand the way in which laws of war are implemented and promoted in international society we must understand how gender ideas affect the principle of civilian immunity. Each case study demonstrates the importance of assumptions about gender relations in shaping international politics, and in developing a framework for incorporating an attention to gender into the often gender-blind scholarship on international norms. As such, this book will be of interest to international relations theorists and to human rights scholars, students and activists alike.
Human trafficking is a huge global business. The main victims are children who are forced into the sex trade. This novel focuses on those in the US, who have been smuggled, enticed, or taken by the ruthless and heartless traffickers.
While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.
2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence--a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects--a dynamic that Robin Bernstein calls "racial innocence." This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
The Lovely Bones meets Celeste Ng for teens in this gorgeous, haunting, and tragic novel that examines the crippling--and far-reaching--effects of one person's trauma on her family, her community, and herself. For the past eight years, sixteen-year-old Emilia DeJesus has done her best to move on from the traumatic attack she suffered in the woods behind her elementary school. She's forced down the memories--the feeling of the twigs cracking beneath her, choking on her own blood, unable to scream. Most of all, she's tried to forget about Jeremy Lance, the boy responsible, the boy who caused her such pain. Emilia believes that the crows who watched over her that day, who helped her survive, are still on her side, encouraging her to live fully. And with the love and support of her mother, brother, and her caring boyfriend, Emilia is doing just that. But when a startling discovery about her attacker's identity comes to light, and the memories of that day break through the mental box in which she'd shut them away, Emilia is forced to confront her new reality and make sense of shifting truths about her past, her family, and herself. A compulsively-readable tragedy that reminds us of the fragility of human nature. Praise for The Fall of Innocence * "Sanchez deftly shows the long-lasting impact of the assault. . . . An intimate and tragic look at how traumatic incidents affect individuals, their families, and others around them." --Kirkus Reviews, STARRED REVIEW * "Sanchez writes with stunning detail, showcasing the beauty that can be found in small moments, in family interactions, in nature, and in seemingly everyday objects. . . and illustrates how a trauma like Emilia's has widespread effects." --School Library Journal, STARRED REVIEW * "It is hard to imagine a more beautifully told, more moving, or more authentic story of one family’s journey through unbearable pain." --VOYA, STARRED REVIEW "Beautifully written but ineffably sad, Emilia's story is a case study of trauma and its aftermath." --BCCB "Emilia's inner world both captivates and devastates." --Publishers Weekly "Internal and contemplative, [this novel's] haunting quality lingers." --Booklist
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Tears stream down her face as she feels the cold blade press against her neck. The sweet scent of her daughter's favorite strawberry pancakes all around, her last thought is for her beautiful girl. Please, please let Lisa have escaped. When Detective Casey White is called early one morning to a beachside vacation campsite in the Outer Banks, she finds the bodies of Carl and Peggy Pearson side-by-side, their throats cut, and their thirteen-year-old daughter Lisa nowhere to be found. Haunted by memories of her own missing girl, Casey fears this could soon become a triple murder: because without the medication found in the bathroom cabinet, Lisa has just days to live. As her team struggle to untangle the meaning of the cryptic symbol carved into the victims' skin, Casey searches the area for signs of Lisa: and is rewarded when she finds her blistered and barefoot, staggering along the highway. The girl barely has breath left to whisper 'he invited me' before blacking out. Days later, another couple is found murdered on a vacation yacht. A different symbol is etched on their bodies, and their teenage daughter is also missing. Casey's only clue is an unsettling 'invitation' found on the girl's phone, to a secluded building out in the cornfields. Desperate to uncover who is luring these innocent families to their deaths, and certain forensics have missed something vital, Casey matches up the crime scene photos herself. The symbols combine to form an upcoming date. The killer is taunting them with the timing of the next murder. Racing to follow the invitation in time, when Casey arrives she is shocked to glimpse not the missing girls from this case, but her own missing daughter... An absolutely addictive mystery thriller that will have you holding your breath until the shocking final twist. Perfect for fans of Kendra Elliot, Robert Dugoni and Melinda Leigh.