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Evil comes in many guises. Joseph Stalin said that "Death is the solution to all problems. No man - no problem." He also said; "One death is a tragedy; one million is a statistic." Stalin; like his entire ilk, accepted that there is no more guilt for multiple killings than for just one. Evil the encyclopedia tells us is morally reprehensible: sinful or wicked. Innocence on the other hand is defined as not being corrupted or tainted with evil or unpleasant emotion; sinless; pure. From these definitions we would then assume that the two; Evil and Innocence, could not cohabit in the same host. Evil Innocence will cause you to question that assertion. Murder is the personification of evil. There is no excuse, there is no way that murder is committed out of innocence. "Evil Innocence" will challenge your understanding of innocence as retired Detective Inspector Len Potter has to reconcile his past assumption that Henry Papford was responsible for the serial killing of six young women.
"The potential interest in this book could be measured by the fact that for the past 3 years the online website for the Maine Sex Offender Registry has had 8 million hits each year. The Evil and the Innocent presents a real life and true inside look at the tragedies and suffering of the victims of sexual assault. Those who committed these crimes against the innocent are described and discussed in detail revealing the sadistic fantasies that swirl in the heads of child sex offenders and how these fantasies manifest themselves into reality with total disregard for the pain and suffering inflicted on the victims - the children. These real and actual cases expose heartbreaking and sometimes nauseating facts of sexual assaults and molestations. As difficult as it may be for the reader, these documented details are openly displayed in the book and will stay with the reader for a long time. Seeing the dead eyes and helpless faces of little children who suffered the onslaught of cruel and inhumane acts are necessary ingredients if change is to occur. The book may startle and sicken you because of the cold, hard, facts that until now have been hidden from you. Why? to protect you. Real life suffering must be brought to the light of day so the collective you demands that it stop - no matter the cost.'--Wheelers.co.nz.
John Thiel insists that some people who suffer are truly innocent.
"'Innocent Acts of Evil' is the true story of how a young brother and his older sister commit the brutal murder of their parents under the instructions of the sister's boyfriend, who convinces the siblings that he is the Son of God and persuades them to join his three-person home-grown cult of the Twelve Knights of God's will. It is a story about cultism, brainwwashing and hijacked good intentions. The title of the book suggests that it is often what we trust, believe and love that can hurt us most. The story reflects the interracial tensions that contribute to these strained relationships. The boyfriend is an Indian, who takes advantage of the children's racial guilt and exploits it for his own material gain. He turns them against their 'racist' parents, using biblical rhetoric and emotional manipulation, and persuades them that their parents must be punished by God's will."--Back cover.
On a global platform we are witnessing the increased visibility of the people we call children and teenagers as political activists. Meanwhile, across the contemporary performance landscape, children are participating as performers and collaborators in ways that resonate with this figure of the child activist. Beyond Innocence: Children in Performance proposes that performance has the ability to offer alternatives to hegemonic perceptions of the child as innocent, in need of protection, and apolitical. Through an in-depth analysis of selected performances shown in the UK within the past decade, alongside newly gathered documentation on children’s participation in professional performance in their own words, this book considers how performance might offer more capacious representations of and encounters with children beyond the nostalgic and protective adult gaze elicited within mainstream contexts. Motivated by recent collaborations with children on stage that reimagine the figure of the child, the book offers a new approach to both reading age in performance and also doing research with children rather than on or about them. By redressing the current imbalance between the way that we read children and adults’ bodies in performance and taking seriously children’s cultures and experiences, Beyond Innocence asks what strategies contemporary performance has to offer both children and adults in order to foster shared spaces for social and political change. As such, the book develops an approach to analysing performance that not only recognises children as makers of meaning but also as historically, politically, and culturally situated subjects and bodies with lived experiences that far exceed the familiar narratives of innocence and inexperience that children often have to bear.
With the media bringing us constant tales of terrorism and violence, questions regarding the nature of evil are highly topical. Luke Russell explores the philosophical thinking and psychological evidence behind evil, alongside portrayals of fictional villains, considering why people are evil, and how it goes beyond the normal realms of what is bad.
Two of the stories you are about to read have a grain of truth in them. The Encounter, my first story, is based on some of my family members! My brother was in study to become a Roman Catholic priest, actually two times, once as a young man, then many years later as an older man. Both times he approached ordination and left the church. The next two stories are to give the reader a lighter side of the church and its traditions. Especially the story, 1955 or Confession is Good for the Soul. I am the young boy with the clicker. We actually did attend morning mass like I wrote about. Also, the nuns in their black habits were to me, a small boy, a fearsome sight and not to be on the wrong side of. I really did join the Marine Corps, but I was not the military type. I did this more so to honor the family tradition on my mothers side of the family. I hope you enjoy reading these stories, as I have enjoyed writing them.
In this, his most influential work, legal theorist and political philosopher Carl Schmitt argues that liberalism’s basis in individual rights cannot provide a reasonable justification for sacrificing oneself for the state—a critique as cogent today as when it first appeared. George Schwab’s introduction to his translation of the 1932 German edition highlights Schmitt’s intellectual journey through the turbulent period of German history leading to the Hitlerian one-party state. In addition to analysis by Leo Strauss and a foreword by Tracy B. Strong placing Schmitt’s work into contemporary context, this expanded edition also includes a translation of Schmitt’s 1929 lecture “The Age of Neutralizations and Depoliticizations,” which the author himself added to the 1932 edition of the book. An essential update on a modern classic, The Concept of the Political, Expanded Edition belongs on the bookshelf of anyone interested in political theory or philosophy.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Each of the essays in this text offers a perspective on a word or phrase that serves as a building block in the edifice of post-World Trade Center rhetoric. It analyses the political language used at this time in the US's history.