Download Free Inner Rhythms Book in PDF and EPUB Free Download. You can read online Inner Rhythms and write the review.

What is Jewish Music? What makes a song sound Jewish? What is the place of music in Jewish history and philosophy? The author writes, What is known to us as Jewish music is actually a compilation of styles and rhythms gathered over centuries and obtained in various manners and from countless sources. However, musicologists the world over agree that the purity of the Jewish song has always been retained. The quality which makes it uniquely Jewish, regardless of the influence on it, has remained untouched and clearly identifiable. What is this quality? What is it that makes a song sound Jewish? It is a note of longing, of a child yearning to unite with his parent, a nation pining for its homeland and lost temple, a soul in this world remembering the holiness above and longing to reunite. Each song resonates with the entirety of the Jewish experience, the devastations and victories, the separations and reunifications and above all the constant bound with the eternal. The study of Jewish music is vast and requires volumes to contain it. There are many who have analyzed its unique qualities and have written extensively on it. Their examination of music is essentially a lesson in history, another means of glimpsing a rich and diverse past. There is yet another way to examine a song, and that is, to view it as an eternal message, as relevant today as it was hundreds of years ago, at the time of its composition. Each song tells its own story in the heart of the one who sings it. It evokes a unique response in each listener. A tune can touch a soul, in a way no words ever could. The study of music as response is what I aim to portray in this work. Music can be used in a myriad of ways in our everyday lives. Especially today with all of the gadgets that can convey music, we are bombarded by sound. Just by taking a long walk, a person changes zones of melodies, beats, and compositions of various types. Our bodies seem to vibrate to uninvited songs and noises that permeate the air around us. But invited
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
In Inner Rhythm, Naomi Benari provides exciting new ways to teach dance to the profoundly deaf by showing: methods and games she devised with children to heighten their awareness of rhythm, music and the breath inherent in every dance movement; how the knowledge of music is the basis for dance teaching and how this knowledge can enhance the raining of hearing dancers; opportunities for children to express their unarticulated feelings and thoughts; how children can learn to socialize and to explore the world in which they live; and how to teach dance to the profoundly deaf in a vareity of schools and settings.
Experiencing God can at once inspire worship, incite fear, melt us in love, and increase our desire to experience Him more. Such is the unique relationship we have with the Once we call Almighty as well as dead Friend. In Rhythms of the Inner Life, Howard Macy Plumbs the depths of one of Scripture's most heart-tugging books, the Psalms, to explore seven typical heart responses to God's interaction with each of us--longing, waiting, trembling, despairing, resting, conversing, celebrating. As we become alert and sensitive to these inner spiritual rhythms, we will learn to walk ever more closely with the God who holds and delights in us.
Contrary to the common view that cultural modernism is a broadly anti-mimetic movement, one which turned away from traditional artistic goals of representing the world, Rhythmic Modernism argues that rhythm and mimesis are central to modernist aesthetics. Through detailed close readings of non-fiction and short stories, Helen Rydstrand shows that textual rhythms comprised the substance of modernist mimesis. Rhythmic Modernism demonstrates how many modernist writers, such as D. H. Lawrence, Katherine Mansfield and Virginia Woolf, were profoundly invested in mimicking a substratum of existence that was conceived as rhythmic, each displaying a fascination with rhythm, both as a formal device and as a vital, protean concept that helped to make sense of the complex modern world.
In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
Music affects our physical well-being often without our being aware of it. This book reveals the power of music from classical through Jazz and New Age forms to heal emotions and transform lives using simple, step-by-step exercises and 39 musical activities.
Reconnect with Your Body and Nature to Heal from Trauma As psychologist and mindfulness teacher Rochelle Calvert explores in this powerful book, one of the greatest sources of healing from trauma is all around us — nature. Dr. Calvert shows how to relate to and connect with nature through the practice of mindfulness to calm and relax the nervous system, tune in to the somatic wisdom of the body to face lingering trauma and rewire it, and work with painful experiences to transform them in ways that heal the individual and contribute to healing the wider world. Healing with Nature pioneers a path not just to recovery but to lifelong healing and resilience.
(Berklee Guide). Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned. Through proven tool and techniques, you will learn to write interesting melodies, how melodic rhythm influences rhyme, what makes harmony progress, and the many dynamic relationships between melody and harmony. This clear and comprehensive approach to songwriting unlocks the secrets of popular songs, revealing what really makes them work. Examples of great songs by such notable songwriters as Lennon and McCartney, Diane Warren, Robert Palmer, and more, provide a close-up illustration of the songwriting techniques employed by these masters of the industry. This is the book used in Songwriting classes at Berklee College of Music. The exercises provided make it a wonderful self-teaching manual and a great addition to any general theory course of any level. Use the tools presented in this book to help fine-tune your craft and start writing hits!
Rhythm is often referred to as one of the key elements of performance and acting, being of central importance to both performance making and training. Yet what is meant by this term and how it is approached and applied in this context are subjects seldom discussed in detail. Addressing these, Rhythm in Acting and Performance explores the meanings, mechanisms and metaphors associated with rhythm in this field, offering an overview and analysis of the ways rhythm has been, and is embodied and understood by performers, directors, educators, playwrights, designers and scholars. From the rhythmic movements and speech of actors in ancient Greece, to Stanislavski's use of Tempo-rhythm as a tool for building a character and tapping emotions, continuing through to the use of rhythm and musicality in contemporary approaches to actor training and dramaturgy, this subject finds resonance across a broad range of performance domains. In these settings, rhythm has often been identified as an effective tool for developing the coordination and conscious awareness of individual performers, ensembles and their immediate relationship to an audience. This text examines the principles and techniques underlying these processes, focusing on key approaches adopted and developed within European and American performance practices over the last century. Interviews and case studies of individual practitioners, offer insight into the ways rhythm is approached and utilised within this field. Each of these sections includes practical examples as well as analytical reflections, offering a basis for comparing both the common threads and the broad differences that can be found here. Unpacking this often mystified and neglected subject, this book offers students and practitioners a wealth of informative and useful insights to aid and inspire further creative and academic explorations of rhythm within this field.