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Presents thirty novel terms that do not yet exist in English to envision ways of responding to the environmental challenges of our generation As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, An Ecotopian Lexicon is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision and inspire responses and alternatives to fossil-fueled neoliberal capitalism. Each of the thirty suggested “loanwords” helps us imagine how to adapt and even flourish in the face of the socioecological adversity that characterizes the present moment and the future that awaits. From “Apocalypso” to “Qi,” “ ~*~ “ to “Total Liberation,” thirty authors from a range of disciplines and backgrounds assemble a grounded yet dizzying lexicon, expanding the limited European and North American conceptual lexicon that many activists, educators, scholars, students, and citizens have inherited. Fourteen artists from eleven countries respond to these chapters with original artwork that illustrates the contours of the possible better worlds and worldviews. Contributors: Sofia Ahlberg, Uppsala U; Randall Amster, Georgetown U; Cherice Bock, Antioch U; Charis Boke, Cornell U; Natasha Bowdoin, Rice U; Kira Bre Clingen, Harvard U; Caledonia Curry (SWOON); Lori Damiano, Pacific Northwest College of Art; Nicolás De Jesús; Jonathan Dyck; John Esposito, Chukyo U; Rebecca Evans, Winston-Salem State U; Allison Ford, U of Oregon; Carolyn Fornoff, U of Illinois at Urbana-Champaign; Michelle Kuen Suet Fung; Andrew Hageman, Luther College; Michael Horka, George Washington U; Yellena James; Andrew Alan Johnson, Princeton U; Jennifer Lee Johnson, Purdue U; Melody Jue, U of California, Santa Barbara; Jenny Kendler; Daehyun Kim (Moonassi); Yifei Li, NYU Shanghai; Nikki Lindt; Anthony Lioi, Juilliard School of New York; Maryanto; Janet Tamalik McGrath; Pierre-Héli Monot, Ludwig Maximilian U of Munich; Kari Marie Norgaard, U of Oregon; Karen O’Brien, U of Oslo, Norway; Evelyn O’Malley, U of Exeter; Robert Savino Oventile, Pasadena City College; Chris Pak; David N. Pellow, U of California, Santa Barbara; Andrew Pendakis, Brock U; Kimberly Skye Richards, U of California, Berkeley; Ann Kristin Schorre, U of Oslo, Norway; Malcolm Sen, U of Massachusetts Amherst; Kate Shaw; Sam Solnick, U of Liverpool; Rirkrit Tiravanija, Columbia U; Miriam Tola, Northeastern U; Sheena Wilson, U of Alberta; Daniel Worden, Rochester Institute of Technology.
As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s. Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evolution of a now-canonical body of work that took its inspiration from the Zapatista movement, particularly its masked indigenous participants, and that responded to efforts to impose systems of labor exploitation and social subjugation. Incorporating Gonzalez’s memories of the Mexican nationalist music of her childhood and her band’s journey to Chiapas, the book captures the mobilizing music, poetry, dance, and art that emerged in pre-gentrification corners of downtown Los Angeles and that went on to inspire flourishing networks of bold, innovative artivistas.
When we hear the term "Japanese philosophy" we think of Zen Buddhism or the Shinto scriptures. Yet one of the great 20th century interpreters of Western philosophy, Nishida Kitaro, lived and wrote in the Japanese islands all his life, laboring at an ultimate synthesis of oriental thought and Western hermeneutics. To be sure, Nishida's aim was to understand his own cultural influences in relation to the Western world. What distinguished him, however, was his passion for rendering oriental metaphysics understandable in the language of Western philosophy, and his attempts to contrast the paradoxicality of Buddhist logic with the logical strategies of Aristotle, Kant, or Hegel. Featured in this book is an interpretation of Nishida's writings. Professor Carter focuses on the Japanese thinker's notion of "basho," a concept of nothingness as field, place or topos as borrowed from Plato's Tim'us. Expounding on the logical foundations and archaic elements in Nishida's work, and carefully explaining Nishida's critical approach to the questions of God, religion and morality, and pure existence, this discerning book offers students of Western philosophy and oriental thought alike a highly readable introduction to the teachings of a true world philosopher.
Voices from the Ancestors brings together the reflective writings and spiritual practices of Xicanx, Latinx, and Afro-Latinx womxn and male allies in the United States who seek to heal from the historical traumas of colonization by returning to ancestral traditions and knowledge. This wisdom is based on the authors’ oral traditions, research, intuitions, and lived experiences—wisdom inspired by, and created from, personal trajectories on the path to spiritual conocimiento, or inner spiritual inquiry. This conocimiento has reemerged over the last fifty years as efforts to decolonize lives, minds, spirits, and bodies have advanced. Yet this knowledge goes back many generations to the time when the ancestors understood their interconnectedness with each other, with nature, and with the sacred cosmic forces—a time when the human body was a microcosm of the universe. Reclaiming and reconstructing spirituality based on non-Western epistemologies is central to the process of decolonization, particularly in these fraught times. The wisdom offered here appears in a variety of forms—in reflective essays, poetry, prayers, specific guidelines for healing practices, communal rituals, and visual art, all meant to address life transitions and how to live holistically and with a spiritual consciousness for the challenges of the twenty-first century.
Come explore an incredible LEGO® universe in LEGO Space: Building the Future. Spaceships, orbital outposts, and new worlds come to life in this unique vision of the future, built completely from LEGO bricks. A selection of step-by-step building instructions will have you constructing your own cosmic creations to play with at home. Marvel at interstellar battlecruisers, space pirates, charming robots, and other stunning builds from an amazing future!
Weaving archival records, ancient maps and narratives, and the wisdom of the elders, Roberto Cintli Rodriguez offers compelling evidence that maíz is the historical connector between Indigenous peoples of this continent. Rodriguez brings together the wisdom of scholars and elders to show how maíz/corn connects the peoples of the Americas.
We have entered a time of great change. The ancient Mayans marked it by the end of their long count calendar, where one cycle spans 5,250 years. December 21, 2012 is the end date when the sun's elliptical path crosses the serpent's mouth (a black hole) in the Milky Way. This cosmology is the backdrop for my novel, IN LA KESH, where climate change fueling hurricanes, earthquakes, global warming and oceans rising drives the spiritual journeys of two women, Mesa in the fall of 2012 AD, and Daughter in the spring of 153 BC, as they travel in the Yucatan Peninsula of Mexico. Mesa, a young woman at the crossroads of her life and purpose, is pulled between the ways of her fundamentalist Christian mother, Grace, and her wise woman healer grandmother, Willow. With her grandmother's sudden death, Mesa is given the task of returning 4 articles of her grandmothers to their place of origin, before the multimillion dollar estate can be distributed to her financially strapped mother and uncle. Mesa finds direction and new purpose in her life when she travels to Mexico with her childhood friend, Silas. . Guided by synergistic connections, circles of stories, ritual initiations and traditional healing, Mesa returns 3 out of the 4 objects to the ancient ruins, caves and islands of the Mayans. When a series of hurricanes threaten to cut short Mesa's ability to complete the task, she and Silas catch a ride to higher ground where Mesa discovers a deep secret in her mother's past. The surprise ending brings all the puzzle pieces of the story together and sets Mesa on a new course for her life. Daughter, a young mother, is separated from her tribe because of her refusal to believe the shifting of the Big Dipper in the night sky, the tribe's symbol of stability and orientation, is a dark omen of betrayal. With her twins born and the visions of her dying grandmother to guide her, she travels across the saddle of the land joining with others to create a new tribe. Bringing two different cosmologies to the twin volcanoes, Daughter and Brother become the new stargazers for the Mayan tribe at Itzapa.
Seth, channeled by Jane Roberts, tells us, “You live in a safe universe.” He also reminds us we create our own realities through our mental acts. Which means while we live in a safe universe, we don’t always live a safe universe, because we don’t always safely create within it. What does it take to live a safe universe? There is only one answer—Trust. After years of focused effort, Lynda Madden Dahl, award-winning author of five Seth-based books and co-founder of Seth Network International, found a path within the material—not obvious at first, but there nonetheless—that resolves all trust issues, if one is but willing to try. “Lynda takes the reader deep into the heart of Seth's teachings, and one emerges with a new vision and understanding of concepts that will transform one's personal world, and thus the world in general. Highly recommended for all Seth readers who wish to take Seth’s material to a whole new level.” — Rich Kendall, author of The Road to Elmira, member of Jane Roberts’ ESP Class “I love this book. Living a Safe Universe brings us to a new understanding of the Seth material, and how to apply this understanding to trust. Lynda drives home the point that we are primarily consciousness which exists in the spacious present, as opposed to being an ego in time, and then explains why that fact changes the playing field entirely.” — Lawrence Davidson, member of Jane Roberts’ ESP class, founder of California Seth Conference