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Pamela Baxter returns to her small Iowa home town to assume executor's duties for the estate of her favorite aunt. She finds that her aunt may have been murdered and that her own life could be threatened. Love is rekindled at her high school reunion as John Paulsen returns to town for the dinner and dance. She is torn between her urge to flee danger and the desire to stay for romance. Pam and John uncover layer after layer of corruption in this small town. Attorneys use darkly creative schemes to bilk money from their elderly clients. There is a continually increasing danger to Pam as two more elderly women are murdered, but she is not suspicious because the women apparently have succumbed to heart attacks.
At seven, William killed his mother's dog. At ten, he stabbed his father with a letter opener. There's the murder of the family maid.Willed custody of her best friend's son, Deborah brings home a boy driven by hatred and rage. Injured by him the very first day, he threatens her carefully secured life with increasingly violent acts.But William begins to believe in Deborah as he has never believed in anyone. When Deborah starts to trust in William, though, death answers.A chilling account of a woman who, against her better judgment, reaches out to a boy everyone has pegged as evil. --Liz BrenamanReuk is up there with the best. Crisp, balanced prose. A unique, well-told story. And a protagonist and antagonist the reader won't be able to get enough of. I'm thrilled The Ward is just the first book in a series. ...The Ward is the reason I keep sifting through the galaxy of small and independent publishers; the novel is unique, and it's very good. --Clayton Bye, Reviewer
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.
Seattle printing collective owner Pam Nilsen is on the case when a member of the group turns up dead before a controversial merger Pam Nilsen and her twin sister, Penny, inherited Best Printing four years ago when their parents died in a car crash. Unwilling to sell their family legacy, the sisters turned it into a collective run by a cadre of activists whose arguments over the business can be just as impassioned as their support for progressive causes. But internal divisions at the collective pale in comparison to those between Seattle typesetters B. Violet and Moby Dick—once a single company that has since broken apart into an all-female (and lesbian-run) company, and an all-male (and quickly bankrupt) operation. Shortly after Best Printing and B. Violet begin discussing a merger, the offices of the typesetter are ransacked, one of their members nowhere to be found. Then an employee of Best Printing is found murdered. It appears as if someone will stop at nothing—not even murder—to prevent the merger. And it’s up to Pam to get to the bottom of this deadly turn of events before the killer strikes again. Murder in the Collective is the first book in the Pam Nilsen Mystery trilogy, which continues with Sisters of the Road and The Dog Collar Murders.
This book makes a compelling case for placing the social and legal practices of inheritance centre stage to make sense of fundamental questions of our time. Drawing on historical, literary, sociological, and legal analysis, this rich collection of original, interdisciplinary and international contributions demonstrates how inheritance is and has always been about far more than the set of legal processes for the distribution of wealth and property upon death. The contributions range from exploring the intractable tensions underlying family disputes and the legal and political debates about taxation, to revisiting literary plots in the past and presenting a contemporary artistic challenge of heirship. With an introduction that presents a critical mapping of the field of inheritance studies, this collection reveals the complexity of ideas about 'passing on', 'legacies', and 'heirlooms'; troubles some of the enduring consequences of 'charitable bequests', 'family money', and 'estate planning; and, deepens our understanding of the intimate and political practices of inheritance.
Addie Greyborne loved working with rare books at the Boston Public Library—she even got to play detective, tracking down clues about mysterious old volumes. But she didn’t expect her sleuthing skills to come in so handy in a little seaside town . . . Addie left some painful memories behind in the big city, including the unsolved murder of her fiancé and her father’s fatal car accident. After an unexpected inheritance from a great aunt, she’s moved to a small New England town founded by her ancestors back in colonial times—and living in spacious Greyborne Manor, on a hilltop overlooking the harbor. Best of all, her aunt also left her countless first editions and other treasures—providing an inventory to start her own store. But there’s trouble from day one, and not just from the grumpy woman who runs the bakery next door. A car nearly runs Addie down. Someone steals a copy of Alice in Wonderland. Then, Addie’s friend Serena, who owns a nearby tea shop, is arrested—for killing another local merchant. The police seem pretty sure they’ve got the story in hand, but Addie’s not going to let them close the book on this case without a fight . . .
Small-town Texas sheriff Dan Rhodes is in for another puzzling mystery in this next in the entertaining, award-winning series Before classes start one morning, the body of English instructor Earl Wellington is found outside the building of the community college. Wellington was clearly involved in a struggle with someone and has died as a result. Sheriff Dan Rhodes pursues and arrests Ike Terrell, a student who was fleeing the campus. Ike's father is Able Terrell, a survivalist who has withdrawn from society and lives in a gated compound. He's not happy that his son has chosen to attend the college, and he's even less happy with the arrest. Rhodes discovers that Wellington and Ike had had a confrontation over a paper that Wellington insisted Ike plagiarized. Wellington also had had a confrontation with the dean and was generally disliked by the students. As the number of suspects increases, it's up to Rhodes to solve the murder while also dealing with an amusing but frustrating staff, a professor who wants to be a cop, and all the other normal occurrences that can wreak havoc in a small town. Bill Crider's Compound Murder is an enjoyable police procedural filled with surprises, chuckles, and a quirky cast that will captivate mystery readers.
A “perfectly executed suspense tale very much in the mode of Daphne du Maurier’s Rebecca” (The Washington Post) from the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, and The Turn of the Key. On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, this is a “captivating and eerie page-turner” (The Wall Street Journal) from the Agatha Christie of our time.
Told in the same serial novel format that made 2011's "No Rest for the Dead" such a commercial and critical success, "Inherit the Dead" is a collaboration between twenty of today's bestselling mystery and thriller authors - each taking a chapter of the narrative and infusing it with their signature style.