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Twelve short stories of speculative fiction from “an author who genuinely comes close to defying all attempts at description. A true original” (Infinity Plus). Enter the boundless realms of science fiction, fantasy, horror, the weird, the surreal, and the absurd with a dozen stories from acclaimed author Paul Di Filippo. Watch as a man tries to adapt when his intense connection with instinct and nature vanishes in “Before and After Science,” a long-lost story that appeared in a fanzine decades ago. Enjoy the flash fiction of “Domotica Berserker!” in which massive house printers get hacked and go on a rampage—painting the town pink. Get a glimpse of how LARPing and nowts (aka now-tweakers) don’t mix in “A Faster, Deeper Now.” And delve into the Lovecraftian mythos with “The Horror at Gancio Rosso,” in which retired New York City crimefighter Joseph Petrosino travels to Sicily to investigate new bodies appearing in a catacomb filled with ancient mummies. This mind-blowing collection is “an example of what makes Di Filippo, Di Filippo. Best part: it throws the taxonomy of genre out the window to be creative in a number of ways” (Speculiction). Praise for Paul Di Filippo “Di Filippo is like gourmet potato chips to me. I can never eat just one of his stories.” —Harlan Ellison “Di Filippo is the spin doctor of SF—and it is a powerful medicine he brews.” —Brian Aldiss, Hugo Award–winning author of Hothouse “Vibrant, nervy, and full of gloriously wiggy language, Ribofunk is anything but the same old stuff.” —The Philadelphia Inquirer
A teenage assassin kills with a single kiss until she is ordered to kill the one boy she loves. This commercial YA fantasy is romantic and addictive—like a poison kiss—and will thrill fans of Sarah J. Maas and Victoria Aveyard. Marinda has kissed dozens of boys. They all die afterward. It’s a miserable life, but being a visha kanya—a poison maiden—is what she was created to do. Marinda serves the Raja by dispatching his enemies with only her lips as a weapon. Until now, the men she was ordered to kiss have been strangers, enemies of the kingdom. Then she receives orders to kiss Deven, a boy she knows too well to be convinced he needs to die. She begins to question who she’s really working for. And that is a thread that, once pulled, will unravel more than she can afford to lose. This rich, surprising, and accessible debut is based in Indian folklore and delivers a story that will keep readers on the edge of their seats.
A rollicking romp of a spy thriller from the acclaimed author of The Gone-Away World. • "A head-spinning cliffhanger that reads a bit like Harry Potter for grownups…. It would be a shame if no movie were made from this glorious piece of kaleidoscope-fiction." —The Wall Street Journal Joe Spork fixes clocks. He has turned his back on his father’s legacy as one of London’s flashiest and most powerful gangsters and aims to live a quiet life. Edie Banister retired long ago from her career as a British secret agent. She spends her days with a cantankerous old pug for company. That is, until Joe repairs a particularly unusual clockwork mechanism, inadvertently triggering a 1950s doomsday machine. His once-quiet life is suddenly overrun by mad monks who worship John Ruskin, psychopathic serial killers, mad geniuses and dastardly villains. On the upside, he catches the eye of bright and brassy Polly, a woman with enough smarts to get anyone out of a sticky situation. In order to save the world and defeat the nefarious forces threatening it, Joe must help Edie complete a mission she abandoned years ago, and he must summon the courage to pick up his father’s old gun and join the fight.
Presents a collection of stories featuring a retail employee who is confronted by a zombie, a computer warrior who leads his fighter band across a virtual landscape, and a company that outsources grief.
I played the scene back about ten times in my mind. First from start to finish, then from finish to start. In slow motion. Frame by frame. I tried to stop the action at the moment when my wife looked from me to the alderman. I corrected myself: avoided looking at the alderman. Robert Walter, popular mayor of Amsterdam, suspects his wife is cheating on him. Then Robert’s elderly parents tell him that they’re planning to end their lives. His father hints that it will be sooner rather than later, but he won’t say when. Alarmed, Robert starts to doubt himself and everyone around him, lost in increasingly panicked and paranoid trains of thought. But is it paranoia? Or is he actually seeing things clearly for the very first time? The Ditch shows how quickly even the most stable lives can be sabotaged by secrecy and suspicion—and humans’ masochistic urge to undermine ourselves. ‘Herman Koch is rapidly becoming one of my favourite writers. His three novels, taken together, are like a killer EP where every track kicks ass.’ Stephen King ‘Chilling, nasty, smart, shocking and unputdownable.’ Gillian Flynn on The Dinner ‘The Dinner is a riveting, compelling and deliciously uncomfortable read... both a punch to the guts and...a tonic. It clears the air. A wonderful book.’ Christos Tsiolkas ‘Blackly funny, full of sharp edges and hot issues, and compulsively readable. Verdict: feast on this.’ Herald Sun on The Dinner ‘The Dinner is a masterful, disturbing piece of theatre.’ Age/SMH
“An Earth-man’s journey to the planet Mars, where he is treated to a wondrous vision of a communist future, complete with flying cars and 3D color movies.” —Wonders & Marvels A communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (1873–1928), one of the early organizers and prophets of the Russian Bolshevik party. The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out the problems that will face industrialized nations, whether socialist or capitalist. “[A] surprisingly moving story.” —The New Yorker “The contemporary reader will marvel at [Bogdanov’s] foresight: nuclear fusion and propulsion, atomic weaponry and fallout, computers, blood transfusions, and (almost) unisexuality.” —Choice “Bogdanov’s novels reveal a great deal about their fascinating author, about his time and, ironically, ours, and about the genre of utopia as well as his contribution to it.” —Slavic Review
Her lover was a supernova who took worlds with him when he died, and as a new world grows within Ekhi, savage lives rage and love on a small ship in the outer reaches of space. A ship with an agenda of its own. Critically acclaimed author of weird fiction Paul Jessup sends puppets to speak and fight for their masters while a linguistic virus eats through the minds of a group of scavengers in Open Your Eyes, a surrealist space opera of haunting beauty and infinite darkness.
Published 11 years after the author's death, this classic of utopian fiction tells the story of American consul John Lang. He visits the isolated and alien country of Islandia and is soon seduced by the ways of a compelling and fascinating world.
Inspired by the new diversity of science fiction, fantasy, and horror in the twenty-first century, Hot Equations: Science, Fantasy, and the Radical Imagination on a Troubled Planet confronts the kinds of literary and political “realism” that continue to suppress the radical imagination. Alluding both to the ongoing climate catastrophe and to Tom Godwin’s “The Cold Equations”—that famous touchstone of “hard science fiction”—Hot Equations reads the crises of our "post-normal" moment via works that increasingly subvert genre containment and spill out into the public sphere. Drawing on archives and contemporary theory, author Jesse S. Cohn argues that these imaginative works of science fiction, fantasy, and horror strike at the very foundations of modernity, calling its basic assumptions into question. They threaten the modern order with a simultaneously terrible and promising anarchy, pointing to ways beyond the present medical, ecological, and political crises of pandemic, climate change, and rising global fascism. Examining books ranging from well-known titles like The Hunger Games and The Caves of Steel to newer works such as Under the Pendulum Sun and The Stone Sky, Cohn investigates the ways in which science fiction, fantasy, and horror address contemporary politics, social issues, and more. The “cold equations” that established normal life in the modern world may be in shambles, Cohn suggests, but a New Black Fantastic makes it possible for the radical imagination to glimpse viable possibilities on the other side of crisis.