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Welcome to "Inferno", a gripping collection of books that chronicle the most devastating fires in the history of London, Rome, and Chicago. This bundle is an immersive experience that will transport you back in time to witness the power of these infernos, and the incredible human stories of bravery and survival that emerged from them. The first book, "London's Trial by Fire: The Great Fire of 1666," takes us back to a time when the city was ravaged by disease, poverty, and political turmoil. Amidst this chaos, a spark ignited, and the fire quickly spread, destroying over 13,000 homes and landmarks in just four days. A.J. brings this tragedy to life with vivid descriptions of the destruction, as well as personal accounts of the people who lived through it. In "Rome Burning: The Great Fire of 64 AD," A.J. tells the story of the fire that destroyed the ancient city of Rome. The blaze began in the market district and quickly spread, engulfing the city's iconic temples, buildings, and monuments. The book offers a glimpse into the lives of ordinary Romans and how they coped with the disaster, as well as the impact of the fire on the politics and culture of the time. The final book, "Chicago Inferno: The Great Fire of 1871," tells the story of the fire that destroyed much of the city, leaving over 100,000 people homeless. A.J. brings to life the events leading up to the fire, as well as the heroic efforts of the firefighters and the resilience of the people of Chicago in the aftermath. This book offers a fascinating look at the development of modern firefighting techniques and urban planning in response to the disaster. Each of these books is a captivating and well-researched account of one of history's most significant fires. Together, they offer a unique perspective on the power of fire and the human response to disaster. Whether you are a history buff, a lover of true crime, or simply looking for a gripping read, "Inferno: 3 in 1" is a must-read collection that will leave you spellbound. So get ready to be transported back in time and experience the heat and chaos of these three great fires. Order your copy today!
Collects Inferno (2021) #1-4. He changed everything for mutantkind with HOUSE OF X and POWERS OF X. He explored the new Krakoan era in X-MEN. Now the keeper of the mutant flame, Jonathan Hickman, presents his final, incendiary X-saga! Mystique, former terrorist and espionage agent supreme, is loyal to Professor X's Quiet Council for one reason only: the promise that someday he will resurrect her beloved Destiny. But when Moira MacTaggert helped Professor X and Magneto realize their lifelong dreams for mutantkind, it came with one condition: Do not allow any precognitive mutants on the island of Krakoa. What will Mystique do when she realizes she's being strung along? Vengeance burns hot, and Mystique is about to ignite an Inferno! And where has the elusive Moira been all this time, anyway?
'There will be an island - not the first, but the last...' Promises were made. Promises were broken. The rulers of Krakoa have been playing a dangerous game with a dangerous woman, and they are about to see how badly that can burn them. Mastermind of the X-Men Jonathan Hickman brings his plans to a head, joined by an incredible lineup of artists beginning with Valerio Schiti... as one woman follows through on her promise to burn the nation of Krakoa to the ground. Collecting: Inferno (2021) 1-4
Dante is one of the towering figures of European literature, yet there remain a surprising number of questions about his life and works; Who was the leader that would bring peace to the world, as Virgil and Beatrice prophesied in the Commedia? Who was Beatrice, really? Was De Vulgari Eloquentia truly a treatise on the art of writing? Did he need a medicinal muse? Dante scholar and translator Barbara Reynolds contends the master used cannabis to soar to greater creative heights. Besides proposing a solution to the famous prophecies, this lively, engaging, and elegantly written biography contains a provocative new idea in virtually every chapter, offering alternative interpretations of his work. Drawing from an impressive array of sources, Reynolds provides a comprehensive analysis of the poet, placing him within the context of his culture and society to deepen our understanding of a complicated man who was irritable, opinionated, and vengeful—and an extraordinary genius.
This scientific detective story is the first book which explains clearly the science used by paleontologists, and the new, cutting-edge techniques that led to the discovery of Seismosaurus, the longest dinosaur yet known--and possibly the largest land animal to have ever lived. Gillette's first-person account of the project answers the most frequently asked questions about Seismosaurus: How was it discovered? How do we know it is a new species? How did it die? Part catalogue of the workings of paleontological science in the 1990s, the book also illustrates the exciting collaboration between Gillette, the chemists and physicists who helped to reconstruct Seismosaurus.
Dante's Persons explores the concept of personhood as it appears in Dante's Commedia and seeks out the constituent ethical modes that the poem presents as necessary for attaining a fullness of persona. The study suggests that Dante presents a vision of 'transhuman' potentiality in which the human person is, after death, fully integrated into co-presence with other individuals in a network of relations based on mutual recognition and interpersonal attention. The Commedia, Heather Webb argues, aims to depict and to actively construct a transmortal community in which the plenitude of each individual's person is realized in and through recognition of the personhood of other individuals who constitute that community, whether living or dead. Webb focuses on the strategies the Commedia employs to call us to collaborate in the mutual construction of persons. As we engage with the dead that inhabit its pages, we continue to maintain the personhood of those dead. Webb investigates Dante's implicit and explicit appeals to his readers to act in relation to the characters in his otherworlds as if they were persons. Moving through the various encounters of Purgatorio and Paradiso, this study documents the ways in which characters are presented as persone in development or in a state of plenitude through attention to the 'corporeal' modes of smiles, gazes, gestures, and postures. Dante's journey provides a model for the formation and maintenance of a network of personal attachments, attachments that, as constitutive of persona, are not superseded even in the presence of the direct vision of God.