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Here are Essex Girls in a different light to the stereotype of modern public expectation. Murderers, mayhem-makers, swindlers, witches, smugglers and lustful adulteresses have played a part in the darker side of the county's history. From the thirteenth century onwards, Essex has produced more than its fair share of infamous women. Some got their comeuppance, some profited from their infamy and others were misguided, or with the benefit of hindsight, misjudged. The reader will find a plethora of women to hate, ridicule or secretly admire in Dee Gordon's new book. Some of the characters featured here might horrify or mystify, others will provoke empathy or disbelief, but all tales are authenticated by hours of research. Read, learn, squirm - and smile!
This “lively” study of female lawbreakers across centuries and cultures is “chock full of disquieting stories and truly twisted personalities” (Booklist). Organized A-to-Z under six categories, this book offers insight into the lives and minds of women in different centuries and different countries, with diverse cultures and backgrounds from the poverty-stricken to royalty, who have defied law and order and social taboos. Read about mistresses, murderers, smugglers, pirates, prostitutes, and fanatics with hearts and souls that feature every shade of black (and gray!). From Cleopatra to Ruth Ellis, from Boudicca to Bonnie Parker, from Lady Caroline Lamb to Moll Cutpurse, from Jezebel to Ava Gardner—as well as less familiar names like Victorian brothel-keeper Mary Jeffries, American gambler and horse thief Belle Starr, and La Voisin, the seventeenth-century Queen of all Witches in France—you’ll find a variety of women from the daring and outrageous to the desperate to the downright evil. Wicked? Misunderstood? Naïve? Foolish? Predatory? Manipulative? Or just rebellious? Read their stories and decide. “[A] rollicking survey of 100 female renegades . . . this compendium of historical trivia is a lot of fun to read.” —Publishers Weekly Includes photos and illustrations
During her long career as a public figure in Jacksonian America, Anne Royall was called everything from an "enemy of religion" to a "Jackson man" to a "common scold." In her search for the source of such strong reactions, Elizabeth Clapp has uncovered the story of a widely read woman of letters who asserted her right to a political voice without regard to her gender. Widowed and in need of a livelihood following a disastrous lawsuit over her husband’s will, Royall decided to earn her living through writing--first as a travel writer, journeying through America to research and sell her books, and later as a journalist and editor. Her language and forcefully expressed opinions provoked people at least as much as did her inflammatory behavior and aggressive marketing tactics. An ardent defender of American liberties, she attacked the agents of evangelical revivals, the Bank of the United States, and corruption in government. Her positions were frequently extreme, directly challenging the would-be shapers of the early republic’s religious and political culture. She made many enemies, but because she also attracted many supporters, she was not easily silenced. The definitive account of a passionate voice when America was inventing itself, A Notorious Woman re-creates a fascinating stage on which women’s roles, evangelical hegemony, and political involvement were all contested.
This book explores how the humoral womb was evoked, enacted, and embodied on the Shakespearean stage by considering the intersection of performance studies and humoral theory. Galenic naturalism applied the four humors—yellow bile, black bile, phlegm, and blood—to delineate women as porous, polluting, and susceptible to their environment. This book draws on early modern medical texts to provocatively demonstrate how Shakespeare’s canon offers a unique agency to female characters via humoral discourse of the womb. Chapters discuss early modern medicine’s attempt to theorize and interpret the womb, specifically its role in disease, excretion, and conception, alongside passages of Shakespeare’s plays to offer a fresh reading of (geo)humoral subjectivity. The book shows how Shakespeare subversively challenges contemporary notions of female fluidity by accentuating the significance of the womb as a source of self-defiance and autonomy for female characters across his canon.
Behind-the-throne biographies of royal sisters, mothers, and others. It’s said that behind every great man is a woman, and what man is greater than the king? For centuries, royal aunts, cousins, sisters and mothers have watched history unfold from the shadows, their battlefields the bedchamber or the birthing room, their often short lives remembered only through the lens of others. But for those who want to hear them, great stories are still there to be told: the medieval princess who was kidnapped by pirates; the duchess found guilty of procuring love potions; the queen who was imprisoned in a castle for decades. Bringing thirty of these royal women out of the shadows, along with the footnotes of their families, this collection of bite-sized biographies will tell forgotten tales and shine much needed light into the darkened corners of women’s history—and reminds us that British history is more than just a chain of Edwards and Henrys and Georges.