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"How do writers, marginalized by the authoritarian state in which they live, intervene in the political process? They cannot do so directly because they are not politicians. Other modes of engagement are possible, however. A writer may take up arms and become a revolutionary. Or, as Max Weber did, he may try to influence politics by playing the role of constitutional advisor, or by seeking to shape the dominant language in which his contemporaries think. Weber sought to reconstitute the political and social vocabulary of his day.Part I of Caesarism, Charisma and Fate examines a great writer's political passions and the linguistic creativity they generated. Specially, it is an analysis of the manner in which Weber reshaped the nineteenth century idea of ""Caesarism,"" a term traditionally associated with the authoritarian populism of Napoleon III and Bismarck, and transmuted it into a concept that was either neutral or positive. The coup de grace of this alchemy was to make Caesarism reappear as charisma. In that transformation, a highly contentious political concept, suffused with disapproval and anxiety, was naturalized into an ideal type of universal value-free sociology.Part II augments Weber's ideas for the modem age. A recurrent preoccupation of Weber's writings was human ""fate,"" a condition that evokes the pathos of choice, the political meaning of death, and the formation of national solidarity. Peter Baehr, marrying Weber and Durkheim, fashions a new concept, ""community of fate,"" for sociological theory. Communities of fate--such as the Warsaw Ghetto or Hong Kong dealing with the Severe Acute Respiratory Syndrome (SARS) crisis--are embattled social sites in which people face the prospect of collective death. They cohere because of an intense and broadly shared focus of attention on a common plight. Weber's work helps us grasp the nature of such communities, the mechanisms that produce them, and, not least, their dramatic consequences.
Humanity is a single biological species but has split into two different mental species labelled Mythos and Logos. The Mythos species is driven by emotional stories, not by facts, evidence or rational arguments. Even scientific materialism is a Mythos – the sensory Mythos – which asserts that "rational unobservables", undetectable by the senses, simply cannot exist. The Enlightenment – the Age of Reason – was when Logos humanity came to the fore. HyperHumanity is the upgrade of Logos humanity that advocates Hyperrationalism. "Old" Humanity, stuck in its irrational Mythos past, will become extinct. The future is about the new human race – HyperHumanity. Do you belong to the Illuminated Ones, the Shining Ones, the Divine Ones, or are you on your knees to some story-book God, an irrational market or irrational devotion to your physical senses? HyperHumanity is not here to help Old Humanity. It is here to replace it! We are the true human race, that which seeks to claim its rightful prize – divinity.
When Georgia Kentley breaks up with her long-term boyfriend Darren over Christmas, she really can't wait to return to work on the 27th of December. The excitement dies when she meets her new boss, Walker Trent. DCI Trent is a misogynistic pain in the arse. Being a young police officer, Georgia has met her fair share of men who don't understand that she can hold her own. Every single time she has proven them wrong. Will she be able to prove to Walker Trent just how capable she is or will she get herself into a heap of trouble, danger and chaos? And when chaos ensues who will be there to save her?
The Elven Exiles trilogy ends with a monumental struggle for control of the last refuge of the elven race. The remaining free elves of Ansalon have come together at last in the shunned valley of Inath-Wakenti. While the disfigured genius Porthios wants to lead a crusade to free the elves' ancestral homelands, the rightful ruler of the elven nation, Gilthas, dreams of establishing a new homeland in the haunted valley. To do that he will have to solve the riddle of the ancient ruins dotting the landscape, the curse that prevents animals from living in the valley, and deal with swarms of ghosts lurking behind every tree and stone. But the greatest threat of all may come from a single outcast sorcerer who seeks to turn the cursed land's power to his own ends.
The fully updated third edition of "Farewell, My Nation" considers the complex and often tragic relationships between American Indians, white Americans, and the U.S. government during the nineteenth century, as the government tried to find ways to deal with social and political questions about how to treat America’s indigenous population. Updated to include new scholarship that has appeared since the publication of the second edition as well as additional primary source material Examines the cultural and material impact of Western expansion on the indigenous peoples of the United States, guiding the reader through the significant changes in Indian-U.S. policy over the course of the nineteenth century Outlines the efficacy and outcomes of the three principal policies toward American Indians undertaken in varying degrees by the U.S. government – Separation, Concentration, and Americanization – and interrogates their repercussions Provides detailed descriptions, chronology and analysis of the Plains Wars supported by supplementary maps and illustrations
A look at the first five decades of 20th century American literature, covering a wide range of literary works, figures, and influences A History of American Literature 1900-1950 is a current and well-balanced account of the main literary figures, connections, and ideas that characterized the first half of the twentieth century. In this readable, highly informative book, the author explores significant developments in American drama, fiction, and poetry, and discusses how the literature of the period influenced, and was influenced by, cultural trends in both the United States and abroad. Considering works produced during America’s rise to prominence on the world stage from both regional and international perspectives, MacGowan provides readers with keen insights into the literature of the period in relation to America’s transition from an agrarian nation to an industrial power, the racial and economic discrimination of Black and Native American populations, the greater financial and social independence of women, the economic boom of the 1920s, the Depression of the 1930s, the impact of world wars, massive immigration, political and ideological clashes, and more. Encompassing five decades of literary and cultural diversity in one volume, A History of American Literature 1900-1950: Covers American theater, poetry, fiction, non-fiction, memoirs, magazines and literary publications, and popular media Discusses the ways writers dramatized the immense social, economic, cultural, and political changes in America throughout the first half of the twentieth century Explores themes and influences of Modernist poets, expatriate novelists, and literary publications founded by women and African-Americans Features the work of Black writers, Native Americans, Asian Americans, and Jewish Americans A History of American Literature 1900-1950 is essential reading for all students in upper-level American literature courses as well as general readers looking to better understand the literary tradition of the United States.
A sprawling galactic odyssey that takes Steel, Mo and the crew of the starship Lightdancer on an incredible voyage of adventure, self-discovery, and revelation.
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
Paschalis offers a new reading of the whole Aeneid based on the meaning of proper names and using the scene of Laocoon and the Trojan Horse as a model. He sheds fresh light on every episode and book of the epic from the storm of Aeneid 1 to the death of Turnus, and reveals a sustained, pervasive, and deep-going exploitation of the meaning of names.
Aune's comprehensive study of early Christian prophecy includes a review of its antecedents (Greco-Roman oracles, ancient Israelite prophecy, prophecy in early Judaism), a discussion of Jesus as prophet, and analyses of Christian prophetic speeches from Paul to the middle of the second century A.D. The most detailed study of early Christian prophecy written, Aune's book places the phenomenon of early Christian prophecy within the larger Greco-Roman world.