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Pedro Almodóvar may have helped put queer Iberian cinema on the map, but there are multitudes of LGBTQ filmmakers from Catalonia, Portugal, Castile, Galicia, and the Basque Country who have made the Peninsula one of the world’s most vital sources for queer film. Together, they have produced a cinema whose expressions of queer desire have challenged the region’s conservative religious and family values, while intervening in vital debates about politics, history, and nation. Indiscreet Fantasies is a unique collection that offers in-depth analyses of fifteen different films produced in the region over the past fifty years, each by a different director, from Narciso Ibáñez Serrador’s La residencia (The House That Screamed, 1969) to João Pedro Rodrigues’s O ornitólogo (The Ornithologist, 2016). Contributors examine how queer Iberian cinema has responded to historical trauma—from the AIDS crisis to the repressive and homophobic Franco regime—and explore how these films demonstrate a fluid understanding of sexuality, gender, and national identity. The result will give readers a new appreciation for the cultural diversity of Iberia and the richness of its thought-provoking queer cinema. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Supranational Horrors: Italian and Spanish Horror Cinema since 1968 moves beyond national cinema discourse in considering the horror production of two Southern European countries, Italy and Spain. Rui M. Trindade Oliveira examines cultural elements that films from these nations share, arguing that a fuller understanding of European horror is possible when we acknowledge the output of Italy and Spain as being interconnected, as possessing a supranational, common identity: “Italian-Spanishness.”
Shipwreck in the Early Modern Hispanic World examines portrayals of nautical disasters in sixteenth- and seventeenth-century Spanish literature and culture. The essays collected here showcase shipwreck's symbolic deployment to question colonial expansion and transoceanic trade; to critique the Christian enterprise overseas; to signal the collapse of dominant social order; and to relay moral messages and represent socio-political debates.
Between Market and Myth is a study of novels about artists and the art world written in Spain in the years following the Transition to democracy after Francisco Franco's death. The novels studied portray a clash between the myth of artistic freedom and artists' willing recruitment or cooptation by market forces or political influence.
Saberes con sabor: Culturas hispánicas a través de la cocina es un manual avanzado que responde al creciente interés por el estudio de las prácticas culinarias y alimenticias de Ibero-América, sin desatender ni la lengua ni la cultura de esas regiones del mundo. Cada capítulo comprende aspectos vinculados con recetas, lengua, arte y teoría. Los estudiantes son expuestos a temas de geografía, historia, literatura, política, economía, religión, música e, incluso, cuestiones de género que estarían implicadas en la elaboración y en el consumo de ciertas comidas. Y, esto, mientras mejoran sus habilidades en temas esenciales y específicos del español. A lo largo del libro, están incorporados materiales de internet —como vínculos para videos, registros sonoros, referencias históricas, sitios web de cocina y contenidos suplementarios para la investigación. Muy útil en cursos universitarios, Saberes con sabor es un recurso original y único de aprendizaje para estudiantes fascinados por los placeres del paladar y, de igual manera, con una genuina pasión por las culturas hispánicas.
Beyond Sentidiño: New Diasporic Reflections on Galician Culture is an interdisciplinary study of Galician literature, languages, and cultures. The volume brings together essays from fields across the humanities and social sciences to foster a discussion that incorporates new concepts that, as of now, are not part of the imaginary of Galiza: gentrification, language imperialism, youth unemployment, deruralization and deindustrialization, media control, technocapitalism, and gender and sexual normativity. It also serves to moderate a conversation about how independence from the political, material, and sociocultural networks of autonomic Galiza allows diasporic scholars to think of Galician culture in a de-essentializing manner. Working and living in the diaspora provides a lens through which to unmask the hegemonic neocolonial and neoliberal representation and reproduction of Galicianness promoted by different social, political, and mediatic powers.
The complete guide to the entire Sierra NevadaThe Sierra Nevada is one of the most scenic, biologically diverse, and historically rich mountain ranges in North America. Touring the Sierra Nevada covers the entire range and its adjacent regions, exploring the Sierra Nevada from such world-famous sites as Lake Tahoe and Yosemite to picturesque mining towns, scenic alpine lakes, lush vineyards, and colorful hidden byways. Koehler offers suggestions for long tours and exciting daytrips, as well as detailed information about the history, geology, flora and fauna, economy, and unique features of places along the way. The book is illustrated with photographs and maps of the regions she describes. Koehler includes excursions for automobile travelers as well as backcountry adventures for hikers. She provides information about attractions in the Sierra’s two “jumping-off” cities, Sacramento and Reno, as well as in some of the major towns within the range. There is practical advice about contacting parks, museums, historical sites, visitors’ bureaus, U.S. Forest Service offices, and other agencies; finding lodging, campgrounds, and restaurants along the way; preparing for weather and altitude changes; and identifying further sources of information about the region in published guides and other books, as well as on websites. Koehler offers her readers the literary companionship of an experienced, charming, and vivacious guide through one of America’s most fascinating regions.
Andy Fernandes, a policeman from Denver, sick and tired of the routine work at the police station, participates in the casting for a new TV show and as a member of the selected group heads for the island to be tested. Before leaving he receives the task from his chief – to watch over one of the show participants who is the daughter of a recently murdered FBI agent. While preparing for shooting Andy studies his competitors and comes to the conclusion that the people chosen are not the best candidates but, rather, a handful of losers. Later on he finds out that they have been selected to search for the treasures hidden according to the medieval legend of pirates. The island meets the show participants with the dangerous adventures, love and intrigues, mystic events and the awareness of the need of self-improvement. Why exactly these people have been chosen, what trials the characters of this story will have to live through and what every participant of the show will find for himself, read in the book «The Island Of Temptations: The Unreal Show» published by DistribBooks!
Spanish poet, playwright, and novelist Félix Lope de Vega (1562–1635) was a key figure of Golden Age Spanish literature, second only in stature to Cervantes, and is considered the founder of Spain’s classical theater. In this rich and informative study, Javier Lorenzo investigates the symbolic use of space in Lope’s drama and its function as an ideological tool to promote an imagined Spanish national past. In specific plays, this book argues, historical landscapes and settings were used to foretell and legitimize the imperial present in Hapsburg Spain, allowing audiences to visualize and plot, as on a map, the country’s expansionist trajectory throughout the centuries. By focusing on connections among space, drama, and empire, this book makes an important contribution to the study of literature and imperialism in early modern Spain and equally to our understanding of the role and political significance of spatiality in Siglo de Oro comedia.
In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Here, Useche offers fresh readings of canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors.