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Examines the intertwined genealogies of sovereignty, public, religion, and nation, and the spatiotemporal dynamics of broadcasting.
India's State-run Media presents a new perspective on broadcasting by bringing together two neglected areas of research in media studies in India - the intertwined genealogies of sovereignty, public, religion, and nation in radio and television, and the spatiotemporal dynamics of broadcasting into a single analytic inquiry. It argues that the spatiotemporalities of broadcasting and the inter-relationships among the public, religion, and nation can be traced to an organizing concept that shaped India's late colonial and postcolonial histories - sovereignty. The book contends that studies of television have glossed over the meanings, experiences, and practices of the religious in televisual narratives and viewers' interpretations of television programs. Drawing on the philosophical writings of Paul Ricoeur and Michel Foucault, connecting their ideas with media, cultural, and religious studies, it examines cultural discourses, power relations, repertoire of meanings, social events, etc. in broadcasting in late colonial and postcolonial India.
Who controls the media today? There are many media systems across the globe that claim to be free yet whose independence has been eroded. As demagogues rise, independent voices have been squeezed out. Corporate-owned media companies that act in the service of power increasingly exercise soft censorship. Tech giants such as Facebook and Google have dramatically changed how people access information, with consequences that are only beginning to be felt. This book features pathbreaking analysis from journalists and academics of the changing nature and peril of media capture—how formerly independent institutions fall under the sway of governments, plutocrats, and corporations. Contributors including Emily Bell, Felix Salmon, Joshua Marshall, Joel Simon, and Nikki Usher analyze diverse cases of media capture worldwide—from the United Kingdom to Turkey to India and beyond—many drawn from firsthand experience. They examine the role played by new media companies and funders, showing how the confluence of the growth of big tech and falling revenues for legacy media has led to new forms of control. Contributions also shed light on how the rise of right-wing populists has catalyzed the crisis of global media. They also chart a way forward, exploring the growing need for a policy response and sustainable models for public-interest investigative journalism. Providing valuable insight into today’s urgent threats to media independence, Media Capture is essential reading for anyone concerned with defending press freedom in the digital age.
An analysis of the use of media by political and religious interest groups in India
This is the first academic study of Christian literature in Hindi and its role in the politics of language and religion in contemporary India. In public portrayals, Hindi has been the language of Hindus and Urdu the language of Muslims, but Christians have been usually been associated with the English of the foreign ‘West’. However, this book shows how Christian writers in India have adopted Hindi in order to promote a form of Christianity that can be seen as Indian, desī, and rooted in the religio-linguistic world of the Hindi belt. Using three case studies, the book demonstrates how Hindi Christian writing strategically presents Christianity as linguistically Hindi, culturally Indian, and theologically informed by other faiths. These works are written to sway public perceptions by promoting particular forms of citizenship in the context of fostering the use of Hindi. Examining the content and context of Christian attention to Hindi, it is shown to have been deployed as a political and cultural tool by Christians in India. This book gives an important insight into the link between language and religion in India. As such, it will be of great interest to scholars of Religion in India, World Christianity, Religion and Politics and Interreligious Dialogue, as well as Religious Studies and South Asian Studies.
Recovers, narrates, and interrogates the history of censorship of publications in India over three crucial decades - 1930-1960.
Paul Kennedy's classic naval history, now updated with a new introduction by the author This acclaimed book traces Britain's rise and fall as a sea power from the Tudors to the present day. Challenging the traditional view that the British are natural 'sons of the waves', he suggests instead that the country's fortunes as a significant maritime force have always been bound up with its economic growth. In doing so, he contributes significantly to the centuries-long debate between 'continental' and 'maritime' schools of strategy over Britain's policy in times of war. Setting British naval history within a framework of national, international, economic, political and strategic considerations, he offers a fresh approach to one of the central questions in British history. A new introduction extends his analysis into the twenty-first century and reflects on current American and Chinese ambitions for naval mastery. 'Excellent and stimulating' Correlli Barnett 'The first scholar to have set the sweep of British Naval history against the background of economic history' Michael Howard, Sunday Times 'By far the best study that has ever been done on the subject ... a sparkling and apt quotation on practically every page' Daniel A. Baugh, International History Review 'The best single-volume study of Britain and her naval past now available to us' Jon Sumida, Journal of Modern History
The concept of National Security in the 21st century has expanded beyond our traditional dimensions of security as purely national defence by a state and its military, to policies that accommodate security from the perspective of state and its people. In this context, the powerful tool of media, colossal and integrated, has become an inseparable tool for information dissemination and a continuum in policy intervention for states to secure their integrity and sovereignty. Also, for a democracy like India with a diverse society, its multilingual media becomes an available and active platform for deliberation of actions and rationale to develop opinions and decisions that serves the purpose of independent and palpable citizens involved in the broader decision making. Thus, moving beyond the textbook definition of media to educate and inform, the book focuses on the Indian media in particular as influential and imperative in the current scenario and its role in fighting the psychological war alongside the state and its forces, and against contemporary national security threats such as terrorism. It tries to understand the Indian media in its varied theoretical forms and the projection of its power to the people who employ it and those who synchronize its events. The book also tries to understand the intermingling of conflict and the Indian media, while indulging in newer concepts such as peace journalism and strategic education. However; the role of the Indian media continues to be under question due to its nascent pragmatic endeavours, and thereby needs to be defined categorically and holistically in the Indian domain. This exercise aims to centre the Indian media on its role as an eminent player and collaborator of policies on security and at the same time futuristically assess the extension of its perceived role in the larger dimensions of India's national security.