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Located along rivers, at the edges of lakes, on mountain boulders, in rock shelters, on rock ledges where the continent meets the ocean, and tucked into parks and public places, American Indian rock art offers tantilizing glimpses of the signs and symbols of a Native American culture. Picture Rocks documents all known permanent petroglyph and pictograph sites from the Canadian provinces of Nova Scotia and New Brunswick, the six New England states, New York, and New Jersey. Some sites are subject to disputes over their origins—Indian or Portuguese? Some are ancient, and others, such as the work of the Mi’kmaq, were executed in the past 200 years. Many of these sites are little known; others, like those at Bellows Falls, Vermont, are sources of great local pride and appear on city walking tours. Interspersing his own interpretations with comments from scholars and Native American storytellers, Edward J. Lenik provides a definitive look at an extraordinary art form. Two hundred illustrations include historic sketches by early Euro-American colonists, nineteenth-century photographs, and recent photographs and drawings of the current conditions of many sites.
Archaeologist Keyser and Klassen share with readers the origins, diversity, and beauty of Plains rock art, with the hope of encouraging greater awareness and respect for this cultural tradition by society as a whole. Their guide covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology and dating; and suggests interpretations of images and compositions. The text is illustrated throughout with black-and-white photos, maps and drawings. The writing is serious, but accessible to the general reader. c. Book News Inc.
Effigy Hill, Inscription Canyon, Black Mountain Complex, Superior Valley, Barstow, California 05/2018 Indian Rock Writings represents a paradigm shift in American Indian studies, from illegally contrived cultural obscuration to actual documented historical fact... For seven thousand years, the history surrounding the Battle of Bear Paw, in the Black Mountain Complex, Superior Valley of Southern California, was taught to ‘oot (proto-Uto-Aztecan) children using Indian rock writings. This Native American history is confirmed by Southern Ute Elder Dr. James Jefferson, PhD, and representatives from countless Ute enclaves throughout the United States, Central and South America. “We already know all these things,” stipulates Dr. Jefferson, confirming the contents of the book in accordance with Indian law. In the 1850s, this battle and all Indian history were stolen from the Native Americans by an attorney for the railroads, mining and banking industries. Here within these covers is a preliminary primer, dictionary, and thesaurus with which to supplement a small portion of recorded Indian history. A history recovered from Indian rock writings spanning several thousand years and two thousand miles from Southern California to Illinois, Texas to Montana. Perhaps the contents will inspire more field research and unmask Indian truths obscured by design for more than one hundred sixty-five years...
Provides a look at the history of the Black Hills country over the last ten thousand years through rock art, which illustrates the rich oral traditions, religious beliefs, and sacred places of the Lakota, Cheyenne, Kiowa, Mandan, and Hidatsa Indians who once lived there. Original
The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries. Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.
An introduction to native American art through petroglyphs and pictographs.
At archeological sites throughout Colorado, New Mexico, Arizona and Utah, the ancient inhabitants of the American Southwest have left a rich legacy built and etched in stone - places to witness sheer ingenuity and pay tribute to the roots of Native American culture. With color photographs, maps, and detailed entries, this handsome volume spotlights the most accessible, visitor-friendly sites to explore. Also included are suggested travel routes for those wishing to tour multiple sites.
Sixty color and 15 bandw photographs utilize natural light and show Utah's prehistoric rock art images in the context of the surrounding canyons. The photos are presented with brief captions, and with the words of Ute, Paiute, Hopi, and Northwest Shoshone individuals who describe the what the art means to them personally. An introductory essay discusses the various artistic styles of native peopls of this region over a period of 8,000 years. N. Scott Momaday supplied the foreword. A lovely book. No index or references. 10x11" Annotation copyright by Book News, Inc., Portland, OR
"Offers a powerful revisioning of the genesis of American literary history, revealing that from its earliest moments, American literature owes its distinctive shape and texture to the determining influence of indigenous thought and culture."--Joanna Brooks, San Diego State University "Partly a close, detailed analysis of the specific text and partly a broader analysis of Native identity, literary influences, and spiritual affiliation, the book makes a sophisticated and compelling claim for the way Indian influences permeate this Puritan text."--Hilary E. Wyss, Auburn University William Bradford, a leader among the Pilgrims, carefully recorded the voyage of the Mayflower and the daily life of Plymouth Colony in a work--part journal, part history--he titled Of Plimoth Plantation. This remarkable document is the authoritative chronicle of the Pilgrims' experiences as well as a powerful testament to the cultural and literary exchange that existed between the newly arrived Europeans and the Native Americans who were their neighbors and friends. It is well-documented that Native Americans lived within the confines of Plymouth Colony, and for a time Bradford shared a house with Tisquantum (Squanto), a Patuxet warrior and medicine man. In Bradford's Indian Book, Betty Booth Donohue traces the physical, intellectual, psychological, emotional, and theological interactions between New England's Native peoples and the European newcomers as manifested in the literary record. Donohue identifies American Indian poetics and rhetorical strategies as well as Native intellectual and ceremonial traditions present in the text. She also draws on ethnohistorical scholarship, consultation with tribal intellectuals, and her own experiences to examine the ways Bradford incorporated Native American philosophy and culture into his writing. Bradford's Indian Book promises to reshape and re-energize our understanding of standard canonical texts, reframing them within the intellectual and cultural traditions indigenous to the continent. Written partly in the Cherokee syllabary to express pan-Indian concepts that do not translate well to English, Donohue's invigorating, provocative analysis demonstrates how indigenous oral and thought traditions have influenced American literature from the very beginning down to the present day. Betty Booth Donohue is an independent scholar and a member of the Cherokee Nation.