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A gripping, fast-paced account of the life of the indigenous man who founded and led the Indian Posse, one of the most dangerous gangs in North America, into violence, power, and infamy. In 2008, Daniel Richard Wolfe was awaiting trial on two counts of first-degree murder at the Regina Correctional Centre. This wasn't his first time in jail; from his teenage years his life had been marked by stints in and out of prison – with Danny sometimes finding his own way out. This time around, he was orchestrating his boldest move yet: a carefully plotted escape that would send the RCMP on a nationwide manhunt, launching Danny Wolfe to headline-topping notoriety. The Ballad of Danny Wolfe cinematically traces the storied years of Danny Wolfe's life, from his birth in Regina to his relationship with his mother, Susan Creeley, a First Nations woman who was forever marked by her experience in the residential school system; to his first brush with the law at the age of four and then his subsequent arrests; to the creation of the Indian Posse, the street gang he founded with a handful of equally disenfranchised indigenous friends; to the dissonance Danny felt between the traditional world he was born into and the criminal one that became his life; to the dramatic tensions over power and loyalty unfolding in the gang world and within the Posse itself. Drawing on unprecedented access to the Wolfe family and first-hand accounts from the people closest to the gang leader, Joe Friesen's portrait of Danny Wolfe is at once riveting and timely, nuanced and provocative.
This updated and expanded new edition continues the theme of the first edition of emphasizing the substantial growth of street gangs throughout the world. Although a substantial amount of research on street gangs has been conducted in recent decades, much of it has focused on the United States. This book summarizes much of the research being conducted in many other countries where the street gang phenomenon is currently developing, which includes poverty, the retreat of the state, increasing income inequality, urbanization, population growth, exploitation, marginalization, underground economie.
With the advent of Aboriginal street gangs such as Indian Posse, Manitoba Warriors, and Native Syndicate, Winnipeg garnered a reputation as the “gang capital of Canada.” Yet beyond the stereotypes of outsiders, little is known about these street gangs and the factors and conditions that have produced them. “Indians Wear Red” locates Aboriginal street gangs in the context of the racialized poverty that has become entrenched in the colonized space of Winnipeg’s North End. Drawing upon extensive interviews with Aboriginal street gang members as well as with Aboriginal women and elders, the authors develop an understanding from “inside” the inner city and through the voices of Aboriginal people – especially street gang members themselves. While economic restructuring and neo-liberal state responses can account for the global proliferation of street gangs, the authors argue that colonialism is a crucial factor in the Canadian context, particularly in western Canadian urban centres. Young Aboriginal people have resisted their social and economic exclusion by acting collectively as “Indians.” But just as colonialism is destructive, so too are street gang activities, including the illegal trade in drugs. Solutions lie not in “quick fixes” or “getting tough on crime” but in decolonization: re-connecting Aboriginal people with their cultures and building communities in which they can safely live and work.
Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other. In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today. Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.
An expert takes us inside the dark world of gangs in Canada. Dr. Mark Totten has spent fifteen years learning all about these gangs and the young men and women who belong to them. He has interviewed over 500 gang members across the country, traced their lives from infancy to adulthood, and explored the roots of their involvement in crime and their reliance on violence. Nasty, Brutish and Short offers a groundbreaking picture of the reality of gangs in Canada. Much of what Dr. Totten has to say is at odds with popular ideas. His research leads him to believe that breaking through the circumstances that produce young criminals is far more difficult than most people think. For most individuals caught up in gang life, exiting that world is next to impossible -- in fact, the most common way out is an early death from violence or suicide. This book opens the door on a way of life unknown to most Canadians.
In this system, you can’t trust anybody. Like, even on the streets, I’ve never trusted my own brother. But now, in Ni-Miikana, I’m starting to get that trust back. You just gotta be careful what you say in here, and you’ll be all right. Despite falling crime rates, more rights for inmates, and better training for correctional officers, Canada’s prison population is on the rise, and outbreaks of violence continue to grab headlines. Applying Erving Goffman’s frame theory and drawing on interviews with inmates and correctional officers in federal and provincial institutions, Michael Weinrath assesses whether improvements over the past twenty-five years have truly led to “better corrections.” Behind the Walls offers an unprecedented look at life in contemporary prisons. Inmates and staff describe their transition to prison life and corrections work, and they explain how they frame or understand their roles and how they relate to others. They provide commentaries on key developments and problems, including the experiences of female correctional officers in male prisons, boundary violations by correctional officers, the introduction of behavioural programs, and the rise of prison gangs. Weinrath’s balanced assessment reveals that although prisons have seen improvements, they continue to be plagued by problems that prevent inmates from forging positive relationships among themselves and with correctional officers.
A gripping, fast-paced account of the life of the indigenous man who founded and led the Indian Posse, one of the most dangerous gangs in North America, into violence, power, and infamy. In 2008, Daniel Richard Wolfe was awaiting trial on two counts of first-degree murder at the Regina Correctional Centre. This wasn't his first time in jail; from his teenage years his life had been marked by stints in and out of prison – with Danny sometimes finding his own way out. This time around, he was orchestrating his boldest move yet: a carefully plotted escape that would send the RCMP on a nationwide manhunt, launching Danny Wolfe to headline-topping notoriety. The Ballad of Danny Wolfe cinematically traces the storied years of Danny Wolfe's life, from his birth in Regina to his relationship with his mother, Susan Creeley, a First Nations woman who was forever marked by her experience in the residential school system; to his first brush with the law at the age of four and then his subsequent arrests; to the creation of the Indian Posse, the street gang he founded with a handful of equally disenfranchised indigenous friends; to the dissonance Danny felt between the traditional world he was born into and the criminal one that became his life; to the dramatic tensions over power and loyalty unfolding in the gang world and within the Posse itself. Drawing on unprecedented access to the Wolfe family and first-hand accounts from the people closest to the gang leader, Joe Friesen's portrait of Danny Wolfe is at once riveting and timely, nuanced and provocative.
Since the 1970s, Aboriginal people have been more likely to live in Canadian cities than on reserves or in rural areas. Aboriginal rural-to-urban migration and the development of urban Aboriginal communities represent one of the most significant shifts in the histories and cultures of Aboriginal peoples in Canada. The essays in Aboriginal Peoples in Canadian Cities: Transformations and Continuities are from contributors directly engaged in urban Aboriginal communities; they draw on extensive ethnographic research on and by Aboriginal people and their own lived experiences. The interdisciplinary studies of urban Aboriginal community and identity collected in this volume offer narratives of unique experiences and aspects of urban Aboriginal life. They provide innovative perspectives on cultural transformation and continuity and demonstrate how comparative examinations of the diversity within and across urban Aboriginal experiences contribute to broader understandings of the relationship between Aboriginal peoples and the Canadian state and to theoretical debates about power dynamics in the production of community and in processes of identity formation.