Download Free Indian Media In A Globalised World Book in PDF and EPUB Free Download. You can read online Indian Media In A Globalised World and write the review.

This book explores the transformation of Indian media in the context of two major developments: globalization, which has introduced what are termed as 'foreign' elements to Indian culture, and the opening of the floodgates for foreign media to enter the country. It discusses both theoretical considerations and empirical studies related to the role of Indian media. Indian Media in a Globalised World adopts a multi-disciplinary approach and looks at the role of media in purveying political, economic, and cultural identities. The discussions cover all forms of media, that is, newspaper, films, radio, television and online media, along with media policy and the challenges facing the media.
Contributed articles.
Emphasizing the global nature of Indian and Chinese film, television, and digital media, Reorienting Global Communication: Indian and Chinese Media Beyond Borders provides a diverse mix of alternative perspectives that collectively shift the discussion of media globalization away from Hollywood and New York. Linked by a shared history of colonialism, state socialism, large diasporas, and recent market liberalization, India and China are poised to become twenty-first-century world powers. While both enjoy a rich ensemble of religious iconography, legends, and folk traditions, Indian and Chinese producers and consumers are today challenged to find modes of expression that are culturally authentic and commercially viable in an increasingly globalized media environment. Essays cover topics such as the influence of transnational Indian families on the narrative elements of Bollywood productions, the rise of made-in-China blockbusters, the development of pan-Asian cinema, and migrants' use of the Internet to maintain connections with their homelands. Contributors are Michael Curtin, Chua Beng Huat, Shanti Kumar, Chin-Chuan Lee, Madhavi Mallapragada, Divya C. McMillin, Sreya Mitra, Sujata Moorti, Zhongdang Pan, Aswin Punathambekar, Jack Linchuan Qiu, Hemant Shah, Lakshmi Srinivas, Emilie Yueh-yu Yeh, and Yuezhi Zhao.
The very rapid growth in the Indian media industries and the vibrancy of India's popular culture are making a working understanding of the Indian scene a prerequisite for any serious study of media in the twenty-first century. As one of the largest and most influential emerging economies in the world today, India now plays a crucial role in any serious discussion of social and economic change taking place at the global level. As new commercial and political alignments take shape in the face of new global circumstances, thinkers and decision-makers are inexorably drawn towards the reality of a new India being forged in the technological and cultural flux of global media flows. Taking an innovative interdisciplinary approach to the complex field of Indian media and society, this book combines a rich descriptive account with critical analysis designed to engender informed debate amongst students, academics and other researchers.
Examining anew the notions of media imperialism and globalization of media, this book disrupts the generalised consensus in media scholarship that globalization of media has put an end to media imperialism. One elemental aspect of media imperialism is the structural dependency of television systems in the global South on the imperial North. Taking India and Pakistan as its case studies, this book views globalization of media as the unleashing of processes that have translated into the liberalization of air waves and privatization of television systems whereby commercialization of television is privileged over public interest television. Additionally, it argues that the globalization of media has contributed to corruption, tabloidization, and marginalization of subaltern classes in the Indian and Pakistani media.
This study examines the converging culture, telecommunications and new media industries in North America. With a broadly political-economic perspective, this work the goes on to provide an account of changes in the aftermath of trade agreements, and sets these changes in a global context.
"In the decades following India's opening to foreign capital, the city of Bangalore emerged, quite unexpectedly, as the outsourcing hub for the global technology industry and the aspirational global city of liberalizing India. Through an ethnography of English and Kannada print news media in Bangalore, this ambitious and innovative new study reveals how the expanding private news culture played a critical role in shaping urban transformation in India, when the allegedly public profession of journalism became both an object and agent of global urbanization. Building on extensive fieldwork carried out with the Times of India group, the largest media house in India, between 2008-2012, Sahana Udupa argues that the class project of the 'global city' news discourse came into striking conflict with the cultural logics of regional language and caste practices. Advancing new theoretical concepts, Making News in Global India takes arguments in media scholarship beyond the dichotomy of public good and private accumulation"--
Digital media histories are part of a global network, and South Asia is a key nexus in shaping the trajectory of digital media in the twenty-first century. Digital platforms like Facebook, WhatsApp, and others are deeply embedded in the daily lives of millions of people around the world, shaping how people engage with others as kin, as citizens, and as consumers. Moving away from Anglo-American and strictly national frameworks, the essays in this book explore the intersections of local, national, regional, and global forces that shape contemporary digital culture(s) in regions like South Asia: the rise of digital and mobile media technologies, the ongoing transformation of established media industries, and emergent forms of digital media practice and use that are reconfiguring sociocultural, political, and economic terrains across the Indian subcontinent. From massive state-driven digital identity projects and YouTube censorship to Tinder and dating culture, from Twitter and primetime television to Facebook and political rumors, Global Digital Cultures focuses on enduring concerns of representation, identity, and power while grappling with algorithmic curation and data-driven processes of production, circulation, and consumption.
This book provides a comprehensive understanding of the various dimensions of India’s international positioning and foreign relations. Already a dominant player in South Asian politics, India has gained a strong footing in the international pecking order with the signing of the Indo-US nuclear agreement and significant support for its claim for a permanent seat in the Security Council. The chapters presented here look at myriad aspects — India’s relations with its neighbours and global powers farther afield including the US, the European Union, Russia and China; India’s policies, influences and strengths; developments in economy, knowledge and innovation amid evolving global realities as well as geostrategic equations and alliances; its present and future plans vis-à-vis its standing in the world; and how international politics is likely to emerge in the coming years. The volume will be useful to academics, researchers and students of politics and international relations as also to policy practitioners and those in media interested in Indian affairs, foreign policy and international relations.
The twenty-first century has witnessed the rise of India as a major media producer and consumer market increasingly engaged with the global economy. Aided by rising incomes, technological remediation, regulatory strategies, and a shifting political terrain, the business of media has been given official recognition as a substantive component of India’s economy and as a prominent feature of its economic thinking. In light of these developments, these two pioneering volumes investigate the dynamics of an increasingly integrated media economy encompassing television, film, music, sport, and telecoms. Volume 1: Industrial Dynamics and Cultural Adaptation illustrates the distinctive industrial dynamics of India’s media economy, tracking the deeply embedded cultural, political, and economic forces that determine its everyday operation. The selection of essays serves to demonstrate the unique patterns of development and the complex field of exchanges that have constituted India’s media economy. As a whole, this volume posits a comprehensive approach to understanding the nature of media resources, the negotiation of industrial norms and the cultural context of a media economy firmly situated in the realities of India’s distinct regions, cultures, and human networks. Volume 2: Market Dynamics and Social Transactions provides a comprehensive analysis of the interlocking markets that constitute the media economy, focusing upon its particular commodity forms, labour conditions, and spaces of consumption. Taking account of a rich set of case studies, this volume argues for the necessary consideration of multiple and interdependent markets in explicating our everyday encounters with media. By foregrounding the social transactions that encapsulate market exchanges, it begins to illustrate some of the novel aspirations, meanings, and relationships arising with India’s media economy.